45. July escalations, warm arms, and loss of plausible deniability
PREVIOUSLY: while Kat leaves for California to meet up with her sister, life in Seattle doesnât stop - the Geekâs apartment is continually overrun with musicians who do not live there; Eva goes out to a party alone and comes back with none other than Jeff Ament; Stone ends up gleefully informing the entire apartment before Eva can; then later, Jeff shows up with flowers and candy to ask her out properly, and - unlike certain other people in this friend group - they manage to communicate directly; Kat returns to find Eva and Jeff officially becoming a thing, gets ambushed with a surprise birthday celebration complete with several impossibly heartfelt candle wishes from her roommates and a mixtape from Mark; and Gwen terrorizes Mark into quietly admitting that heâs getting very conflicting information about whether Kat likes him or not.
Wednesday, July 5th
By the time we head to the park, we've been inside the recording studio for the better part of seven hours. My ears are still ringing. We've played the same goddamn guitar part so many times I started questioning whether music was a mistake, and I smell of sweat, dust, and amplifier tubes. We did figure it out eventually though so it's been a good day. Productive.Â
The park is full the same way it tends to be this time of year, this time of day. Basketball courts and picnic tables are all claimed, and Kat and Eva have apparently decided to elevate the gathering by bringing an actual blanket and enough snacks to qualify as a picnic this time. I immediately invite myself onto their blanket, steal a handful of grapes without asking, and am silently pleased when Kat slides the container a little closer while asking how the recording went.
I wonder if she's listened to the mixtape yet. She probably has. Did she notice? Or maybe it's still sitting on top of her stereo waiting for a free afternoon. Either way, Gwen's probably right. Kat notices everything but the problem is, she also has a talent for explaining everything away. Give her enough time and sheâll convince herself a love letter was probably just somebody testing a pen. I have absolutely no intention of asking her about the mixtape right now though.
Some time later the conversation has reached that point where it inevitably splits in half somehow. Matt is lying in the grass, trying to settle an argument with Steve about whether a band can ruin a perfectly good song by recording it too well. I contribute occasionally because I feel morally obligated. Mostly, though, I'm listening to Kat and Eva.
"...I'm just saying," Eva says, sunglasses perched on top of her head now, "if someone voluntarily owns three lava lamps, that tells you something."
"It tells you they enjoy poor decisions."
"Exactly."
"So why would I hold that against them?" Kat cackles.
"Because you're supposed to have standards."
"I do."
"They're very flexible."
âTheyâre inclusive.â She's sitting with one knee up, absentmindedly pulling blades of grass apart while she talks.Â
Jeff, Stone, and Matt Cameron are halfway through another game on the court. Steve eventually wanders over to referee despite nobody asking him to. Somebody's radio is playing from a picnic table. Bruce and Danny are attempting trick shots from increasingly unreasonable distances and loudly blaming physics whenever they don't go in.Â
Kat's gesturing animatedly as sheâs contradicting Eva on yet another completely trivial point; then her forearm ends up resting against mine. Bare skin, warm from the sun. She just leaves it there. I look down automatically but she doesn't seem to notice... Or maybe she does? Which, thanks to Gwen, suddenly feels like a very important distinction.
She's got freckles all over her arms. Where the hell do those even come from? Did she molt? Is that how freckles work? No idea. They're all over her forearms; not dark enough that you'd call them striking, but enough that once you've noticed them your eyes keep trying to count them, which feels like a terrible hobby to accidentally develop. Before I really decide to, I've already got hold of her arm. She doesn't even interrupt herself. "...and then Gwen said that's basically impossibleâŚ"
I turn her arm over a little and she lets me, still talking to Eva like the permission for me to touch her doesnât even need to be verbally acknowledged. "...which isn't even an argument, really..."
I run my thumb once across the outside of her arm. "Hm."
"What?" She finally looks down at it too.
"You have a lot of freckles."
"Oh. I guess I do."
"I don't think I realized there were this many. Does it affect your quality of life?"
"They only come out in summer."
"Really?"
"Mhm." She studies her own arm with me for a second, like we've both been presented with the same mildly interesting information. "I forget they're there most of the year."
"Seems wasteful."
"For who?"
"I don't know."
She gives Eva some kind of unamused look. "Yet another very persuasive argument."
I trace not the freckles but the air just above them with my finger. "They're nice." The words come out before I've had time to edit them.
Kat turns her head then and actually looks at me, the corner of her mouth lifting. "Thanks. I like them too, actually."
Eva watches us for a few seconds, then sighs. âDating Jeff weighing on you that heavy?â I ask immediately and she scrunches her face and then sticks her tongue out at me.
"He called glass!!" We hear Stone yell like his life depends on it and then Jeff responds just as unnecessarily loudly:
"Because Iâm a professional!"
"You work in a coffee shop!"
"Professionally!"
Eva buries her face in her hands. "Oh my God..."
Kat chuckles under her breath. "You picked that."
"I know."Â
"You chose him."
"I am aware."Â
"Voluntarily."Â
"I was there."
"You really think you know someone," I say.
âWho are you talking about?â Eva eyes me suspiciously.
âJeffrey, of course.â
"You've known Jeff for years."
"Exactly."
"And?"
"I still don't think I'd have predicted someone voluntarily dating him."
Eva laughs. "That's rude."
"It's observational. This is someone I once watched eat a raw potato voluntarily."
Eva blinks. "No, you didn't."
"I did. He said he wanted the unadulterated experience."
Kat laughs, maybe harder than I deserve, and I catch myself looking at her with a stupidly pleased smile on my face. I really did think this would sort itself out. I came back from tour, realized I apparently had terrible timing, acknowledged it privately like a mature adult, and figured I'd give it a couple of weeks. Maybe a month. Let my brain get over whatever weird little phase it had decided to have. Instead I've somehow arrived here: holding her arm because I wanted to look at freckles. Great.
"Unadulterated experience⌠That..." Eva shakes her head. "Honestly, that makes sense somehow."
"I wouldnât lie."
"I mean..." She shrugs, still smiling. "Yeah, he's kind of an idiot sometimes."
"Thank you."
"But he's a very nice idiot."
âNice idiot,â Kat repeats. âIs that why I lost a twenty dollar bet to Stone? Because Jeff is a nice idiot? Just wondering,â she offers Eva a big grin and a shrug.
Eva rolls her eyes at our freckled friend. "He's funny."
"He doesn't mean to be," I assure her.
"Exactly."
"That's not helping," Kat looks at her mildly confused.
"It is to me. He'll say something completely serious and it'll be the funniest thing you've heard all day."
"Accidentally."
"Yeah."
"So you're dating him ironically?" Kat asks and Eva snorts.
"No. And..." She continues, "he's got really nice arms."
I nod once. "That's the first compelling argument you've made."
"I knew you'd understand."
"I do."
"And he has a really nice smile."
Without thinking, my eyes flick sideways to Kat. She catches it immediately, one eyebrow going up just slightly. I look away before she can say anything.
Eva, blissfully unaware, keeps going. "And he's just..." She searches for the word. "Easy. I don't have to decode him. He just..." She shrugs. "If he's happy, he looks happy. If something bothers him, he says so. If he wants to see me, he calls. If he likes me, he tells me." Another shrug. "It's nice."
There's a brief silence before Kat breaks it. "You've said 'nice' four times."
Eva blinks. "I did?"
"Mhm."
She thinks about it for exactly one second. "Huh." Another shrug. "I guess I didn't realize that was attractive until now. Nice. Uncomplicated. I think those things are actually really underrated."
Kat shuffles her gaze to the court, where Jeff is, her eyes narrowing ever so slightly as if trying to determine whether that theory holds.Â
"So what I'm hearing," I say, "is that Jeff has somehow stumbled into being emotionally available by complete accident."
Eva laughs. "I don't think it's an accident. He just⌠He's kind."
"Jesus," I mutter.
"What?"
"I can't believe kindness is beating charisma."
Kat looks over at me, her face twisted into some kind of mocking, sceptical smile. "That's because you're assuming they're competing."
