Welcome to the official blog of the Dharadhil, a space-opera setting based on colonial South Asia which I've been developing for the better part of 3 years!
I'll be posting my art here, as well as excerpts, research notes, and (once it's been edited a bit more) The Lion and I, a sci-fi novel in the setting.
Expect large women, cyborgs, and overlong lists of birds and food.
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The man dragged before the Pilesteh Emperor hardly seemed worth the trouble of an execution.
By his dress and the way he rolled the words in his mouth as he begged for mercy, it was clear to Todar that he was no noble mastermind but the leader of a marginal people, in all likelihood some planetbound, ungovernable leader. The way his eyes goggled as he was dragged through the throne room suggested he had never even visited Pilesteh Prime before.Â
âO Protector!â he cried, his voice stumbling over the words. âO Protector!â
What a shame, thought Todar to himself. That may be the only Saadi phrase the poor man knows. There was a soft cough, and the court fell silent as the Emperor began to speak.
âDo not beseech me in such tones, when you have so long been impudent.â
Immediately there was a scribbling as the scribes commenced their writing, each capturing a different aspect of the throne room: the words spoken, the murmuring of the courtiers, the yuzpalang pacing at the throneâs foot, the way the man was thrown onto the shiny black floor, above a trough used to collect spills. Todar, meanwhile, stepped forth to translate. He was hardly fluent in the prisonerâs native Shinhashani, but it would have to doâit was an unusual tongue indeed, rarely spoken beyond its home planet.
«Do not, a-a-ahâŠÂ» Todar struggled with the words, «do not ask him for kindness, when you have been unkind.»
The prisonerâs eyes opened even wider, somehow.Â
«You speak Jhata Horgha? Please, good man, please tell himâ» One of the guards jostled him, and he fell into a soft whimpering.
â... You are sentenced, for the crime of sedition, to death.â
«You are to be killed.»
Here, the Emperorâs children and the wives and children of his courtiers shuffled from the room.
âAs is customary, the execution will be performed by an elephant of my first regiment.â
Todar reached for the words âcustomaryâ and âexecutionâ and âregimentâ and settled on «You will be killed by a war-elephant.» He paused and added a half-hearted «Sorry.»
The man thrashed in the guardâs grip, unable to stop himself from yelling, stuttering out increasingly desperate pleas.
«You canât do this to me! I am a scholar! I am a soldier of the Pilesteh! IâI am a father!»Â
The Emperor looked expectantly at Todar, and he recounted the manâs statements. The emperor raised his wizened hand, and a vast pair of stone doors were pushed open.Â
At the sight of the massive black-and-pink elephant trudging in, the rest of the courtiers filed outâfirst the singers, the Gosap ordermen, and the attendants, then the handlers and the yuzpalang (lest they dirty themselves in the aftermath). Finally, the translators began to leave just as the elephant reached the prone, weeping body of the prisoner. Todar moved to leave, but the Emperor beckoned him to stay.
âI wish to know if he should say anything more.â
And then, in perfect unison, the order was given and executed: the Emperor lowered his hand, and the elephant lowered its foot onto the prisonerâs head.