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Women, bodies and reflections in Douglas Sirk's Imitation of Life (1959)

#imitation of life #douglas sirk #melodrama

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The Loneliest Planet (Julia Loktev, 2011)

#julia loktev

Rock Hudson's Home Movies (Mark Rappaport, 1992)

#rock hudson #mark rappaport #lgbtq

Douglas Sirk’s compositions of entrapment in All That Heaven Allows (1955)

#douglas sirk #all that heaven allows #melodrama

Mes Petites Amoureuses (Jean Eustache, 1974)

#jean eustache

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Sound and Fury (Jean-Claude Brisseau, 1988)

#jean-claude brisseau

Seven Samurai (Akira Kurosawa, 1954)

Touki Bouki (Djibril Diop Mambéty, 1973)

#djibril diop mambety #touki bouki #african cinema

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Ingrid Bergman and Roberto Rossellini at Cannes, 1956.

Magnificent Obsession (Douglas Sirk, 1954)

#magnificent obsession #douglas sirk #melodrama

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The Ox-Bow Incident (William A. Wellman, 1942)

#ox-bow incident #william wellman #western

Man of the West (Anthony Mann, 1958)

This August, I watched seven Anthony Mann westerns. Today I saw the last one, Man of the West, and it became my most favorite of the seven films.

Watching his westerns, especially The Man from Laramie and The Tin Star alongside Man of the West, one could argue that the way Antonioni uses a frame within a frame in his compositions, might have been very much influenced by Mann’s [western] films.

#Man of the west #anthony mann #western

Body Snatchers (Abel Ferrara, 1993)

#the body snatchers #jack finney #abel ferrara

Sirk employs legs, feet and footwears as more than mere body parts or props, signifying the ever-present duality of perversity vs. having your feet on the ground. They represent the idealistic/practical pursuit of happiness and euphoria.

The Tarnished Angels (Douglas Sirk, 1957)

#the tarnished angels #douglas sirk #william faulkner

Invasion of the Body Snatchers (Philip Kaufman, 1978)

#invasion of the body snatchers #the body snatchers #philip kaufman #horror

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The Man from Laramie (Anthony Mann, 1955)

#anthony mann #the man from laramie #western

Apart from the delicate design of the sound of spurs and boots, windows and frames do most of the work of pin-pointing Ben’s transformation into a powerful sheriff (In other words the father figure, Morgan). One could track and compare the gestures of Morgan and Ben in relation to the space beyond the windows and the people occupying it.

The Tin Star (Anthony Mann, 1957)

#anthony mann #the tin star #western

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