âMark,â Eva sighs in a way that feels like sheâs actually calling me stupid. âIâm assuming you think itâs some kind of deeply uncool word that doesnât fit into your grimy punk ethos, but you actually are a very kind person.â
I widen my eyes at her, pretending to be alarmed. âLook, Eva, I like you a lot but I think we have more of a platonic thiââ A grape hits me right between the eyes, bounces off and then I catch it and pop it into my mouth.Â
Thereâs some more yelling coming from the basketball courts and general commotion usual for these afternoons. I glance down - our arms are still touching. Hm. Kat let me trace freckles like that was somehow a perfectly ordinary thing for friends to do on a Wednesday afternoon. Maybe it is? Maybe I'm just catastrophically bad at knowing where the average friendship ends.Â
* * *
Friday, July 7th
The apartment is unusually empty; one of those rare late afternoons. Gwen's still at work, or after-work happy hour maybe, Eva disappeared somewhere soon after I got home, I imagine it had something to do with Jeff Ament, and Lizzy's hiding in her room with the telephone. I'm at the sink, elbow-deep in dishes, while Mark's mixtape plays from the stereo. Another song starts. I listen for a moment; interesting.Â
Girl, you captivate me, I gotta tell you right now, baby. Girl, that's right, you fascinate meâŚ
Song number one was unsuspecting. Song number two could have been just a song. feedtime can have a song called more than love without any deeper meaning attached to it. Three was totally innocent. Four was kind of hard to ignore but it's the Saints; I imagine most of Markâs mixtapes contain the Saints. Maybe not all of them Erotic Neurotic, but still. Five was minding its own business. This one is beginning to establish some kind of a pattern.Â
Except that might be the point. I mean, I made a mixtape full of 50s love songs for Mark before. I made him the mixtape, I gave it to him, he listened to it, made fun of a few tracks, called it âvery romantically optimisticâ and that was it. No hidden meaning, no conversation about it, no insinuation. Just music. And thatâs what this might be too - just music.
As I finish rinsing a plate and set it in the drying rack the apartment door opens. Mark walks in carrying a paper bag from the grocery store. He notices the music immediately, then notices me noticing the music, and a slow grin spreads across his face.Â
"How's the mixtape?"
"Good."
"Rave review."
"I'm only on song six."
"Ah. Right." His grin widens more. "So no verdict on favorite songs yet?"
"Not yet, no."
He leans back against the counter and watches me for a moment. I keep washing dishes, mostly because looking directly at him feels unwise. The song loops back to the chorus; Mark, meanwhile, looks entirely too pleased with himself, from what I can tell from the corner of my eye.
I should not be overthinking this. He made a mixtape. People make mixtapes. I made him one and it didnât mean anything beyond âhere is something I like, please listen to it.â This could be exactly the same thing in reverse. A mirror image really, considering both mixtapes were birthday gifts. Itâs just a reference point. A joke. A demonstration of taste. Mark is fully capable of doing things just to see what happens next without any deeper agenda attached.
"Interesting selections, though," I say anyway.
"Yeah?"
"Mhm."
"Interesting good or interesting bad?"
"Interesting specific." The smile finally cracks through before I can stop it.
"Specific how?"
"Well." I rinse another glass. "I wasn't aware there were this many punk songs about being embarrassingly fond of somebody."
His eyebrows jump, just slightly. "Maybe that's what punk is really about."
"Sure."
"Maybe everyone's misunderstood the genre."
"For the last fifteen years?"
"Could happen."
I laugh and when I finally risk looking at Mark, I find him still watching me, still that same smirk plastered all over his face. I dry my hands on his sleeve, which somehow makes his smile even more unbearable, and glance toward the stereo as the song continues.
"Although,â I start, horrified at my own decision to say the following out loud, âif the next track is another love song, this will start looking really embarrassing for you."Â
This is flirting. If Gwen heard me say this, she would say Iâm flirting. And Iâd have to agree because thereâs really not much to hide behind in that sentence.
Mark gasps. "Katie Novak."
"Mark Arm."
"I'll have you know I am an artist. This mixtape was curated with tremendous care and integrity.â He sets the paper bag on the counter and starts unloading a gallon of milk and a jumbo box of cereal.
âAre those for us?â I ask.
âReparations.â
The song ends. A few seconds of tape hiss pass before the next track starts, considerably louder and, as far as I can tell, entirely uninterested in romance.
Mark points toward the stereo. âThere.â
âA return to emotional stability?â I ask.Â
âExactly.â He puts the milk in the refrigerator, then places the cereal in the cabinet above it. âAlthough,â he says, closing the cabinet, âyouâre not even halfway through.â
âIâll prepare myself.â
âYou probably should.â
He says it lightly, already turning toward the door, and I pour myself a glass of water while the seventh song makes a persuasive argument that the others meant absolutely nothing.
* * *
Sunday, July 9th
The van is dark, humid, and irresponsibly over capacity; everything that was on the two benches facing each other in the back of it is now piled between everybodyâs feet - gear, clothes, boxes, trash. Thereâs several separate conversations overlapping; Danny and Jerry are discussing whether a movie can still be considered good if the ending is stupid. Obviously, the answer is yes if youâre disciplined enough to fall asleep before the ending. Eva keeps turning around from the passenger seat to talk to Jeff. Matt is explaining something loudly and incorrectly. The van hits a pothole, causing a choir of complaints. Then it all settles and starts up again.
"...I'm telling you," Steve says from somewhere to my left, "if we record it slower it'll sound heavier."
"It'll sound sleepier."
"It won't."
"It will."
"It won't."
"Steve."
"What?"
"It will."
âYou think youâre the John of Mudhoney, donât you?â
âHe is the John of Mudhoney,â Kat leans over me and interjects so unexpectedly, I almost flinch. âFor better or worse.â
âYeah? Who am I?â Steve asks her like this is some kind of fortune telling experience.
âGeorge.â
âWhoâs Paul then?â He frowns in mild confusion.
âPaul is dead,â Kat tells him and turns all the way back, returning to her conversation with Lizzy.
âSheâs funny,â Steve grins at me. âWe should keep her around.â
âI know,â I mirror his expression.
Then he starts going on another tangent to support his theory but my attention starts flickering. Katâs sitting next to me, facing towards the front of the van, talking to Lizzy, but her hand is on the bench between us, and considering thereâs really no unused space left in here, her wrist is pressed against the side of my leg.Â
She noticed what songs I put on the mixtape, whichâŚof course she noticed. But she pointed it out which is an outstanding turn of events. That's at least flirting adjacent, right? So itâs only natural that as I sit here, my hand slides down from my knee and before I can approve the decision, my pinky hooks around hers. Just the pinky finger, a tiny thing, barely anything at all, really. Kat stops in the middle of a sentence. Not dramatically, just enough that I notice. Her eyes drop briefly, then she keeps talking, like nothing happened. Well, Iâll be damned. Interesting. A month ago she would've made a comment, two months ago she would've certainly demanded a written explanation. Now she justâŚlets me do this. The conversation around us continues uninterrupted but I catch maybe every fifth word. My pulse immediately starts heading towards a health concern. Steve is still talking.
"...look, Black Flag did it all the timeâ"
"Black Flag also made a lot of questionable decisions."
"That's not an argument."
I nod thoughtfully as if I'm following this conversation. Then, because apparently I've lost all self-preservation instincts, I slide my hand further; my fingers thread between Katâs. Slowly, giving her every opportunity to pull away, but she doesn't. And shockingly, the world remains exactly the same. Danny is trying to convince everyone we should stop for food. Nobody notices anything. Meanwhile, I'm sitting here holding Kat Novak's hand.
"...and then Endino saidâ"
"Mhm."
Steve narrows his eyes. "You didn't hear a word of that."
"I heard all of it."
"What did I say?"
I think for a second. "Something insightful."
"Mark."
"What?"
Beside me, Kat's trying not to laugh, I can feel it more than see it: the little shake of her shoulders. Then she finally glances down, just once, at our joined fingers. Then away again, but I catch a smile. That's about all the encouragement I need to make another terrible decision. So naturally, I push my luck: I settle our joined hands on my thigh.
Her eyes flick downward again, then she exhales through her nose. The faintest hint of amusement, but still doesn't say anything. Which is somehow worse. Or better. Or possibly both.
"...because that's not how compression works."
"Right."
"Oh my fuckin god,â Steve delivers in exasperated monotone.Â
"I'm listening."
"No."
"Spiritually."
"Stop saying that."
I grin. My thumb starts tracing lazy circles over the side of Katâs hand. Casual. Except extremely not casual at all, actually. This is a ridiculous amount of dopamine for a thumb. Â
Steve finally stops talking long enough to look at me, then at Kat. His expression shifts slightly to that of a man beginning to understand something and find zero amusement in it. I immediately look away because I refuse to be perceived.
