Frieze of the Small Horses, Axial Gallery, Lascaux cave
Magdalenian, 15,500 ybp
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@thedrownedcathedral
Frieze of the Small Horses, Axial Gallery, Lascaux cave
Magdalenian, 15,500 ybp

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Mark Rothko, Earth Green (detail), 1955
Brent Cotton Before the Thunder Speaks, 2026 Oil on canvas, 91 x 121cm
David Kanietakeron Fadden — Onkwehonwe Gothic (acrylic on canvas, 2016)

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Miyashita Zenji (1939-2012, Japanese). Far Away, 1985. Glazed stoneware.
Michael Namingha (Ohkay Owingeh, Hopi). Disaster #8, 2025. Silkscreen and enamel on canvas.
“In 2022, New Mexico recorded the largest forest fire on record, the Hermits Peak Fire. The fire burned over 341,000 acres over a period of five months. The fire started during a forest service prescribed burn. New Mexico and many western states are experiencing some of the worst drought seasons on record due to climate change, contributing to increasing wildfires. Disasters depicts a pyrocumulonibus cloud, a massive anvil shaped storm cloud created by smoke and intense heat from fire, a volcanic eruption, or nuclear explosion. This series depicts the could in different states of growth over the course of a day. Clouds have symbolically been sacred to the Hopi and Tewa people; they provide rain and life to our arid climate. We have ceremonies tied specifically to cloud and rain dances to provide a cyclical balance. The cloud in this work represents the change in our planet and a shift of balance. Each image and coloration are unique and explore the Air Quality Index color chart to dictate the color palette.” -Namingha
Elizabeth Catlett (1915-2012). Red Leaves. 1978. Lithograph.
Peter Behrens (1868-1940, German). The Kiss 1898. Six color woodcut.
Marcel Duchamp (1887-1968). Marcel Duchamp Cast Alive, 1967. Bronze with onyx and black Belgium marble.

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Chris Pappan (b. 1971). BREAK FROM TRADITION, 21ST-CENTURY LEDGER DRAWING No. 58. 2012. Antique ledger paper, graphite.
This drawing portrays members of a nineteenth-century Osage delegation that traveled to Washington, DC. Most such tribal delegations were pressing the federal government to uphold their land and treaty rights. Poignantly, Pappan drew this image on paper used to record a real estate transaction.
Tamara de Lempicka (Polish 1894-1980). The Slave (Andromeda). 1929. Oil on canvas, 100 x 65cm.
Sebastian Pether (1790-1844, English), The Eruption of Vesuvius, 1825. Oil on wood panel.
Vincent Van Gogh (1853-1890 Dutch). Olive Trees, 1889. Oil on canvas.
Marianne von Werefkin (Russian/Swiss, 1860 – 1938) - At Dawn (A L’Aube), 1914/17
Oil on paper

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Keith Haring, Altarpiece: The Life of Christ
Looking Up - Jethro Buck , 2021.
British , b.1986 -
Oil on gold. 100 x 150 cm.