WORLD'S NUMBER 1 MIRANDA 'MELODY' O'CONNOR STAN! she/her/they/them (English), zij/haar/die/hun (Dutch), minor. please call me bug :) no i do not have a hatchetfield obsession, what are you talking about
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quarterly reminder that if i reblog something ai-generated it is 110% and always an accident and for the love of god please tell me so i can delete it from my blog
english major brain: words can evolve and develop as a society goes on. the way a word is used is its definition. it's pointless to hold onto the idea of right vs wrong words
human brain: THAT IS NOT WHAT LARP MEANS!!!!!
Larp is the most immersive, passionate, creative, and knowledgeable nerdy community I have ever had the privilege of being a part of. How the hell did it end up being used as an insult to mean "fake fan"?! Linguistically, it doesn't even make sense either cause it's not a word; it's an acronym. Live action role player has no place being used instead of poser, phony, faker, or any of the other myriad of words we already have for this kind of situation. And the only excuse I've seen people use when this is pointed out is some bull along the lines of "it sounds funnier to say larp". Good to know you value the sound of a word over the fact you're using the most dedicated people a fanbase can have as an insult intended to mean the opposite.
highlights of the local TGWDLM production I saw tonight:
Mr Davidson. just Mr Davidson in general he was so good. he walked out onto the stage immediately with flawless energy and led the title song so well, he set the tone for the whole show. I will be mentioning him again I just had to give him a shoutout right off the bat.
when Paul missed his cue, Mr Davidson went offstage to try and find him.
Paul didn't enter at all until the opening song was FULLY over.
during Charlotte's phone call with Sam, Paul was sloooowly leaning closer and closer towards Charlotte the whole time, trying (failing) to discreetly listen. Bill was also visibly listening and emoting the whole time.
Bill called Paul "Paulie" at one point <3
Paul's actor spoke with a pretty flat affect, giving Paul's bluntness a bit of a sharper edge and making him come off as more irritable, which I really enjoyed. this was a lower-energy, easily frustrated, slightly angrier Paul and I thought it was a good spin. this Paul has never masked a day in his life and does not care to remotely try.
instead of doing a Borat voice for "latte hottay", Ted did a thrusting gesture. Paul also did the thrust later on.
Emma and Paul both laughed quite a bit during their banter at Beanie's and I thought it was cute. the way Paul noticeably emoted more with Emma than with anyone else stood out a lot, like he understood how to match her energy in a way he didn't with other people.
Emma's actress was great, she felt pretty close to Lauren's OG performance, but this was definitely a higher-energy Emma. there was a noticeable sincerity behind all of her lines, and she came off as more excitable and emotional. definitely retained the trademark Emma sarcasm and irritation, but there was a level of heightened stress to her performance that I liked.
Homeless Man had a cardboard sign, and when him and Greenpeace Girl had their little exchange he said "WAZZAAAAP" and then went and sat on the edge of the stage until his next line.
at the start of La Dee Dah Dah Day, Greenpeace Girl held out her hand for Paul to shake and he said "I'm not going to touch you."
near the end of the song when all the townspeople are surrounding him, Paul said "what can I do to make this stop? do I have to pay someone?"
Bill seemed genuinely very pleased and flattered when Charlotte said "you're a riot."
at the start of the bridge two ensemble members came out, Mr Davidson sat on his desk, and the ensemble moved it to the right and then back again. as this was happening Paul guessed that what Mr Davidson wanted was to redecorate, and when the ensemble left, Paul said "why did they move the desk??"
What Do You Want, Paul? was SOOO so good. flawless energy. Paul tried to leave early on and Mr Davidson rolled his chair up from behind to scoop him up and roll him around.
"I don't know, I want money, a rent-controlled apartment, a pomeranian someday, maybe?"
Mr Davidson wrapped the phone cord around his own neck when be was singing about wanting to be choked, then wrapped it around Paul when he tried to leave.