Beside me, Kat's still looking ahead, still chatting with Lizzy, but she brushes her thumb over my skin a couple times. Well.Â
* * *
I think that constitutes any kind of believable ignorance going out the window. It's been two hours since Mark held my hand in the van and I don't think I really processed a single word anyoneâs said to me since then. On the bright side, my heartrate is finally back to normal and the conservatory of butterflies has moved out of my stomach, for the time beingâŚ
I sit cross-legged on the floor in Evaâs room with Gwen and Lizzy, backs against the bed, while Eva is half on the mattress, half hanging off it like gravity is a personal insult. Weâre talking about something that feels utterly unimportant. A story Gwen is telling that keeps derailing itself into other stories. Lizzy interrupts every few seconds to ask clarifying questions. I laugh at the funny parts, I contribute at the right moments. Everything is correct.
Except my brain is jammed, replaying one thing over and over again. Pinky first, then the whole hand. Then the fact that he didnât look at me like it was accidental, which is the problem. If it had been accidental, I would be fine. But he had the audacity to take our hands and put them on his thigh. For it to be accidental, that would have to be the worldâs most concerning case of sleepwalking.Â
Eva throws a cushion at Gwen and misses completely. Gwen retaliates by leaning over to blow violently into Evaâs face, at which point Lizzy yells about âbasic spatial awareness,â which causes Gwen to then start attacking her instead. I should be laughing more. I am laughing, justâŚslightly delayed.
Thereâs a knock at the doorframe and Mark appears like heâs been there the whole time and just decided to become visible. Him and the other guys have been in his apartment since we all came back, working on some song arrangements allegedly, although I heard our front door open and close too many times to believe that. I imagine that by the time they show up to their next studio session, the songs will stand just as unarranged as last time and that next time we inspect our kitchen, there will be fewer beers in the fridge and some missing snacks in the cupboards.Â
âI come bearing information,â he says.
Gwen immediately points at him. âWhatever this is, Iâd like it formally listed as a public nuisance.â
âItâs better than that,â his grin widens. âPizzaâs here.â
A collective shift happens in the room - approval, movement, small chaos. Eva sits up. âFinally.â
Mark continues to lean casually against the doorframe, waiting for us to mobilize, I guess, while looking at us as if heâs taking attendance. Then his gaze lands on me for half a second too long. Not obvious but just enough.Â
âAlso,â he adds, âI think Iâm expanding my definition of public nuisance to include tactile experiences in moving vehicles.âÂ
Thereâs a pause. Gwen snorts as she walks past him: âWhat?â
Mark shrugs, completely composed. âYou set the precedent with public nuisance. Iâm just building on it academically.âÂ
Eva laughs under her breath as the rest of us filter out of her bedroom. âAcademically?â
âSure.â Markâs eyes flick to me again, briefly. âField research.â
Lizzy shakes her head, smiling. âIâm not sure I want to know what field.â
I feel my face warm, which is humiliating because nobody else is reacting the way I am. Lizzyâs already moved on to laughing at something, Eva is now arguing with Mark about terminology, Gwenâs inspecting the pizza options.Â
This is not going to get easier by pretending I donât notice it, is it⌠But what am I supposed to do?! I already didnât pull my hand away, Iâm already an accomplice in Markâs stupid game! At what point is it appropriate to have the âthis is nice but Iâm not looking for a freak accidentâ talk?..
* * *
Friday, July 14th
I knew theyâd end up here, itâs become some kind of unwritten rule, it seems - people get together at the park, some play basketball, some drift between watching and pretending theyâre watching, just sort of gravitating around after the day fractures. Then afterward someone complains about hunger, then everyone migrates in a loose formation toward grease and beer and somewhere to sit down. I knew Kat would be here so I came straight from the studio. And conveniently, I also tend to complain about hunger after spending a day surviving on chips and dreams of grandeur.
Everyoneâs already packed in and around a booth, a couple of chairs shoved together for extra seating. Stone looks like heâs mid-story, Lizzy looks like sheâs pretending sheâs listening, Jerry is actually listening, which means itâs probably about guitars. Xana and Andy are arguing about something but I can never tell if itâs a real argument or just their idea of a fun time. Eva and Jeff are sitting next to each other, sort of huddled, like the rest of the room is optional.
And Kat, in an excellent turn of events, is on the outside edge of the booth, half-turned in, elbows on the table, looking down at something spread out in front of her.
When I get close enough, Stone shifts his chair instinctively to make room and immediately acts like he regrets it when he realizes itâs me. âHowâs the selling out going?â
âStone, you really need to sit down and write some new material,â I tell him and he flips me off with both his hands and a big smile, then nods his head at a nearby table that has extra chairs.Â
Instead, I plop down on the very end of the seat right next to Kat. Or more like, against her, really, since thereâs barely any room. She turns her head, already smiling, looks into my eyes, then at her shoulder now effectively mashed against my arm, then back up.Â
My mouth pulls into a grin before I can stop it. âWhatâs that?â I redirect our attention to the piece of paper on the table in front of her instead.
âGood question,â she chuckles. âItâs Eva and Jeffâs starchart.â
âStarchart?â
âYeah. Demri is going through a phase apparently.â
âDoes it say anything interesting?â I lean closer towards the paper, not her, but it doesnât really matter because the geometry is already compromised. Then my elbow finds the top of the booth behind her, totally by accident, and my forearm ends up stretched behind her shoulders. Weird how architecture works.Â
In the van, she didnât move when I took her hand. No correction, no comment, just acceptance and continuation, like the world didnât need adjusting. Thatâs either permission or a trap. Iâm leaning permission but weâll see how this goes.Â
âWell, disappointingly, it does not say when theyâll dieâŚâ
âKat!â Eva yelps while Stone laughs.
âWhat? Itâs a fair question if somebody claims to be able to read your fortuneâŚâ Kat shrugs. âThatâs the first thing Iâd look for in my chart.â
âShe refuses to make those charts,â Xana briefly joins the conversation to let us know and then goes back to whispering something at Andy.
âAre they going to have kids?â I lean in even more; not enough for anyone else to call it anything but just enough that it changes the angle of the conversation for me.
Kat huffs a quiet laugh. âIt doesnât say that either, I also wondered.â
âWhat about: does Jeff Ament ever stop being Jeff Ament, or is that fixed?â
âAlso not on it. First thing I checked for.â Stone pipes in and then has to dodge Jeff trying to flick his nose across the table.Â
âDoes it have anything useful on it? Like, will Evaâs patience align with Jeffâs volume levels in the next lunar cycle?â I ask.
âYeah, no, it reads as less of a useful tool and more of an emotional support essay,â Kat says and then turns her head, finally, but not fully. Just enough to look up at me.
Which is already close enough that if either one of us sneezes this becomes a very different conversation. I just raise my eyebrows at her, like a question, or a joke, or something in between. Her expression shifts - tiny, sharp amusement, then she smirks at me, not backing down, not shifting away. This is definitely escalating through mutual negligence.Â
âAny favorite songs yet?â
âItâs a very well curated mixtape, Iâll have to listen to the whole thing before I can fully form opinions.â I can feel her breath moving the air between us as she speaks, thatâs how close sheâs choosing to stay. Which definitely reads as permission to invade her space. Which is potentially bad because that means Iâll keep investigating further. For scientific purposes. To find the line, of course.Â
âA mixtape? Classic.â Xana plugs in again.
âClassic what?â Stone looks at her.
âJust classic,â she says but sheâs not looking at him; instead, sheâs projecting some kind of a loaded smirk at Kat. âWhatâs on it?â
âOld punk songs,â Kat says while I decide to go with âLove ballads.âÂ
âSame difference,â I shrug. Iâve been behaving myself, for the most part, which is a stupid way to think about it, but itâs accurate. Kat Novak is very easy to misbehave around.Â
âYou are so strangeâŚâ She mumbles barely above a whisper.
âPunk love ballads?â Xana raises an eyebrow.
âPunk love ballads?â Andy repeats as if he just woke up. âThatâs dedication. Many people have no idea how hard it is to toe the line between telling someone you love them and screaming over the sound of out-of-tune guitarsâŚâ He starts going on some tangent with a few editorial notes from Stone; Kat, in the meantime, continues casually alternating between looking at whoeverâs speaking and facing me with about three inches of space between us.
