Ana_TheFallenAngel

Haha lookit em go!!

“Suddenly, there it is right in front of you. Bright and vivid quietly waiting just as you imagined it would be”

I have been working on this piece for almost 6 days straight but I’m finally ready to reveal it! I want to make this piece a draw in your style challenge as I thought it would be fun! (Tag is below for it if you do choose to join in!)

in which simon singlehandedly salvages a social interaction (full page under cut)

I’m vetted by association I’m ayoosh gaza brother

Hello friends, I thank you very much for your continuous support, but right now I am in urgent need of you and your help. We are now in the holy month of Ramadan, which requires a lot of expenses, and there has been a significant rise in prices.

I also need to pursue my dream after losing everything. I need your support greatly—I need more than $1,500 to pay my university fees so I can receive my certificate and apply for scholarships.

You can find the images below the post.

Therefore, I am in great need of your help. I support my family, and at the same time, I am trying to achieve myself and continue my education.

hope these boys are having happy fun adventures out at sea.

has anyone done this yet

i think grace would be very sensory-seeking during sex. like, he’d crave impact play, temperature play, massage/pressure, tickling, overstimulation, any sort of novel sensory experience.

he'd probably prefer to leave grace without a gag. he expresses in the movie that hearing someone speak to him is a comfort, and i think he really loves grace's voice in general. but he does put him in a blindfold and noise-canceling headphones and then, because he's still not certain about tying grace up or cuffing him or anything, he restrains him with his own hands. he pulls grace into his lap, grace's back against his chest, and arranges grace's arms so his hands are clasped at the back of his neck, similar to how you'd support your head while lounging. he taps grace's fingers, a silent stay there.

he takes his time to worship grace's body. he trails feather-light fingers over grace's face, chest, stomach, thighs. every time he gets close to grace's crotch, grace wriggles his hips to get closer and simon pulls away just to hear him whine. he knows grace can't hear him, so he lays the compliments on thick; normally grace gets red-faced and embarrassed by simon whispering about how gorgeous he is. simon can do it all he wants right now, his lips pressed to grace's shoulder or back so grace can hear that he's speaking.

eventually, he rests his fingers against a nipple and grace breathes "please, please, please," until simon pinches him so, so gently. grace's entire body reacts — his hips stutter up into the air, his chest heaves, he chants simon's name. simon does it again, again, tugging on grace's nipples until they're swollen and reddened and grace just doesn't stop begging for it.

simon moves on, though, to rest a palm on grace's inner thigh, this, too, makes grace gasp and plead and squirm until simon gives in and smacks him. the sound is sharp and startling but simon doesn't have time to be stressed about it because grace moans so prettily for him to do it again.

In the scene where Eva brings up the idea of Grace replacing the recently deceased DuBois, I find that the colors of the costumes matter greatly. Most of the characters are in all black or otherwise dark colors. Yáo and Ilyukhina, however, are wearing their yellow Hail Mary lounge suits with black overcoats. Grace, inversely, is wearing a yellow coat with a black sweater underneath.

You can see everyone's costumes here, and Grace's below

And, for emphasis, a "close-up" on Yáo and Ilyukhina's outfits.

Personally, I feel like the yellow shows that, on the outside, Grace has hope just like the rest of them do. But when he sheds that top layer, he is left with the deep discomfort of having to be that hope, as represented by the black sweater. Yáo and Ilyukhina, on the other hand, have come to terms with the fact that they will die, and are willing to sacrifice themselves for the mission, hence why their top layer is black and their inner is yellow. So, just as this scene’s camera shots isolate Grace, his costume is symbolic of his alienation as well.

Another cool thing I noticed was that there are two shots showing Grace at the end of the table, very separated from everyone else.

Above is the first instance of that shot, where Grace is just recently told that he should go to space.

And this is the second instance, happening after Eva tells Grace he basically has no choice. They are literally closing in on him.

buying earth more time by nuking Antarctica

Doodles of my leclerc design hhahaha