Marianne von Werefkin (Russian/Swiss, 1860 – 1938) - At Dawn (A L’Aube), 1914/17
Oil on paper

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Marianne von Werefkin (Russian/Swiss, 1860 – 1938) - At Dawn (A L’Aube), 1914/17
Oil on paper

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Keith Haring, Altarpiece: The Life of Christ
Looking Up - Jethro Buck , 2021.
British , b.1986 -
Oil on gold. 100 x 150 cm.
Hilma af Klint, The Dove No. 12, No. 13, 1915
Koloman Moser, 1901
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Katrin Koenning (German, b. 1979, Ruhrgebiet, Germany, based Melbourne, Australia) - From her Glow series, 2012-2015. Glow is a body of work focused on things that have assumed a short-lived or unexpected state of glow (things which, by nature, don’t glow), Photography
Zhang Hongtu (Chinese b.1943), Guo Xi Scroll of Early Spring-Van Gogh, 1998, Oil on canvas, 96 x 68"
Heinrich Jakob Fried, The Blue Grotto, Capri, c.1835
Toshihisa Fudezuka Rain Song 4, 2018
JOHN WILLIAM WATERHOUSE
Spring Spreads One Green Lap of Flowers (1910) / The Soul of the Rose, aka My Sweet Rose (1908) / Thisbe (1909) / Undine (1872) / Cleopatra (1888) / Windswept (1903) / Psyche Opening the Door into Cupid's Garden (1903) / Ophelia (1894) / Circe Invidiosa (1892) / Lamia (1909)

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Shigeo Fukuda, Mona Lisa’s 100 smiles (Blue)
Clay Johnson, (American), Marsh Sky, 2026, Oil on linen - Hunting Beach State Park, Sunrise
‘Nude With Skeleton’, Marina Abramović, 2002
Gustav KLIMT (1862-1918) “University of Vienna Ceiling Paintings* (1900 -1907) “MEDICINE” (*destroyed in May 1945 ) - reproduction from photographs - on view at the LEOPOLD MUSEUM Vienna - VIENNA 1900.
Among the Waves by Ivan Aivazovsky

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Mark Rothko, Untitled, 1961
Oil on paper mounted on canvas. 74.92 X 54.9 cm © Kate Rothko Prizel & Christopher Rothko / Artists Rights Society
While strikingly similar to this painting, the two come from different years using different mediums. Rothko seemed to love his blues in greens, this green cast, particularly,
John William Waterhouse, Dolce Far Niente, 1879. Private Collection.