âIf you die before me,â she looks at me again after seemingly deciding sheâs done trying to follow Andyâs line of thought, âI will personally engrave âhe lived and died an unsolved riddleâ on your gravestone.â
âUnsolved riddle? Iâm an open book, Novak. Especially compared to you.â
Kat just looks at me for a second longer than necessary with a vaguely concerned smile, like sheâs considering whether I deserve a response at all. Then she doesnât give me one.Â
Still no correction which isâŚnotable. Starting to feel like an irresponsible pattern really. Normally there would be something, right? The person leans away, makes a joke, accidentally elbows you in the ribs; draws a line somewhere obvious so you know where the edge is. Kat doesnât draw lines, I guess. Or if she does, sheâs very good at making them look optional. So, Iâm either doing something very clever or something I will eventually have to explain to Steve in a tone that suggests regret.Â
* * *
Wednesday, July 19th
Markâs already grinning when he rips the thrift shop door open and storms in; heâs got that look like heâs been saving something annoying specifically for me and starts talking as soon as heâs inside, while still making his way towards me. âSomething suspiciously close to pop appears on the horizon if you squint hard enough.âÂ
Steve is half a step behind him, shaking his head like heâs already tired of wherever this is going, but also sporting a very pleased expression. The bell over the door is still jangling when they come in, letting in a hot burst of July air that smells faintly like wet asphalt and dust. The guy rifling through a crate of old vinyl near the window looks up briefly.
Iâm in the middle of the junk shop, a half-sorted pile of clothes at my feet, inspecting something Iâve already picked up twice. He points a magazine folded in half at me, presumably the one my article is published in, like heâs caught me red-handed. âPop? Pop? How dare you,â he plants himself squarely in front of me, a big grin smeared all over his face. âPop,â Mark repeats once more.
âI said suspiciously close to pop,â I offer.Â
âThat makes it worse, Novak,â he says and I smile before I can stop myself. He points at me with the folded article again. âNo, no, donât do that. Donât look so pleased with yourself.â
âI canât help it,â I say.
âAnd messy?â
âYou were right, that is obviously a big compliment,â Steve tells me.
âYou know whatâs funny,â Mark plows on like Steve and I are merely two flies on the wall at his recital. âYou spent all this time describing us like weâre barely holding it together, and then you end it like weâreâŚinevitable.âÂ
âThat's notâŚentirely true.â
âThreatening to snap apart before somehow finding their way back together at the last possible second.â
I hear myself giggle before I speak: âI love that you read it enough times to memorize it.â Somehow thatâs higher praise than anything he could actually say about it.
Steve starts laughing. âHe read it probably at least three times, and thatâs just when he was reading it out loud for us.â
âI skimmed through a couple of timesâŚâ Mark waves the comment off.
âHe made everyone at the studio read it and monitored that everyone actually read the whole thing.â
âShut the fuck up, Steve. Anyway, the noise is enormous and alive. Alive? As opposed to dead?â He peers at me, daring me toâŚI donât even know what. I think he just really enjoys arguing with me. âWhat exactly did you meanââ
âShut the fuck up, Mark,â Steve cuts him off, then looks at me, beaming. âBrilliant writing. I know Iâm biased because I loved everything you said about me but the piece really is just excellent. Very accurate, too. I do tear and detail.â
âYou really do.â My smile is beyond my control now.
âI especially enjoyed how you compared our songs to bar fights. Also the bit about how they end up dirtier than they started. That was really good.â
âAnd whatâs with the glorious lack of self-importance comment?â Mark continues to deliver his lines like this is a monologue rather than a conversation with two other people. âThat feels vaguely offensive.â
âIâm starting to really want to give you something to be offended aboutâŚâ
âSteve,â Mark says, now looking at him. âShe's threatening me.â
âI think she's complimenting you.â
âThat's what makes it confusing.â Then thereâs a pause, barely there, as Mark looks into my eyes and for some reason it feels like heâs looking for something in them. âYouâre really fucking good,â he then says and just like that, all the theatrics disappear. I open my mouth automatically. âNo,â he says, pointing at me yet again. âDon't do that thing either.â
âWhat thing?!â
âThe thing where somebody says something nice and you immediately look for the escape hatch.â
âI don't do that,â I protest.
âActually, you do. Iâve witnessed it firsthand at least five different times just last month,â Steve nods and I roll my eyes, still grinning.
Thereâs a beat where Mark just looks at me and my mind wanders to holding hands in the van... I can practically feel my palm tingle, which is unfortunate. And ridiculous. And irrelevant!
Then he waves the folded magazine between us. âAt the center of everything is Mark ArmâŚâ His face shifts, pure glee radiating from him now.Â
âYeah, he liked this piece a lot more than the one you wrote about Soundgarden,â Steve sighs out a laugh.
âAlthough I am a little concerned,â Mark says.
âAbout?â I inquire.Â
âThis part: impossible not to watch. I mean, good to know Novak,â Mark says with a smirk. There it is.Â
Writing about Mark was almost too easy - but the whole time I was annoyingly aware of every word, trying to decide how much I want to say out loud. I think I kept it pretty safe - I donât think anyone would read the article and think, oh sheâs clearly in love with him. Not that Iâm necessarily in love with Mark, I justâŚthink about him all the time now...
Steve shakes his head. âYouâre actually unbearable.â
Mark beams at him. âAnd yet, reviewed well,â he says and then he moves - not toward me exactly but behind me. I mean, right behind me with no space to spare in between. His arms go on either side of me and he opens the magazine like heâs showing me evidence.Â
This unnecessary closeness doesnât exactly feel like it demands anything. Itâs more like heâs decided to occupy the space behind my shoulders like itâs just one of the options. An unhinged option but an option nonetheless.Â
Itâs like Mark treats these interactions like a boundary he can approach, test, and bend. If thereâs no pushback, he assumes the line has moved. And unfortunately, there is no pushback because apparently I no longer possess reasonable survival instincts. Because I donât have the self-control to stop it. Thatâs really the unfortunate truth - itâs fun and nice andâŚIâm leading him on because Iâm enjoying it too much. But does it really count as leading somebody on if theyâre not at all interested in anything serious, anything committed, anything that doesn't expire at sunrise?Â
His head dips slightly over my left shoulder and he reads the next line he apparently wants to discuss:
âEqual parts sneer, charm, and genuine enthusiasm. Charm, Novak. That's a strong word.â He speaks right next to my left ear.
âReally? Seems pretty neutral to meâŚâ I continue looking at the page.
"Steve, did she call you charming?"Â
"Nope," Steve answers without looking up, running his fingers down a stack of cassette cases.
"Interesting."Â
âIs it?â I ask, looking at Mark sideways.
His eyes roam all over the side of my face for a short moment, then, quieter: âDo you always let people get that close?â
My first instinct is to turn around properly, reset the configuration, make it normal again. That would be the natural thing to do. If I didnât like him being his close⌠âNo, I just donât usually issue warnings for proximity. Also,â I add, âyouâre blocking the light of your own dramatic reveal.âÂ
He huffs a laugh, then straightens up and drops his arms away, stepping back around me. âI like that you put sneer first though, keeps me humble. â
âSomebody has to.â
"You know, if I wrote Kat Novak is impossible not to watch, people would ask questions."Â
âDepends what you wrote it on, really. If itâs a bathroom stall, I doubt anyone would question it.â
âYou compared Danny to a knife-juggling maniac, Lukin to Dr. Jekyll and Mr. Hyde, Steve to Puck, and me⌠I'm the one getting called charming.â
I look over at Steve, expecting some kind of solidarity in the face of this insanity, but he shrugs instead, a smirk already settling on his face. âI also read it once or twice. You did call him charming. You did this to yourself.â
"You make me sound very compelling, Novak."
I make the conscious choice to be honest but completely deadpan about it. "You are compelling."Â
Mark pauses. "If I didn't know any better, I'd think you like me.â My eyes snap to his automatically but he's already looking away. âAnyway,â he moves on so quickly it almost makes me dizzy. âRemeber that book store that didnât hire you a couple of months ago?â
âVividly. No need to bring it up.â
âGuess where I picked this zine up at,â his mouth stretches into a grin and mine falls open in slow motion.
âYouâre kidding,â I say.
âShould I write them a note about eating their heart out or will you?â
âYouâre kidding!â
âYouâre technically a published author whose work is sold at a place that wouldnât hire you, Novak.â
âOh my god!â
Iâm not sure whatâs more exciting: the fact that this is technically true or the fact that Mark is telling this to me like itâs the most exciting news heâs delivered to anyone all month, as if heâs just as pleased about it as I am.