Paul pounded his fists in his lap when Mr Davidson wouldn't let him leave. he did that a few times when he was frustrated I liked it.
after the phone call with Carol, Paul yelled "THE PHONE'S NOT PLUGGED IN."
during the bridge of Roasted Coffee, Paul said "you learned that this morning?!" and Emma said "yeah it took FOUR HOURS."
the infected's insides were GREEN instead of blue!! Sam had a green brain!!! every time they said green in place of blue my brain buffered a little.
Emma had to say Charlotte's name like eight times before Charlotte calmed down and her "I'm...Charlotte..." genuinely sounded like she had completely blacked out and forgotten her entire life for a second.
I cannot tell if this was intentional or if Bill was late on his entrance and it was improv but I liked it either way - down in the bunker Paul had to go find Bill because they'd lost him a few rooms back, and when he came back in with Bill he said "he was staring at a painting."
Emma started crying when she was talking about Jane. during "there won't be a next one," she crumbled for a second, like the loss was hitting her all over again and she had to compose herself. that really hit for me, this Emma's emotions were so raw. the regret and guilt were heavy and there was also such a strong sense of hope in her voice when she said she wants to make Jane proud.
at one point during their conversation Emma shifted to sit a little more casually and Paul fully leaned all the way back, propping himself up on his arms, like he was trying to mimic her or look chill and casual too and I thought that was very cute.
during Join Us (And Die), Sam and Charlotte had Paul and Emma in their respective grasps and nearly infected them but they escaped - I didn't see what exactly Emma did but Paul stomped on Sam's foot.
Paul and Emma checked inside each other's mouths to make sure neither of them were infected.
instead of the beginning of Moana, Hidgens had the gang sing I Am The Very Model of a Modern Major General. Bill sang Dancing Queen.
Bill sounded like he was gonna cry at least twice during his phone call with Alice.
while Bill was on the phone, Hidgens was poking and prodding at Charlotte and Sam's bodies, and when he poked Sam's brain, Sam's foot twitched.
when Hidgens told Emma he needed extra hands in the lab, Ted was standing behind them and he held up his hands all offended, and as he walked offstage he went "I have hands!"
INTERMISSION: during intermission the director (who was also in the ensemble) came out for a minute and told me and @graceschasity that the cast loved us and loved our energy :] we got a good grade in being in the audience!!
when Bill was talking about Alice while they were searching for her, every time he would pause, Paul would very irritably grunt and mime to Bill to be quieter, he was pissed offffff-
Bill was sobbing during Not Your Seed.
Bill didn't swear at all throughout the show, he used a lot of very softened expletives. "poop" instead of "shit, he'd say "sam hill" and "what in blazes" and stuff like that, it was charming. when Paul tried to get him to leave in the middle of Not Your Seed, Bill shoved him away and said "back the fuck off, Paul, I'm not leaving without Alice." one and only time he swore and it hit me like a brick.
at the end of the bridge Alice reached her hand out for Bill and Bill tried to take her hand before Paul pulled him back.
Bill died a little slower when he was shot, he reacted to the impact, he fell to his knees, he clung onto Paul. my little heart broke.
PEIP storming the high school: "GET DOWN ON THE GROUND MOTHERFUCKERS WE'RE THE ARMY, BAM BAM- OH SHIT FREE GUN! *tries to pick it up and drops it* AW FUCK I DROPPED IT."
McNamara yelled every single word he said I think.
Hidgens chloroformed Emma instead of drugging her with a needle.
Hidgens did a silly little pose for each of the Workin Boys' names.
they didn't have any stage gore, all the onstage infections were done with little green lights in the actors' hands that they shoved into the victim's mouth. I liked this the most with Hidgens - Greg and Stu were on his either side and they dipped him, both coming at him with the lights, and he scream-laughed maniacally as the infection took hold. I really liked that.
when Greg came back and caught Paul he fully picked Paul up and carried him offstage. slung Paul over his shoulder like a sack of potatoes.
this Ted voted for Trump in 2016 and had no regrets, said he'd do it again.
infected Ted punched Paul in the stomach during America Is Great Again.
for Let It Out the lighting had a bunch of green flecks and spots all over the walls and the stage that looked like spores in the air.
