A place???

problem solving steps

“there’s a restaurant two miles from my house called—” nope

“today I learned [celeb] went to my high school—” nope nope nope nope nope

these are all real posts I’ve seen on the internet that allowed me to identify a user’s hometown instantly. if it’s a small town, that’s doubly dangerous, because a bad actor could trace you just by a unique first name or selfie you once posted. in an age where doxxing and stalking are some of the worst I’ve ever seen it, you HAVE to think twice about what you’re posting online.

i once saw a 13-year old post an image they noted as being “a few miles from their house.” it had a theater in the shot with a unique enough name to be local. one google maps search, now everyone knew not only what city they lived in, but the possible neighborhoods in that radius too. and they had a HUGE following…who all knew this was a 13-year-old child.

so yeah. not to sound like a 90s internet safety PSA…but I’m gonna be that PSA for a minute.

if you’re posting an image, there is NO need to say that you live there. you could just be traveling. “saw this in Montana” is better than “saw this by my house!”

before you post about a venue, especially a restaurant or small store, check and see if it’s local—CRUCIALLY if it has only one or two locations. people might travel to arenas or convention centers, but they’re far less likely to be traveling to Bartleby’s Fish and Chips. if it’s an anecdote and you still live nearby, you can honestly just leave the name out entirely.

if you’re sharing a news story, it can just be a story you found and wanted to share. you don’t have to clarify “it happened in my town,” because even if you don’t mention your town name, an easily-googled news article will.

if you’re seeing a concert or meeting a celebrity on a tour that’s stopped locally, wait until they’ve hit a few more venues before you post about it, or at the very least wait until you get home. this is honestly a smart move for any event you attend: unless you’re marketing yourself, there’s no need to advertise your location in real time.

check your selfie backgrounds for anything identifying. this includes city names on venues, school names, street signs, and house numbers.

this stuff is flexible if you no longer live in your hometown, or if your city is particularly big, but there’s STILL no reason to tie yourself to your school, your workplace, or your street. you can call it paranoid, but as someone who’s seen my friends get literal death threats over fictional characters before, the last thing I want is someone willing to act on those threats finding out where they live.

congrats! Now you have a motif! A recurring theme! A focus for your art! Something to haunt you!

Seventeen still lives of dandelions? Three hundred poems about grief? A sketchbook dedicated to your grandmother’s house? Two books trying to unravel the complexities of familial relationships?

An early exploration of the themes Hokusai would keep coming back to is Spring in Enoshima, done in 1793 when he was 33. The wave is small and there are no boats, but Mt Fuji is clear in the background, and Enoshima is in Kanagawa, so we are clearly beginning to work towards something here.

A second pass, eleven years later in 1803 when he was 44. The title of this one begins to get more familiar: The View of Honmoku Off Kanazawa. It has a towering wave over a smaller boat, but Mt Fuji is not present, and the boat is considerably larger and has a sail. But the feeling of danger in the wave and the smallness of the boat are here, and of course the general composition is definitely recognizable.

This is A View Of Express Delivery Boats, done in 1805, merely two years later at age 46. Here we find the wave and the boats almost exactly as we'll find them in The Great Wave Off Kanagawa, though Mt Fuji isn't present, and the location is uncertain. And it's a good picture! The wave is threatening, the boats are small -- but the feeling of "ocean" isn't really there yet, is it? It's unlikely this picture would have become a classic for the ages. But that's okay, there's still time.

And here we have it, a full 26 years later, done by Hokusai in 1831 at the age of 72. The Great Wave Off Kanagawa, one of the most recognizable pieces of art in the world. The boats are there, the mountain is there, the wave is there, and the FEELING is there. He did it! He reached the apex of his ongoing motif and theme!

Or did he? Because the whole point of a motif is not that you're striving to get to the perfect version of it, the one idealized image you carried in your head all along, and when it is done, you are also done. Hokusai is on record at the age of 73 saying he'd only just begun to feel like he was learning how to draw things properly, and that "if I keep up my efforts, I will have even a better understanding when I was 80 and by 90 will have penetrated to the heart of things. At 100, I may reach a level of divine understanding, and if I live decades beyond that, everything I paint — dot and line — will be alive." He had drawn The Great Wave, but he didn't believe he was finished -- he thought that he was still just beginning to get started.

And he wasn't finished with his ocean motif, either. Please check out his Mt Fuji At Sea, done in 1834 at the age of 75.