* * *
Friday, July 21st
â...And the drummer just goes down. Like, fully out. Mid-song.â
Kurt holds up a hand immediately. âWait. Goes down how?â
The guy blinks at him. âLikeâŚpasses out.âÂ
A bunch of us bargoers, so to speak, are huddled under this narrow overhang, the rain deafeningly loud all around. Iâm not sure who this guy is - or who he knows here - but heâs been dominating the conversation with disjointed fragments of random stories for the last five minutes and itâs starting to feel like hours. Steve, on the other hand, stopped paying attention about four minutes ago and started talking about something else entirely demonstratively loudly.Â
âNo,â I say, leaning in slightly. âWe need precision. Does he sit down first, or is this a collapse situation?â
âA collapse, Iâm guessing,â Kurt asks, like heâs filling out paperwork.
The guy looks between us. âIt was a collapse.â
I nod once. âGood. That removes ambiguity.â
âThere was no ambiguity,â the guy says.
âThereâs always ambiguity,â I tell him.
Kurt points at him. âWhere is this happening?â
âA show,â the guy says. âI told you.â
I'm only half-listening; I keep getting distracted by layers of cigarette smoke hanging in the damp air, sinking into one another, and the sounds of stereo and laughter filtering out from inside the bar through the open door. Itâs been another long day at the studio. Very emotionally gratifying. But all Iâve had to eat today were once again corn chips and cottage cheese, and that, combined with the stuffy, hot studio, wore me out more than Iâd like to admit.
Something across the street catches my eye - two people booking it towards a bus stop down an otherwise desolate sidewalk. I squint slightly and just barely make out Kat and Gwen through the wall of water. Thereâs another thing Iâd prefer to not say out loud - my stomach does a happy backflip at the sight of her. Â
They make it to the stop at the same time as the bus does, which hides them from view for a minute. Then it takes off and reveals Kat standing there alone, her tote bag hooked over one shoulder, wiping wet hair out of her face. She hesitates a moment, looking both ways, and when opportunity presents itself, she runs across the street, towards here.
The last ten feet of distance carry with them an unexpected realisation - Katâs wearing a dress, which wouldn't be especially noteworthy, other than that she looks good in dresses; nothing strange about it. But sheâs soaked, I mean completely drenched, head to toe, and the dark fabric of her dress is clinging to every imaginable inch of her body. I canât look away at first and then I start feeling like somebody should remove me from the premises, so I canât look directly at her anymore.
âHello,â Kat finally makes it under the overhang and greets everyone - and no one in particular - while wringing rain out of her hair like sheâs trying to restart herself.
I very deliberately look anywhere else. The gutter. The cigarette in someoneâs hand. Kurtâs shoe. My own extremely moral and upright thoughts. Matt, in the meantime, takes one look at her and whistles. "You ever consider Playboy?"
"You ever consider silence?"
Matt laughs. "Jesus, you're feisty today, I see."
Kurt tilts his head. âMaybe you should consider silence sometimes, Matt.â
âDid you just agree with me?â Kat looks at Kurt with mock-shock. âHas the apocalypse commenced?â
"Come on, donât act like weâre not friends,â he grins. âI'm actually very proud of you. Whole career at a zine just to prove to me youâre literate."
"Right."
"Iâm still not totally convinced though," Kurt says.
"Fair enough. I'll have someone read my articles to you."
Laughter rings out, then conversations continue overlapping, and I continue to try to focus on literally anything other than Katâs body, which is really hard to do, considering itâs right there, barely concealed by a thin layer of soaking wet fabric, really fucking hard to miss.Â
Katâs attention suddenly shifts past Kurt. âBirthday!â
Stone, whoâs standing nearer the open door with a beer in his hand, looks over immediately. âHello.â
She reaches into her tote bag and pulls out a flat, thoroughly drenched rectangular package wrapped in the classifieds.Â
Stoneâs whole face brightens. âYou got me something?â
âObviously.â
He tears through the newspaper with considerably more enthusiasm than the situation requires. Underneath is a small wooden frame, its back facing me. He stares at the other side for a second, then looks up at Kat. âThis is incredible.â
âWhat is it?â Steve asks.
Stone turns the frame around and holds it out for the rest of us to see. Inside is a photograph of an escalator. Across the glass, in silver marker, Kat has written: STONE GOSSARD: PORTRAIT OF EMOTIONAL SUPPORT, 1989. Steve starts laughing immediately.
âItâs perfect.â Stone angles it toward the light, admiring it from several directions as though this might reveal additional artistic layers. âYou really captured me.â
âI had a strong reference point.â
Stone looks genuinely touched, which lasts about half a second before he hooks her in by the shoulder and kisses her loudly on the cheek.
Kat makes a startled noise and laughs, trying to push him away without putting much effort into it. âHappy birthday, Stoney.â
Stone lifts the frame again, already turning toward Steve to discuss where it deserves to be displayed. Kat steps back towards where Iâm standing, still smiling, and I make the mistake of looking directly at her again. The dress is still plastered to her like the rain had ulterior motives and my eyes immediately forget every moral principle I assigned them thirty seconds ago.Â
âMark? Mark!â She snaps her fingers in front of my face, successfully snapping me out of it.
âWhat?âÂ
âAre you okay?â She peers at me, rainwater from her bangs still slowly dripping down her face.
âIâll have to get back to you on thatâŚâ
âCan I borrow your blazer? Unless you think you need it more than me...â
âOh, yeah. Sure.â Iâm already moving before I finish the sentence, shrugging it off. âHere,â I say, handing it over.
She takes it, wraps it around herself, and immediately looks marginally less like sheâs been personally attacked by the weather. âThanks,â she says.Â
âWhere did Gwen go?â I ask in my best impression of a normal person.Â
âSheâs got a date,â Kat pops her eyes momentarily.Â
âWith Darryl?â
âHopefully. I don't actually know, she's been going on quite a few dates lately⌠I should have probably asked, right?â She looks at me, sudden concern curving her eyebrows. âI should, at the very least, know the guy's name and address next timeâŚâ
âWhat, so youâd know who to write the obituary about?â
âPrecisely,â she laughs, delighted.
Conversations resume around us in fragments. Kurt is still talking, people are exchanging cigarettes and lighters, and the rain gets louder like itâs trying to participate.
âYou're shivering, Novak.â I say after another minute. I can't help it; I can actually feel a chill radiating off her.
âAm I now?â She looks at me completely unamused but it makes me laugh a little.
After a moment of staring at each other she seems to decide that this riveting conversation has been exhausted and shuffles her attention back to the rest of the group. But my hand twitches and then I reach over to tug Kat towards me by her arm.
âWhat are you doing?â She asks slowly as I wrap my arms around her and pull her in close. Her question sounds reluctant but she gives exactly enough resistance to qualify as principle instead of effort before bumping into my chest.Â
âPutting kleptothermy to good use. Unless you've decided this is your day to go?â
Pause; then, speaking right up against the space where my neck and shoulder meet: âHypothermia seems like it would be a rough way to go.â
âI hear itâs not great.â
âAnd in July, too. That would be a humiliating cause of death.â
âPlus, you're wearing my jacket. I don't need you dying in my jacket.â
That gets a small laugh out of her and then her palms come up lightly against my chest, not pushing away, just settling there. One of my hands slides to the middle of her back; my other arm locks more securely around her shoulders, pulling her another inch closer. She comes willingly. Right. Thatâs a problem.
Then she sighs; not dramatically, more like sheâs gotten comfortable. Christ. âIt's very kind of you to do this to preserve my life.â
âWell.â I breathe out a short laugh. âI'm not exactly sacrificing much here.â
âOnly your reputation.â
âNot even that. Iâm actually known for escalating.â
âMm.â Thatâs it. Just a little sound. No comment, no come back. No pulling away either.Â
The conversation around us drifts elsewhere. Kurt's interrogating somebody about whether passing out technically counts as stage diving if gravity does all the work. Then Matt's voice cuts through everything. "Jesus Christ, get a room."
A few heads turn. "Donât be jealous, Matt," I call without looking up.
"Seriously, I've seen less intimate embraces at airports."
"That's because nobody's happy to see you," Kat laughs faintly against my neck.
âIâm just saying,â Matt points at us with his cigarette. âYouâve been hugging for a very long time. Youâre running out of plausible deniability, Firecracker.â
âI donât know what youâre talking about, this is hypothermia prevention,â she says.
âThat's what the medical journals say,â I add while Steve catches my eye from across the group and gives me a look so pointed it practically has corners. Yeah, yeah.Â
Plausible deniability. Thatâs a funny phrase; Iâm not sure whoâs supposed to be maintaining it anymore. This keeps happening - I do something that should probably make things weird, she lets me, then we both carry on like nothing happened. Then I do something even dumber. And every time I give her an easy out, she doesn't take it.Â
I mean, Iâm aware thatâs not how permission works but itâs starting to feel like Kat's silence isn't really silence. Itâs starting to feel like sheâs watching me keep inching forward, waiting to see how long it'll take me to grow a spine.
