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Still in disbelief that I get to see my character in the style of the @ritzeldraws 🤯💜✨ I've admired their work since seeing their heartbreaking durge/Gale videos years ago, and it legitimately feels like a dream come true to have gotten a commission from them! The work speaks for itself, and I cannot overstate how much she knocked it out of the park based on just a short description.
The moment captured here is special to me. When I made a relationship with Gale an official part of this character's background, I customized a lot of the story in my head. This is how I envisioned Gale's confession would have gone, with a setting personalized to Damaia (and also less to do with his "last night alive", since in my version of events they basically met in Act 3, after Moonrise). He needed some help from Halsin and his druid magic to grow the flowers - but of course in usual Gale style, they were enhanced with constellation-like illusions to make them special.
I don't have a full scene written out for this moment... but in the notes for my current D&D campaign, I occasionally jot down extra moments that I imagine happening "off-screen", and I do have one that pulls from this that I'm actually kind of proud of. There's too many campaign-specific references in it, so putting it here is mainly for me as usual.
But if anyone comes across this and wants some context - on this day in-game my group had just finished a mini arc in Barovia, where Damaia faced old demons, discovered horrible truths about the nature of the Domains of Dread, and believed she inadvertently caused the death of one of her oldest friends. It was a rough day for her, to say the least (also in this campaign our home base is in Sigil, where the only spell that can make contact from another plane is Sending. So I imagine Gale checks in every couple days or so, but no real conversations can be had with that 25 word limit).
* . °•↟ᨒ•°☆☾ ∵ ☽☆°•ᨒ↟•° . *
A Sending message from Gale enters Damaia's mind, sounding playful: Does Ella’s use of evocation have you missing my own days of destruction? I could always return from the soft art of illusion, for you.
She responds with: It’s strange how Sigil has a night despite no sun or sky. I can’t think as clearly anymore when the stars are blocked from view.
Her tone is somber, almost melancholy, filling Gale with immediate alarm. For the first time since she willingly left Waterdeep, he sends a second Sending: Say the word and I’ll conjure them for you across the realms. I’m sure I could devise a way. <a pause> I am here for you, love.
I’d prefer to see your eyes, actually. And your face. Throw in the head, torso, arms, and legs too, please. <a pause of her own> Thank you. Love you.
Gale is rattled, but her joke makes him feel some amount of ease. His miniscule comfort feels widely inadequate, and it burns him inside to not know what had happened. But he knows she can get through this. She’d proven it time and time again.
As he’s thinking before bed, he realizes he has something he’s never had to use before. A variation of Programmed Illusion, that he managed to permanently cast on Damaia’s union ring but never told her. He’d been saving it for either something special - or a time of need. Which may be right now.
He casts Sending a third time: If a reminder of my feelings could provide any comfort, speak the greatest words I’ve ever heard from you to your ring with closed palm.
I don’t have time to figure that out before responding, so I’ll say ‘thank you’ now. I bet it’s over the top - and wonderful.
Damaia finds a quiet corner of the sanctum, away from her companions. She thinks it over, and first tries softly saying “You were right, Gale” to her ring. Nothing happens.
She spends a few more minutes wracking her brain, pacing back and forth. Could it be something from their wedding day? She hadn’t spoken any vows during the ceremony, hadn’t wanted to speak her feelings publicly. She did express to him how she felt later in private, but it wasn’t anything fancy or rehearsed.
She then recalls a special night, in a quiet section of woods outside Baldur’s Gate. Gale had told her something very important, and in a moment of clarity she had responded with words she’d never said before. She repeats them now in a whisper to her ring - “I’m in love with you too.” She sees a glow between the curled fingers of her fist. Gingerly opening her hand, there is an illusion of a blossom from her childhood home, one of the many local flower varieties that Gale had conjured for her that night in the past. Just like then, this illusory version of the flower is enhanced. The veins in the petals glow and pulse, the surface of each glitter with tiny sparkles like stars, giving the impression of linking constellations.
Damaia sinks slowly to the floor, staring at the bloom in her palm. A tear rolls down her cheek - whether a happy or sad one, it’s hard to say. After a few minutes, the flower fades. She clutches her now empty hand gently to her chest, lost in thought on the floor for a bit longer.
It’s strange, how the flower reminds her of multiple things at once. Her childhood, the loss of it; the first time Gale told her he loved her; that period back then of finally dealing with the aftermath of Barovia, and the weight of her new mysterious patron. Her life has changed many times over the years. She’s weathered dark times, but also experienced pure joys. She’s contemplated her true place in the world. She still has so much to learn.
Overall, her heart - which had been confused for most of the day - feels quieted. She slowly stands and makes her way back to the chamber where her companions sleep. There’s still some unrest within her that needs to be faced, and she knows she will, eventually. But right now she doesn’t mind letting her heart rest within the comfort of a love that she can feel even across the planes of the multiverse.
Wyll Ravengard ❤️🔥
Painted this completely unplanned and unexpected portrait last night. I guess the heavy rain traditionally brought me inspiration after all, even though it's now really hard to not read all sound of thunder as explosions. Unfortunately russian attacks on our homes happen more often than thunderstorms. Wonder if this will ever go back to normal. Either way, happy with our handsome boy, excited to do more BG3 art when I have more time between commissions and charity work.
If you like my art, consider tipping!
MY TIP JARS HERE ❤️🩹
WIP Wednesday - thank you for the tag @amadicah ♥️
Okay so I've never actually shared a drawing of my Rogue Trader before. I've been slowly rotating him in my mind since my first completed playthrough a few months ago.
I could always see him in my mind but never really had the courage to take the next step. It's silly isn't it?
Well, here he is in all of his WIP glory! Rezsan von Valancius silently judging you with his partner in crime, Marazhai.
Poking @theevilscribbler @yunessa @clevermird - no pressure!
There are gonna be people who won't like hearing this but if you want to live in a world where mixed marriages, families, and adoptions (particularly POC adopting outside their "race") aren't maligned and discriminated against, then you have got to get more chill about seeing someone partaking in something cultural that you don't think fits the "race" you perceive them as.
It's a vague memory now, it was a vague memory even at the time I made this post, but I think what sparked this was remembering stupid comments I saw about a Chinese-American cookbook that were complaining about it being written by a white woman and then I looked the white woman up and the briefest research showed she was adopted as a child into a Chinese-American family and just....
*pinches nose*
Fellas, is it cultural appropriation to inherit your family's culture but you don't pass the blood quantum test?
All of you are literally just racist. You've come full-circle. You're working under the belief that people are supposed to "keep to their own kind" and that means the socially invented concept of "race", and "race mixing" of any sort is unnatural.
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one notable thing that stands out to me from Todd's interview questions is that he said he doesn't think about what his retirement would look like (anymore).
In the past he basically said that after TES VI, Fallout 5 would be his last game. But now he sees devs who are notably older than him are still doing amazing things in the gaming industry so he just doesn't think about retirement nowadays.
Ive personally been a lil surprised that he was ever thinking about his future retirement when the dude is still only in his 50s. Theres tons of old directors/artists who are in like their 60s/70s/80s and are having the time of their life making fantastic stuff. I know Todd also sees that. So its no surprise he has walked back thoughts about future retirement plans.
I do also know that Todd is VERY protective of Bethesda, its employees, and what they make. So given the recent fucking over and layoffs that Microsoft forced Bethesda into, I'd imagine Todd also wants to stay on board simply to try to protect Bethesda from whatever Microsoft would do to it after he retires.
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