đđđđ đđđđđ [đđđ.]
âč àŁȘ Ë summary: "You treat people like projects. Fix this, fix that, fix them. And the second they donât work the way you want? You write them off as faulty parts.â
âč àŁȘ Ë pairing: billy hargrove x f!reader
âč àŁȘ Ë wc: 13.2k
âč àŁȘ Ë warnings: none this time.
âč àŁȘ Ë notes: longest chapter but it needs to do a LOT of groundwork for the big Halloween chapter next week heh. I hope you enjoy this chapter, there's a lot that happens. And, as always, massive thank you to every single one of you who likes, reblogs and especially comments/messages me about this series, it makes me so happy!
read on ao3. âč series masterlist.
The following day, you avoid the cafeteria entirely.Â
Eddie follows you behind the school to your old smoking ground, bumping your shoulder to check in with you in his typical, Eddie way. An entire conversation exchanged in a single point of contact, the way itâs always been between you. You havenât spoken about what transpired after the band practice. Eddie knows itâs been bothering you, because Eddie always knows. Because there was cruelty in what you said, and how deliberately you said it, knowing it would cut, knowing it would break something.Â
You used his father against him.
Threw Neil Hargrove in Billyâs face like a weapon, like you had any right to touch that wound. And maybe he was being an asshole, maybe he made threats towards Eddie, but it doesnât change the fact that you had no right to stoop so low.Â
Fuck both of you.Â
âYou okay, sweetheart?â Eddie murmurs, dropping his arm around you, heavy and comforting and him.Â
You stare at your meagre lunch, and rest your cheek against Eddieâs shoulder for a moment, just the one. Youâve built so many walls around yourself over the years. One brick at a time for every time youâve run into casual cruelty of your existence (poor, a woman, smart in a way that makes men feel inadequate), and itâs only with him and a few others that you allow yourself to be soft, if only for a moment.Â
âFine,â you reply distantly, pressing closer for a breath. âJustâfine.â
Youâre not fine, and you both know it.
. . .
Tuesday, you glimpse Billy in the hallway between third and fourth period.
Heâs got Tina Morrison pressed against the lockers, hand braced above her head, leaning in close enough that their mouths are almost touching. Sheâs giggling at whatever heâs saying, twirling her hair, and Billy is smiling with his teeth but not his eyes. You hate the fact that you recognise the difference now.Â
You force yourself to keep walking. Force yourself not to look or linger, or give him any indication youâre watching. But you feel his attention snap to you like a rubber band pulled taut. Feel the weight of his gaze tracking your movement down the hallway, heavy and deliberate, a physical touch between your shoulder blades.
You donât turn around.
In calculus, he shows up fifteen minutes late, his hair mussed and his collar skewed. Doesnât look at you once as he swaggers across the classroom, all eyes on him. Just sprawls on his chair in the back row and stares out the window like heâs planning his escape route in his head.Â
Thereâs a new bruise on his knuckles when his skin catches sunlight. Fresh. Purple spreading across the ridge of bone and tendon.
You wonder who he hit. Wonder if it helped. Wonder if anything helps when youâre Billy Hargrove and your Neilâs voice lives in your head.Â
Mr Martinez calls on you to solve a problem on the board. You stand, move to the front on automatic, and as youâre writing out the equation, you feel itâthat prickle at the base of your skull that means someoneâs watching. No, not just someone.Â
You glance over your shoulder.Â
Itâs him, of course, because itâs always him. Billy is looking at you, sprawled back into his seat, the chain around his throat winking in the afternoon light. His eyes are flat, empty, and when you meet his gaze head-on, he doesnât look away. Just holds it, unblinking, until youâre the one who breaks first, something like shame curdling inside your chest, strange and unfamiliar.Â
Your hand trembles as you finish the equation.
âCorrect,â Mr Martinez calls, but you barely hear him over the buzzing in your ears.
You return to your seat with your pulse throbbing in your throat.
By Wednesday, everyone is talking about the party at Tinaâs and, even more importantly, the Halloween bash next week.Â
You cut through the hallways like a minefield, ignoring the bodies and the noise. Youâve been good; work, scholarships and grants, helping Eddie with his homework, ignoring the unspoken weight between you.Â
Billy hasnât so much as spoken a word to you, and a part of you is glad, while another part keeps you awake late into the night, staring at your ceiling, mulling over your words. How easy it was to reach for something you knew would hurt him.Â
You sigh, lift your eyes from the floor, and stop dead in your tracks.Â
Billy is half-leaning, half-slamming his weight against the locker beside yours, one hand flat on the dented metal, the other braced on his hip. His head tips back, laughter spilling out of him in a rough, deep spill that makes several girls down the hall turn reflexively towards the sound.Â
Thereâs a girl under his arm. Blonde. Cheerleader skirt, perfect hair, lip gloss that catches the fluorescent light. Sheâs laughing too, high and breathy, one hand pressed to his chest like sheâs trying to keep herself upright.
Your stomach does something unpleasant.
Youâve seen her before. In the halls, at games you showed up to only for Eddieâon those rare occasions you went at allâholding pompoms and cheering loudly. Sheâs not mean, as far as youâve seen, not the way some of the others have been, treating you like a stain, a freak. Sheâs just⊠one of them. The ones who know precisely how to move through this world: eyes forward, lip gloss perfect, never bumping into the edges, an ease to her life youâve always envied rather than resented. But it feels, oddly enough, like a slap to the face to see them together near your space. Because of course this is the type of girl Billy goes for, heâs been consistent if nothing else, and youâre justâŠ
A stain.Â
ââyouâre terrible,â she giggles, swatting at his arm.
