Kitchenghost

it's so over. we're so back.

a bit of a ramble under the cut so actual spoilers ahead ig

First half:

SCREAMING CRYING THROWING UP

PAIN PAIN PAIN TEARS TEARS TEARS

FUCK YOU DIE DIE DIE

Second half:

TEARS OF JOY

GAY GAY GAY FNC KISS PLEEEEASE

FINALLY!!

The plan is for me to explain why I chose every single song for each character and add some art to it!! It will take a while but I'm really excited to do this! Feel welcome to ask or share your own interpretations!

Here's how I divided it:

75 free to use hand refs for you! Use them however you want.

So doppledyn right.

The first instance we see of a clone made by the navy is dopplegilly, and I recently re listened to a scene from 114 and I think I figured out how they are made.

I've seen a lot of people say that the machine that gillion wore that "made him a more obedient soldier" is what cloned him, but I noticed that before that, (when Grizzly is describing when gillion wakes up on the meat hook), gillion hears the creature talking in primordial to someone, saying

"Find intruders. Kill. Make more soldiers."

We also saw the creature say similar things to dopplegilly in a different scene. With the idea that the creature was very likely talking to Dopplegilly, we know that Dopplegilly was made before gillion sat in the chair.

But Gillion was effectively killed by the creature that took him, and was saved by the Death Ward that he casted beforehand. Which means that the reason Dopplegilly was created was because the real Gilly died. This can be further proven by what the creature says to dopplegilly, telling him to kill the intruders to make more soldiers.

HELPPP THIS WAS SUPPOSED TO BE JUST A JOKE

WHY AM I CRYING

Ref:

You don't need to write the story right now, but you need to write a moment.

Forget the plot, the grammar, the spelling...

It doesn't have to be good. It doesn't even have to continue from where you left off previously.

Try writing:

The scene that happens right before it all changes.

The moment before it all goes wrong.

A conversation that starts in the middle that the character's don't finish.

Dialogue they scream at themselves in the mirror, because they couldn't say it out loud to the person that needed it the most.

Write for five minutes without stopping.

Don't fix spelling. Don't reread. Don't delete. If it's messy, it's working.

An antihero - a central character who lacks the characteristics an audience associates with a conventional hero.

They are ambiguous protagonists—complex characters who have a dark side.

Despite a flawed exterior, a history of bad decisions, and even a questionable moral code, an antihero is ultimately guided by good intentions.

Tips for Writing an Antihero

Despite their flaws, antiheroes are realistic characters that readers can relate to. Here are four tips for creating a great antihero for your story:

Create a main character who is complex. Think of how you would write a traditional hero. Create your antihero by giving them the opposite attributes. If a hero is an idealist, your antihero is a cynic. Make them mysterious so their character is revealed bit by bit. A great antihero has flaws just like a real person. But despite an antihero’s weaknesses, their good side is illuminated as the story progresses. These contrasting qualities make an antihero more complex and interesting.

Give your antihero internal conflict. Every great antihero has an internal struggle driving their actions. Before you begin writing, sit down and flesh out the character. What event is the source of their internal struggle that informs their behavior in the story? As you write, slowly reveal your antihero’s backstory to let readers know what makes them tick.

Don’t confuse your antihero with the antagonist. For the antiheroes with misguided morals, the ends justify the means. They can explain away the bad things they do if the result is ultimately good and they emerge a hero. When writing an antihero, you can bring them to the edge of evil, but they’re never as evil as the true villain of your story. Unlike an antagonist, an antihero ultimately believes they are acting for a noble cause. Some characters, like the DC Comics character Harley Quinn, alternate between being an antihero and an antagonist, depending on the context.

Use supporting characters. In the TV show The Sopranos, antihero Tony Soprano had his therapist, who showed Tony’s vulnerability and made the audience have a soft spot for a guy who ordered a hit as easily as he ate a bowl of pasta. Create a side character who can illuminate your antihero’s redeeming qualities. The best antiheroes are the ones readers can’t believe they’re rooting for.

Types of Antiheroes