"Alright," Matt says, flicking away his cigarette. "I'm done being wet."
One by one people start drifting back inside. Kat takes a small step backward and I let my arms loosen. âThanks,â she says, tugging my blazer a little tighter around herself.
âAnytime.â
âThat's a dangerous thing to offer.â
âWhat is?â
âAnytime.â
She must know what sheâs doing to me.
* * *
Thursday, July 27th
The movie ends sometime after midnight, although Iâm not sure if anyone was really watching by the end. Jeff and Eva spent the last twenty minutes arguing about something that had absolutely nothing to do with the plot. Gwen fell asleep halfway through and woke up just in time to complain about the ending. Lizzy claims she liked it though, which makes her the only one.
âSo,â Gwen yawns out a word while making her way towards her room. âWeâre going out tomorrow night?â
âThatâs the plan,â I tell her, mouth full of toothpaste foam.
Eva flops backward across the couch dramatically. "And then after tomorrow, six weeks of peace. It's going to be weird."
âYeah,â Lizzy agrees. "Six weeks of no one stealing our snacks."
"No one strolling in here like itâs a public park," Eva says.
"No one standing in the hallway yelling conversations through three open doors," Gwen adds.
I rinse my toothbrush in the kitchen sink, feeling like I almost donât want to say the next sentence out loud. "And then weâll have a new neighbor instead."
The room goes quieter for a beat. Eva glances toward me. "Right."
"It is going to be strange," Gwen says from her bedroom doorway.Â
"Wait, how long have you guys lived here?" Jeff asks while taking Evaâs hand and pulling her back up on her feet.
âAlmost a year.â
"And somehow this whole year Markâs been in our apartment," Lizzy chuckles.
"That's because none of you know how to lock a door," Gwen says but when I walk past her, towards the bathroom, she looks sort of thoughtful; wistful even.
Jeff laughs. "Yeah, sounds like he's basically become apartment furniture."
"Very loud furniture," Eva says.
"Questionably house-trained," Gwen points out.
âIt will be weird,â I say quietly from the bathroom. Nobody answers immediately and I assume Eva, Gwen, and Lizzy are all thinking the same thing as me - for how much of this past year we spent complaining about all those guys always hanging out here, we will actually really miss all of it.
Then Gwen shrugs. "I guess we'll have to make our own noise."
Everyone starts dispersing, looks like Jeffâs staying over again, goodnights drift through the apartment, doors open and close. The familiar winding-down noises of people settling into their separate corners of the night. I turn off the TV and head toward my room when I hear a faint knock on the door.
"The Jehovahâs Witnesses have gone desperate," I whisper at Mark the moment I swing the door open.
"Prime time to be saved," he grins.
"How'd the studio go?" I ask as I retreat back into the apartment and he follows me.
"Good."
"Actually good or musician good?"
"What's the difference?"
"Musician good usually means somebody hates something and everybody's pretending that's productive."
He laughs. âNo, actually good. We did an outstanding take of Come To Mind. I think youâll like it.â
âIs that it then? All done?â
âYeah, pretty muchâŚâ
He follows me into my bedroom, talking as he does, something about mixing, something about Endino, something about guitar tracks⌠When I flick my bedside light on, the exhaustion in Markâs face is exaggerated even more by the shadows cast across it. His hair's a mess, his eyes look heavy and he keeps rubbing them. But underneath it there's definitely an unmistakable brightness, that barely-contained excitement of creative things working out.
I sit down on the edge of my bed, still listening to him. Mark remains standing, probably running entirely on momentum. I grab my book from the nightstand.
He notices. "Oh. Am I boring you?" He touches his fingertips to his chest, tilting his head.Â
I chuckle quietly as I pull the blanket over my legs and lean back against the headboard. âNo, no, Iâm multitasking.â
Mark stares at me, then at the bed, then back at me. A decision visibly occurs and without warning he spins on the spot and lets himself fall backward, making the entire mattress bounce. "This bed is terrible,â he announces immediately.Â
"Excuse me?"
"It's awful."
"You've been on it for one second."
"That's all I needed." He throws an arm across his eyes. "Too firm."
"It's not too firm."
"Too small."
"It's a perfectly normal bed."
"Questionable structural integrity."
"Youâre just saying words now."
"Your honor, I'd like the record to show this bed attempted to injure me."
"The record will show you're dramatic." I open my book while Mark remains spread across my comforter like somebody abandoned him there. âSo, youâre gonna go home or..." I say after a moment of trying and failing to read a single line.
"I don't have the strength."
I shake my head and wait but he doesn't move, not even a little. I look at him, he looks back. The stupid grin that appears on both our faces at the same time makes me laugh again.
âIf you fall asleep here, I wonât carry you back to your bed. Just so you know. Never had much of upper body strength.â
âIf I fall asleep here? You play a dangerous game, Novak.â He immediately scoots up to lie fully on the bed, kicks his sneakers off, tucks one leg under the comforter, and rolls onto his side with the efficiency of someone who has apparently been waiting for this outcome the entire time.
I consider objecting to him making himself so comfortable. Then open my book again instead. He shifts at some point and this time his foot finds mine under the blanket. Not pressing, just contact, like heâs landed there by accident and decided not to correct it.Â
âAlright, Novak,â he mumbles, eyes closed, âthis is how people end up being the creepy guy in someoneâs bed, right? You say something funny and then suddenly youâre justâŚthe creep in someoneâs bed. Be honest, am I a creep in your bed?â
I look over at him for a second longer than I mean to. âYouâre not very creepy,â I say, like Iâm correcting something factual rather than answering the question. Then I go back to my book, because saying anything more than that feels like stepping into territory I donât have a map for. Or even any idea of where Iâm trying to go⌠âThereâs supposed to be more villainy involved.âÂ
Then he lets out a quiet laugh through his nose. âRight,â he says, like heâs taking notes. âSo itâs a technique issue.â He shifts slightly onto his side, propping his head up on his hand now, watching me. âLet me try again.â
Before I can answer, he drags his foot a fraction more under the blanket until it hooks more deliberately around mine this time.Â
âOkay,â he says seriously. âHowâs that?â
I snort despite myself. âYouâre improving.â
His eyes drop to my book for a moment, then he relaxes back into the pillow again, but doesnât fully disengage, just stays there, foot still lightly caught against mine like heâs forgotten to unhook it.
âAnyway,â he says, eyes half-lidded again, âIâm just here to test the structural integrity of your hospitality system.â
âAnd? Howâs it holding up?â
He considers it like itâs a real experiment. âConcerningly well,â he says. Then, softer, almost pleased with himself: âI might have to stay a little longer.â
A few minutes pass, the apartment grows even quieter, Mark stops talking⌠When I glance over I see him lying on his side facing me, one arm tucked beneath his head, eyes half-closed. Probably still awake but barely.
What if this was how things were? What if Mark was a domestic, committed relationship kind of guy? Not a different person; not sweeter or softer, not any less himself. Just someone who actually wanted that sort of thing. Someone who didn't just end up in relationships the way people end up at a crappy diner at 3am after a show. Someone who sought them out, actually chose them.
Our friends keep making comments about whatever this is and Mark always laughs. Sometimes he adds another joke. Like when Stone and Steve were performing their bit about trial dating, Mark joked about marriage⌠And then he carries on exactly as he has been - lying in my bed, holding my hand, touching me in ways that are difficult to classify as entirely platonic - but he never says anything that would suggest he wants to start something substantial with me. He never uses any of those openings to say that maybe theyâre right, or that he might want this to become more than casual, semi-romantic touchingâŚ
âTake a picture,â Mark mumbles, a lazy smile appearing, eyes already drifting shut again. âItâll last longer.â
I return to my book. A page later I feel the mattress shift. After some time, when I look over again, he's asleep; breathing slow and even, the sort of sleep that only happens when youâre totally and absolutely worn out.
I close my book against my chest, then reach over to throw the edge of the comforter over Mark. This is ridiculous. I switch off the lamp before I can think about it too much.
* * *
Friday, July 28th
I wake up confused; not existentially confused, geographically. Wrong ceiling, wrong room, wrongâ Oh. Right. I never did make it to my own bed.Â
Then the mattress shifts slightly and Kat stretches slowly, all sleepy little noises and tangled blankets. Her foot brushes against my bare leg, thereâs a pause, and then, still facing away from me:
âAre you not wearing pants?â Her voice sounds different from what Iâm used to; lower, softer, slower.
