every once in awhile i come on and look at naruto content just to piss myself off
Interview Vampire Daily
Lint Roller? I Barely Know Her
todays bird

shark vs the universe
Sweet Seals For You, Always
Fai_Ryy
🩵 avery cochrane 🩵
official daine visual archive
I'd rather be in outer space 🛸
The Stonewall Inn
tumblr dot com
taylor price

Origami Around
"I'm Dorothy Gale from Kansas"

#extradirty

ellievsbear
Keni
art blog(derogatory)

bliss lane
Color Me Curious

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@the-wandering-sun
every once in awhile i come on and look at naruto content just to piss myself off

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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saw someone including "Mandate of Heaven" as one of those christian terms tumblr likes to use to sound profound. which i get where you're coming from but t☝️hat one is chinese
holdon
what the fuck is going on in this site's backend
this video has been the last hinge holding me together for weeks now. I need to watch it once a day or I'll start disintegrating
heres the translation I found online for fellow enjoyers
Me and my color coded friendgroup are gonna beat your ass
forgot to upload dis

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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for the jewelry crafters and the macrame enjoyers alike, as both I love this
its crazy how in a world where you have access to an amount of art and literature so vast that you could spend several lifetimes back to back combing through it all without making a dent in it, even under those conditions of bountiful excess, people still feel compelled to blog about axis powers hetalia
even with stuff like hazbin hotel or south park or slop shonen that i think is terrible i can at least understand what it is about these properties that people latch onto and where the appeal comes from but with hetalia im like. based on literally zero direct interaction with the source material ever i still feel confident enough to say i do not believe there is a single thing on offer in hetalia in terms of like artistry or interesting ideas or narrative and character writing that could be unique or compelling enough to explain its continued popularity. i just categorically can not believe it.
Playing magic the gathering and someone's whole entire deck is just spells that make you discard your cards but now your hand is empty and you're just playing straight from deck to table dealing -1 damage every single turn with one sickly little one-point-value runt of a creature that they failed to kill at the start and you're whittling them down from 38 health because they removed your only weakness and they can either concede or stay here trapped in the hell of their own making.
Your character doesn't need to be likeable. They need to be legible. The reader needs to understand every decision they make even when it's wrong, even when it's ugly, even when they want to shake them. Likeable is easy and forgettable. Legible is what makes someone stay with you for years. Make the logic of every bad choice visible. The reader doesn't have to agree with it. They just have to follow it.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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self-indulgent scenemo rogue doodle
ive been listening to thursday a lot recently. omg i wanna go to their concert so bad
btw, oswald is definitely gonna be in kh4 now--not a doubt in my mind
I like the image Wikipedia uses to illustrate "speculative fiction" as a concept. Like yeah that's them. That's the genres