Alice and Charlotte were there!!!!
Paul grunted and growled a lot while he was trying to resist infection. there were a few moments of the infected all lined up behind him, hands on his shoulders, reacting with him while he moved and turning his lurching into choreography.
before the bridge the infected all formed a half-circle around Paul from behind and did this really cool visual where they shoved him to the ground without touching him. they didn't need to touch him - it's part of the choreography, his body fell because it knew it had to.
Emma was SO excited to hear that Peanuts survived, she did a fist-pump and everything, it was super cute I love her.
she sounded like she was about to cry when she ran to hug Paul :(
EXCELLENT mix of both manic smiley mindlessly happy energy and deeply threatening emptiness from Paul. so much more enthusiastic and emotive than he was for the entire show, and so much more aggressive.
really good voice.
when Emma was trying to escape she was running along the wall and she said "isn't this a hospital? where are the doors?!"
at the end Paul shoved Emma to the ground and stood above her as the rest of the hive surrounded from behind, and they all pulled Emma backwards away from the audience through Paul's legs.
when Emma was asking for a phone, my mom tried to hand her her purse and she went "that's a bag, not a phone, but thanks."
I saw it again because I'm normal here's some more Stuff I Liked:
when Zoey said she thought the singing was a fun idea, she and Nora both did an excited squeal and a cutesy little hand touch.
Greenpeace Girl looked ready to physically fight Paul before the storm interrupted them, she was getting in his face and everything she totally wanted to punch him.
after Zoey turned down Emma's ride offer, Emma mouthed "FUCKING BITCH" as she walked offstage.
while Alice was on the phone, Deb was roughhousing with the Smoke Club Boy in the background. he was a lot taller than her so she was like jumping on him and giving him noogies, it was very cute <3
every time the infected touched Paul he would desperately brush himself off afterwards. they touched him A Lot.
Bill and Paul both rounded on Ted when he said Sam didn't come home, literally turned in unison to stare at him disapprovingly it was so funnyyyyy
when he ran into Beanie's begging for black coffee, Paul pounded on the counter a little too hard and knocked a bunch of cups over and had to try to pick them up. when Emma stopped singing she looked down and said "what did you do to my bar?"
Emma stopped dancing entirely for a few steps during Roasted Coffee when Nora and Zoey weren't looking.
a Beanie's patron recorded from the tip song up until Emma quit on his phone.
when Paul did the latte hottay hip thrusts he said it in the flattest voice imaginable and immediately apologized to Emma.
during Show Me Your Hands Sam did a lasso pull dance move to pull Charlotte to him and she acted like she was really caught in a lasso.
I don't have a lot to say about Charlotte in terms of specific moments but she was cute!! the actress played her a little more quiet and shy I think, like she felt bad whenever she talked for too long :( it added a little something to her dynamic with Ted, like she's only really able to let loose with him and that's why she keeps going back.
when Hidgens called Emma over to look at the green shit she went "nooooo :("
during Hidgens' spiel about aliens Emma said something to Paul and it looked like she was worried he was judging her for knowing Hidgens.
Hidgens was great btw I feel like this portrayal of him was a little more. refined? dignified? less of an overtly kooky Doc Brown type and more like. understated eccentric. he was self-serious without losing what makes the character fun.
Bill was fully committed to "kick your head" from the jump, he didn't misspeak or stumble at all, that was exactly what he wanted to say and I think that's a very funny way to play it.