Around three in the morning I'd woken up long enough to realize sleeping in jeans was a miserable experience so I took them off. âWeird,â I say. âDid you take them off while I was unconscious? Thatâs gonna look really bad in the police report.â
Her shoulders shake lightly with laughter and then she rolls over to face me, rubbing her eyes as she does. âMorning, creep.â
She has a pillow crease across her cheek andâŚshe looks younger somehow. I've seen her pretty close to first thing in the morning plenty of times; I've wandered across the hall to find her all morning hair, pajamas, sleepy eyes, coffee in one hand and an opinion in the other. But that's after the transition's already happened. This is different. This is her still negotiating with consciousness. Her eyebrows keep doing this tiny little pinch every few seconds like she's mildly offended by waking up. She's so fucking cute.
âMorning,â I drawl, totally giving up on trying to control my smile.
âWhat time is it?â
âAlmost eight.â
âWhy?â
âTimezones, I guess.â
She groans and reaches for the clock perched on the stack of books by her bed, which is when we both find out Iâm lying on her hair. She looks at me, then at the hair trapped under my shoulder, then she moves closer and at exactly the same moment I decide to move my arm. Unfortunately we choose completely different directions and my elbow catches her squarely on the side of the head.
âOw!â She winces, dropping back down on the pillow.
âShit!â I bolt upright. âJesus Christ. Are you okay?âÂ
âI don't know.â
âWhat do you mean you don't know?â
âI haven't conducted any tests yet.â She closes one eye, then the other. âVision appears operational.â
I gently grab her by the jaw and turn her head toward the light âLet me see if thereâs a dent.â
She actually cackles at that which also makes me laugh. Then she reaches up and feels around the side of her head experimentally. âI think Iâll live,â she says and, notably, does not move away at all.
âI hit you really hard.â
âNot that hard actually.â
âYou said âowâ.â
âPeople say âowâ when somebody elbows them in the head.â
"Say something in Flemish."
"I don't speak Flemish."
âGood sign.â I run my thumb once across her cheek before I realize I'm still holding her face. Well. Might as well commit. "You should know this isn't standard."
"No?"
âThis is my first sleepover-related concussion.â
âOh, good,â she laughs out heartily, like she finds my words genuinely hilarious, which is amazing for me. "Lucky me."
I finally let go of her face and flop back onto the pillow. "Well."
"What?"
"Now I'm awake."
"You'll recover."
"I was sleeping phenomenally."
"I have to go to work."
"Capitalism ruins everything." I groan.
* * *
Itâs disgusting how giddy I am. Really just indecent. I mean, we just happened to sleep for a few hours in the same bed⌠But waking up next to Mark and then laughing with him before itâs even eight in the morning is, turns out, one of my favorite things to do at this time of day.Â
âAre you going to make me leave through the skylight?â He smirks at me, as if daring me.
âYou can use the door, I think,â I tell him. âI mean, you do know how to use a door, right?â
We soon commit to getting out of bed, I shrug a hoodie on and he wanders toward the bedroom door, carrying his jeans in a loose bundle under one arm rather than putting them back on.Â
âWhat are you doing?â I ask as I follow him.
He looks down at the jeans under his arm, then back at me. âLeaving through the door.â
âI can see that. Why arenât you wearing those?â
He glances at them again as though the answer might be printed somewhere on the denim. âWearing what?â
âYour pants, Mark.â
âOh. These?â He lifts the bundle slightly. âIâm changing when I get home anyway.â
âSo?â
âSo putting them on now would just mean taking them off again in two minutes. Iâm cutting out unnecessary steps.â
âYouâre deranged.â I'm sure the accusation doesn't land very convincingly since I'm smiling at him, laughing a little even.
âMaybe. But Iâm not wasting valuable morning time getting repeatedly dressed.â
As soon as we walk out of my bedroom, weâre faced with Eva, standing in front of the stove, scrambling eggs, Jeff doing push-ups in the middle of the room, and Gwen leaning in the doorway of the bathroom, all the way across the apartment, brushing her teeth and astral projecting, probably. The sight of me and Mark really shakes her back to life though because I see a big grin blossom on her face.
âWell good morning, you two,â Eva smirks at us while Jeff glances around, confused.
âLizzy!â Gwen bangs on her door, eyes still on us. âYou donât wanna miss this!â
âGood morning, everyone,â Mark waves at the room and everyone answers in an eerily perfect choir.
Then Jeff pauses halfway through a push-up. âWhy aren't you wearing pants?â
âPersonal reasons.â
Jeff accepts this immediately and continues his work out. Eva directs me to a fresh pot of coffee while Mark steals a piece of toast.
âOh my god,â I hear Lizzy say with all the restraint she can muster. âMorning everyone,â she chuckles and then dips into the bathroom.
âAlright,â Mark says. âAs much as I'd love to stay for breakfast⌠Thanks for asking, Eva⌠I should probably go put on society-approved leg coverings and do productive things.â
She snorts. âIâm sure one of those is significantly less likely than the other.â
âProbably,â he shrugs, then shuffles his gaze to me while backing towards the door. âIâll see you all tonight?â
âYeah,â Gwen answers immediately.
âDefinitely,â Lizzy says at the exact same time.
âOf course,â Eva adds.
Jeff gives him a thumbs-up. âI'll be here.â
âYep,â I say.
The smile that flashes across Mark's face lasts maybe half a second, then he's gone. As soon as the door swings shut behind him, Gwen, Lizzy, and Eva lose their minds. âWhat!? WHAT!? Are you kidding me?â
âNo,â I canât help laughing.
âWhat do you mean no?â
âAbsolutely not.â
âHe slept in your bed.â
âMhm.â
âALL. NIGHT.â
âHumans tend to sleep nightly.â
âJeff slept in my bed once. You know what happened after that?â Eva nods her head in the general direction of her boyfriend.
âI donât think there was much actual sleeping involved in your caseâŚâ
She drops onto a chair next to me. âOkay. Start from the beginning.â
âThere isn't a beginning.â
âThere is absolutely a beginning,â Gwen says gleefully, pouring herself some coffee.
âWhen did he come over?â Lizzy sounds slightly exasperated.
âSoon after we finished the movie.â
âAnd?â Gwen looks at me.
âAnd he was tired and fell asleep.â
Thereâs a long stretch of silence during which Jeff gets up, seemingly sufficiently satisfied by the amount of push-ups, and just looks around the room, like heâs not sure whoâll speak next. âThat's the dumbest thing I've ever heard,â Eva finally says.
âIt's what happened.â
âWhy?â Gwen demands.
âBecause he was tired.â
âNo. Why did he sleep in your bed?â
âBecause that's where he was.â
âOh my God,â Lizzy whispers.
âYou let him sleep in your bed,â Gwen points at me.
âI did.â
âWhy?â
Because I wanted him there? I canât possibly say that though. I just canât bring myself to do it out loud. I don't want to have that same conversation about Mark's dating habits and my neediness, and how this can't actually work in practice. âIt seemed mean to wake him up,â I shrug.
âWait,â Jeff wanders over to the table and we all look at him. âIâm confused.â
âJoin the club,â Gwen mumbles.
âYou said you werenât together,â he looks at me and once again, I canât keep from laughing.
âWeâre not, Jeff.â
âBut he slept in your bed.â
âMhm.â
âAnd now he left carrying his pants.â
âAlso true.â
Jeff points at me with a curious grin. âThose seem related. Right? A guy leaves your bedroom in the morning, no pants on⌠Whatâs up with that?â
âGood try, Jeff. But you don't know Kat,â Lizzy mutters. âEverything somehow hangs on semanticsâŚâ
Iâm still smiling into my coffee. I know I am. I can feel it. Every time I think I've gotten my face under control, something about the morning replays in my head and there it is again.
Jeff pulls out a chair and sits down. âOkay, wait. So did anything at all happen?â
Three heads swivel toward him. âJeff,â Eva says patiently. âWe're trying to establish that.â
âNo, because if nothing happened then maybe that is different after all.â
âNothing happened,â I tell him.
âSee?â Jeff gestures triumphantly.
âNo,â Gwen says. âNothing happening is the problem.â
âI don't understand.â
âWe know,â Lizzy tells him with a pat on his hand.
Eva leans across the table toward me. âKat. Explain something.â
âI fear where this is going.â
âYou let a man sleep in your bed.â
âYes.â
âA man who's in love with you.â
âOh come on!â I laugh it off because that is a totally unfounded accusation. Really, Mark is likely incapable of being in love because he probably sees the very concept of romantic relationships as a prison cell.