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Thinking about the way BND uses MJ and the way Spidey 5 is likely to use MJ sent me down a bit of a rabbit hole, and I think I've put my finger on why the MCU Spider-Man feels so offputting.
Basically, what it comes down to is that the MCU Spider-Man movies don't really know what to do with Peter's supporting cast or personal life or... Or the very concept of Peter Parker as a human person outside of being Spider-Man.
Homecoming was probably the most Peter Parker that an MCU film has featured on account of its mission statement of keeping Peter grounded.
But then Far From Home took him away from his setting and supporting cast to send Spider-Man globetrotting with S.H.I.E.L.D. and Mysterio. It still found excuses to bring his class along with him, though, so he could get into Peter-like shenanigans in these strange locales and start a relationship with MJ.
Nonetheless, May and Ned were reduced to recurring gags.
And then No Way Home pretty much kicked Peter to the curb. From the moment Doc Ock arrives on the film, it is 100% a Spider-Man movie. MJ and Ned are paired up to wander around being Spider-Man's sidekicks for a bit, May's killed off, and ultimately the very concept of Peter Parker is deleted from the universe.
Which then brings us to BND, whose central thesis is that Peter Parker is an integral part of who Spider-Man is and that Spidey needs to be feeding his Peterness too. It reconnects Peter with MJ and Ned, and ends with the promise of a restoration of Peter's identity outside of work.
But. LIke.
What does that even look like? Who even is Peter Parker at this point?
Peter has no day job. He never went to college. He's apparently independently wealthy enough to afford multiple years of housing and supercomputers and shit without an income; No idea where that money came from.
He doesn't have Aunt May. He doesn't have the Daily Bugle or Horizon Labs or anything. He doesn't have Midtown High anymore. He's never really been established to have any sort of dreams or aspirations besides "be Spider-Man" or alternatively "get that cute girl to be my girlfriend".
Flash sometimes exists for like one or two scenes of a movie.
It feels like we started Homecoming with a notional idea of Peter Parker and then spent the next three films subtracting elements from him. What is there left to build from?
If the idea at the end of BND is that Peter's going to take more time to be Peter then Spider-Man 5 is going to have its work cut out for it figuring out who Peter Parker even is. Who he can even be in the corner he's been written into.
But I have a sneaking suspicion that a lot of the Peter elements of Spider-Man 5 are just going to be spent on "get that cute girl to be my girlfriend", since they left that "MJ has a boyfriend now" plot thread dangling. Maybe it'll be about rekindling his relationship with MJ. Or maybe Black Cat will be in it and it'll be about how she's all wrong for him and then it'll be about rekindling his relationship with MJ.
I do not buy for one second that the MCU actually intends to leave Peter and MJ split up. I thought before BND that we were going to have to spend a movie painstakingly watching them get back together, and now I've increased that estimation to two movies of painstaking Will They/Won't They shipping of a couple that already did and it was already fine before they fucked with it.
But also. Like.
I hope it's not just Ned and MJ. Because Peter needs, like, an actual life. Even if he's going to have to build it from scratch because the films have burned all of his bridges to the iconic Peter Parker stuff.
Please let the big Spider-Man plot of movie 5 be in service to Peter's growth and development as a person rather than just having Peter be what Spider-Man does in his downtime. Peter needs another Spider-Man Homecoming to detox from the No Way Home/Brand New Day double-whammy.
I think what it really comes down to is that the MCU just doesn't really do personal stories about the protagonist where the villain his hero persona fights reflects some element of the personal struggle going on in his civilian life and helps him grow as a person through their conflict.
It does have those kinds of villains, mind. But it doesn't have those supporting casts and status quos and relatable life lessons for the human side of the superhero. This is because the MCU tends to treat its heroes as full-time heroes.
It's just that this is more noticeable with Spider-Man because. Like. We expect Iron Man to always be Iron Man when he's onscreen, even if he's not in the suit. We expect Captain America to be Captain America and to deal with Captain America type problems, not regular people problems. We expect Thor to always have his Thor face on and always be doing Thor things.
But we expect Spider-Man to have a rich, robust life as Peter Parker. We expect to see him doing Peter things just as much if not moreso than Spider-Man things, and for Spider-Man to be a tool to facilitate Peter.
And the MCU has struggled to deliver that because it just isn't the type of story the MCU tells. The MCU is much more comfortable operating in the "Bruce Wayne is the mask that Batman wears" space, and that just doesn't really work for Spider-Man.
The gradual erosion of the Secret Identity has been going on in the superhero genre for a while now, though the MCU being the juggernaut it once was has certainly contributed heavily to it's decline.
Part of it is an issue of managing time. Comic Books pivoting to a writing for the trade model means that there's less room in each issue to focus on building a civilian supporting cast, and creators increasingly pivot towards having the heroes interact with other heroes instead of civilians (There's a very good post by Maxwell Grant on Tumblr that discusses how this has lead to Amanda Waller losing her complexity and becoming a one note villain)
With TV shows, the pivot towards shorter seasons has left less room for playing around in a status Quo. Seasons have to be serialized, episodes have to push that serial narrative forward, and there's no room for the civilian Superhero divide. The Supporting Cast has to just be the supporting cast, for both sides of the hero.
Which have some upsides to. ironically, given your fers about MJs future, this trend has contributed to a lessening of will they won't theys in movies. Outing the Superhero to their love interest eliminates the missed meeting drama that was prevalent in Superhero stories for decades.
The Love Triangle between Clark Kent, Superman, and Lois Lane used to be a core element of Superman stories, and I can't remember the last adaptation where Lois was still in the dark by the end of the first installment. And while I feel Superman as a character is harmed by the lack of Dichotomy between his two identities, Lois figuring things out is a better look for her.
Which gets at another big difference, a desire for the Supporting cast to carry it's own weight in the story. In the old days, a Supporting cast was there to cause problems for the hero. They would drive social situations that put the hero in conflict with his duty, they would try to uncover the heroe's identity making them take greater efforts to hide. They would be endangered to make the latest villain's scheme have more stakes.
Nowadays, there's more of an effort to give the civvies a role that contributes to the resolution of the problem. Most commonly in the form of "The Guy in the Chair" who talks to the hero while he's in the field, and feeds solutions to him that the hero would have just come up with on his own in the old days.