Bill was really gonna try when Ted was egging him on, too. hiked up his pants and everything, started lifting his leg before Paul cut in. Bill was GONNA kick Ted's head. and Bill is visibly the oldest in this cast which made it extra funny I think.
when Ted said that Alice was dead, Bill fully lunged at him. Emma had to hold Bill back.
at the high school, the infected teens tried to shoot Paul again after missing the first shot and were out of ammo. I thought it was interesting to have them pivot after Paul genuinely just got lucky, they definitely would've shot him dead right there if they could've.
it was McNamara who said "prove it asshole we're the army" and he fully kicked Paul in the face to knock him out.
only Hidgens was onstage at first for his and Emma's scene, and Emma did a silly little entrance when he called her name. she hopped out from backstage and did a little pose and then rolled her eyes at herself. you can pretend you're not still a theater kid at heart all you want Emma, we know what you are-
when Paul said "I'd like there to be [a chance at something more with Emma]", McNamara pulled his glasses down and peered over them at Paul expectantly until he said "I want there to be."
the in-universe scene change after Show Stoppin Number was played as a survival strategy - Emma said "should we do like a scene change? to blend in? they'll love it, it'll be like Hamilton, c'mon move the chairs-"
"Paul, I have always considered you my best friend." // "...Okay?"
Paul would always stiffen up and squirm when the infected touched him, and during Let It Out when they touched him and moved him he just accepted it.
Emma took Paul's hand during Inevitable - well into knowing it wasn't really him. like she couldn't help herself.
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it should go without saying but apparently it needs to be said over and over and over again because every time i hear my mom tease my sister for playing wolfquest, every time i hear a teacher tease a kid for doodling, every time i hear a babysitter laugh at a kid explaining the plot of a show they like, it drives a fuckin stake through my heart because i was that kid once.
i was made fun of enough times by adults, by peers, for liking something and wanting to share it that i just. didn’t. anymore.
dont fucking tease kids for liking things. even if you think its cringe. ESPECIALLY. if you think its cringe. because the way you speak and act towards them when they are sharing themselves with you STICKS and they will think of it years down the line.
BE NICE TO KIDS. BE NICE TO KIDS. LISTEN WHEN THEY SPEAK TO YOU. BE. FUCKING. NICE. TO. KIDS.
I was a substitute teacher for a little while between grad schools, and one day I had a middle school math class for the morning. The work they were assigned wasn’t *especially* hard, and one little girl knocked it out in 20 minutes. She started drawing what was very obviously Sans Undertale, and when I noticed I wanted to be supportive, and had the following exchange:
“What’s that you’re drawing?”
*panicking* “It’s nothing, I’m sorry, I’ll put it away.”
“No it’s okay, I was just curious about it.”
“It’s nothing. I don’t want to get in trouble.”
“You’re not in trouble, I just thought it looked like a character from a video game I like.”
Her face *lit up* the second I gave her the smallest bit of approval. She started asking me if I’d heard of various AUs for Undertale, and I tried to follow along as she explained her favorites. I obviously had to keep an eye on the rest of the class, answering questions and helping with algebra, but each time I passed her desk she had more things to tell me.
Anyway, it was very cute, but also a little sad how obviously starved she was for someone kind to talk about her stories with. Kids deserve to have someone in their corner, and it takes no effort at all to smile and listen if they have something they want to share. Preserve the earnestness you want to see in the world.
after Bad Bunny won they added a Latin song category and after Rosé got three nominations the grammys added a k-pop/c-pop/j-pop category they have always been afraid of well-performing artists of color challenging white artists in mainstream categories
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Took me until about halfway through college before I realized “study” means “play with the material in a variety of ways until you understand it” and not just “read the assigned chapters and do the homework” and I think that probably should have been discussed at some point prior to that.
The discussion around Hey, Melissa would be way more productive if instead of "are Melissa's actions forgivable" we looked at how fans react more harshly to horrible actions in stories when the perpetrator is a woman. Melissa is objectively a bad person because what she does is bad. She also has a reason for doing what she does because it's a response to the objectification she faces as a woman.
Melissa is a fictional character in a story that is meant to be uncomfortable, it's not misogynistic to say that she's a bad person. The misogyny is in the way people tend to fawn over male characters who do horrible things because they can acknowledge that it's only a story, but judge female characters as if they were real people, even though it's still just a story.
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