âJeff, youâve known Mark for years,â Gwen looks at the guy. âWhat do you think?â
âI mean, heâs obviously into you,â Jeff looks at me and then shuffles his eyes between Eva, Gwen, and Lizzy as he continues to speak, âbut if Katâs not interested, then thatâs that⌠Right?â
âTotally missing the pointâŚâ Eva mumbles.
âNot interested!?â Lizzy scoffs, then shakes her head, and folds her arms. âKat, can I ask a serious question?â
âThat depends.â
âWhat exactly has to happen before you admit something is happening?â
I open my mouth but nothing comes out. Which, admittedly, isn't helping my case.
âOh my God,â Gwen says, throwing her head back.
âNo, seriously,â Lizzy continues. âYou spend a lot of time together, youâre always giggling when heâs around, heâs always finding excuses to be near you... He made you a mixtape that sounds like it was assembled by a man drowning in his own feelings. And now he sleeps in your bed.â
âFirst of all, I donât giggle. And⌠Honestly, that's a little dramatic, LizzyâŚâ
âIs it?â
It is. Right? So I flirted with him a little bit. So he held my hand. So what? That doesnât mean I should suddenly throw caution to the wind, just to see what happens. Because nothing very good probably would, in the end.
I mean, if I just said âfuck itâ and went for it, I think it would be great for a minute. And then heâd probably get shifty and dodgy, freaked out by the idea of commitment; heâd probably think things are getting too serious and start finding reasons to spend less and less time around me, and I would be heartbroken.Â
* * *
Itâs our last night in Seattle before we leave for six weeks, which apparently means everybody has to come out and do exactly what we normally do, only louder and with occasional reminders that weâre abandoning them. That and Bobby suddenly remembers heâs our manager and starts throwing his weight around like being responsible for four idiots in a van is somehow making him look cool.
Iâve spent the last hour drinking, getting pulled into conversations, arguing with people I wasnât even talking to five minutes earlier, laughing through it all. Itâs a fun fucking night. The only strange thing is that I know exactly how many times the door has opened since I got here. Not because Iâm waiting for Kat. Iâm just unusually interested in doors tonight.
It opens again while I'm listening to Jeff telling a Green River tour story and there she is. She stops, glances around, and makes a beeline for Lukin and Danny, grinning ear-to-ear as she does. I watch her take out two smallish brown boxes from her bag and hand them to both guys. They look inside, beam at each other, and then kiss Katâs face. Funny how everyone just does that now, I guess. She looks a little taken aback but then pats both of them on their heads as they start devouring whatever she baked for them. And thatâs my cue.
âGot anything for me?â I find myself standing in front of her five seconds later and she gives me that slightly surprised look which quickly turns into a smirk.
âIs your birthday coming up too?â
âWow. Okay, I guess you donât give a shit about the fact that I wonât see you for almost two months and consequently will be unfed for almost two months,â I cock my head and pointedly glance away.
Kat dives into her tote bag and holds up a third little box in front of my face. âI ended up with some extrasâŚâ
I take it and look inside, pretending to be wildly interested in the food. âWhat are these?â
âMacarons. Passion fruit and caramel,â she lightly pokes the different colored cookies respectively. âMade with highest quality homemade weed butter.â
For a brief few seconds, there's a commotion that picks up around us when someone trips over someone else's foot and almost spills their drink. When I look at Kat again, she's got an easy, pleased smile sitting on her lips, her gaze still lingering on the crowd around us. âYou look nice,â I tell her, tugging at the cuff of her denim jacket before letting my hand fall away.
She looks at me for a moment, like she's waiting for the punchline but with each second it doesn't come, the top of her left ear visible through strands of hair turns a brighter shade of pink. âWhat an odd thing to say, Mark ArmâŚâ She finally says.Â
âFelt like a good moment for stating facts.â
âThat'sâŚnot how facts work.âÂ
âIt is to me.â There it is again. It's virtually impossible to rattle her with insults, jokes, arguments... But say something nice and her whole signal cuts out. Compliments are apparently her one natural predator. âYou always do that.â
âDo what?â
âAll of the above. Try to argue your way out of compliments. Look nice.â
Katâs eyebrows dip and then she touches her fingers to her chin and lips, as if trying to manually rearrange her expression thatâs turning into an embarrassed smile. âThanksâŚâ
âYou're welcome, Novak,â I punctuate my words by shoving one of those macaroons into my mouth.
âI had one about an hour ago and I think theyâre pretty strong,â she nods at the box in my hand. âYouâll probably want to slow down.â
âYou say that like you're not the person who put drugs in a cookie and handed it to me.âÂ
For the rest of the night I try to find a good balance between following her whenever she moves away by more than five feet and just completely avoiding her altogether for fear of doing something so dumb and embarrassing that it will make her reconsider ever moving to Seattle. Fortunately, those weed cookies and a couple of drinks later itâs not as much of an active concern anymore. Fortunately, Kat is also a couple of drinks deep and seems to be very much okay with constantly finding herself in my immediate vicinity.
At some point Dan's voice cuts across the conversation from a few feet away. âTen minutes,â he announces.
Matt looks at him. âUntil what?â
âUntil we leave.â
âWhy?â
âBecause we have to leave town tomorrow, remember?â
âThatâs tomorrowâs problem.â
Dan points at him. âNine minutes.â He moves away before any of us can reopen negotiations.
The reminder is rude. Until now, six weeks has mostly been something everybody keeps mentioning between drinks. Now it has nine minutes attached to it. People begin collecting jackets and finishing whateverâs left in their glasses. Somehow, Kat and I drift toward the door, still close enough that her arm keeps brushing against mine.
âIâll miss you,â she delivers flatly. In fact, she doesnât even look at me as she says it. âWill you miss me too?â
I canât believe sheâs questioning that. âYeah,â I say immediately.Â
âWill you call me sometime?â
âOf course.â
âDonât make promises you canât keep.â
âI can too.â
âI know itâs hard for you to figure out how some telephones work.â
âItâs hard for me to figure out how your face works,â I grimace at her.
âI know, right? Never could work it out myself.â
âSimmer down, Novak, Iâll call you.â
âGood. Did I tell you about my new business? Iâm selling transparent coffins.â
âOh? And howâs that going?â I ask politely.
âRemains to be seenâŚâ Kat barely gets it out of her mouth before she bursts out laughing. God, I fucking love how much she makes herself laugh.
âIâve a new business too, I bake cakes that look like clocks.â
âIs itâŚtime consuming?â
âHey!â I frown at her for stealing my punchline. âYou do that again and Iâll see you in court.â
âIs being faster and cleverer than you admissible in court?â This time, Kat refrains from laughing and instead throws me a smirk, while my whole body drifts closer towards her.
âRude,â I look right into her eyes and before I know it, I realize that my right hand has somehow found its way to Katâs left elbow. In all honesty, both my hands would probably be on her right now, if not for the fact that Iâm holding a box of macaroons.
The interesting thing is, she doesn't even seem to notice anymore. She stays there, close enough that I can smell her shampoo over the beer and cigarette smoke lingering in the air, and itâs just normal.Â
The even more interesting thing is that either I'm somehow totally misreading this or Kat actually likes me. I mean...like likes me. Which sounds like something a fourteen-year-old would write in the margins of a notebook, but unfortunately I don't currently have better terminology. But friends don't look at each other likeâ Well. Like she does.
As we continue towards the door, Kat is talking, making herself laugh, delighting in her own jokes, and I'm only catching about every third word. I canât stop thinking about how annoying it would be if I left for six weeks without finding out what the deal is.
A minute later, we walk up between our band van and someoneâs rusted dark blue car. Nobodyâs there, the vanâs completely empty. Itâs just us and a distant noise of music and voices. I set the box of macarons on the hood because Iâve decided I need both hands available. Kat notices. Of course she notices.Â
"What?"Â
"Nothing."Â
"That looked like something."Â
"It probably is."Â
She waits. Doesn't rescue me, doesn't fill the silence. Just looks at me with that stupid patient expression she gets whenever she already knows where I'm headed and wants to see if I'll make it there by myself.
âThis is probably not a good timeâŚâ I begin.
âWhat is a good time, anyway?â
âGood point. In that caseâŚâ Whatâs the worst that could happen? My left hand lands on her waist, the other ends up braced against the side of the van beside her. And then I kiss her. And she reciprocates it way more readily and enthusiastically than I was prepared forâŚ