âI know,â Billy drawls, sounding delighted, a devilish grin tugging upwards. âThatâs why you like me.â
âI never said I liked you,â she argues, but itâs a weak, unconvincing statement, and Billy knows it, too.Â
âNo?â he poses lightly, dipping his head closer in that cocky, confident way. âCouldâve fooled me Friday night.â
Your eyes flicker down her neck before you can stop yourself. And there it isâa faint bruise at the curve, half-hidden by her glossy hair. His handiwork.Â
You slam your locker door a little harder than you strictly need to. They both look over at you due to the proximity of the sound. For a split second, his expression does something strange when he recognises youâsurprise, then something else, darker and hotter, predatory around the edges.Â
Then the mask slides back, his eyes narrowing.
âOh, hey,â he says as if youâve just wandered into his living room. âDidnât see you there, grease monkey.â
You arch an eyebrow. âYouâre shouting. The entire hallway sees you, Hargrove.â
His jaw pulses, once, gaze darkening further, growing more stormy by the minute as he drags his eyes over your features. Perhaps because he was expecting this conversation to go differently, but your tongue wonât obey, and youâre not sure how to backtrack on what you said to him that night outside of Garethâs place. And another, smaller part of you is unsure whether he deserves an apology, given everything heâs said and done since getting to Hawkins. To you, to Max, to others.Â
The girl under his arm looks between you, evaluation flashing in her eyes. Sheâs pretty in that effortless, catalogue way. Blue eyes, small button nose, hair glossy and smooth in the overhead light.Â
âHi,â she says, a little uncertain. âDo you⊠need the locker?â
âNo,â you reply, briefly flicking your attention towards her. âAlready got my stuff. Youâre fine.â
âOh. Okay.â She smiles, tentative but surprisingly sincere. âIâm Jessica. Jess for short.â
You know who she is. Everyone in Hawkins knows who Chrissy Cunninghamâs best friend is. The two best cheerleaders at Hawkins High, beautiful and intelligent, both from good families.Â
You give her a shallow nod. âYeah. Iâve seen you around.â
âYouâre the mechanic girl, right?â she asks, recognition sparking. âYou fixed my dadâs car last fall. And for a lot cheaper.â
âThatâs me. Cheap labour.â
âThatâs really cool,â she says, and you can tell she actually means it, not just performing. âThanks again. Itâs running great.â
Something in your chest eases a fraction, defences folding back an inch or two. Billyâs eyes flick between you and Jess, like heâs watching a tennis match.
âLook at you, grease monkey,â he huffs, amused, but thereâs something edged in meaness about how he rolls his words. âMaking friends.â
You adjust your weight, cutting a brief look at him, then force your gaze away. âI have friends.â
âSure you do,â he begins, and thereâs something soft and cruel about his tone. Heâs looking for a fight, you realise, nothing about your last interaction has left his mind. âLittle brats and a local freakââ
âDonât talk about Eddie like that,â you snap automatically, fire flushing through your system.Â
Your gazes clash, and he grins, teeth on display. Itâs his victory, you realise angrily, heâs forced you to meet him toe to toe again. âJealous?â
The look you shoot him is withering at best, the air between you pulling taut, prickly with heat.Â
Youâre not running because you like this.Â
The urge to prove him wrong, to shut out his voice from your head, wins out, working your tongue before you can pull the words back. âOf what? Your ability to turn any girl in a ten-foot radius into a cautionary tale?â
Jessicaâs confused little smile falters. You see it, feel it, the way her fingers curl tighter on the strap of her bag as if holding on means she can brace for whatâs coming.
âHey,â Billy begins, but thereâs no gravity in his voice, no incredulous anger on Jessâs behalf. You think, deep down, that he enjoys this, seeing you throwing back the same viciousness he can. âBe nice.â
You snort. âThatâs a bit rich, coming from you.â
âWhatâs that supposed to mean?â Jess whispers, frowning faintly as she tracks the tension between you two.
You hesitate, your tongue frozen behind your teeth. In truth, you donât know her. Sheâs not your friend. Sheâs just some girl with perfect hair who picked the worst possible guy to hang out with. Thatâs on her, not on you. Not your business, not your headache. And yetâŠ
You could let it go.Â
You donât.
âIt means,â you begin deliberately, levelling your gaze on her, âhe goes through girls like cigarettes. Enjoy the attention now, because once heâs bored, youâre just another stomped-out butt in the parking lot.â
Her face flushes red. âExcuse me?â
Billyâs eyebrows shoot up. âDamn,â he murmurs under his breath.
âDonât act like itâs not true,â you snap at him, nostrils flaring, hating the knowing, smug little curve of his mouth, as if you just proved something right. âWeâve all seen it. You show up, you turn on the charm, you drag them into your car or some sad corner of a party, and then you move on. Next name, same boring game.â
âThatâs notââ Jess starts, then stops, gulping down a breath. âYou donât even know me.â
âI know him.â And itâs frightening how certain you sound, how Billyâs expression tenses, eyes blackening like heâs considering wrapping his hand around your jaw again, dragging you towards him until youâre sharing oxygen again. âAnd guys like him donât suddenly become relationship material because you wear a bow in your hair.â
Her eyes flash. Thereâs no mistaking the hurt beneath the anger, and you immediately hate yourself a little. She straightens, shoulders pulling back, drawing away from Billy altogether. He doesnât stop her.Â
âYouâre just jealous,â she exhales, loud enough that several people around you look in your direction. âYouâre jealous because heâs with me and not with some⊠grease-stained weirdo from the auto shop.â
âOuch,â you say mildly. âThere she is.â
âYou donât know what heâs like when itâs just us,â she pushes on, ignoring you. âHeâs actually⊠heâs really⊠heâs nice.â
You risk a glance at Billy. Heâs watching you with that familiar, intense stare. Not her. You. Something in your stomach twists, constricting painfully, leaving your skin tight and hot.Â
âIâm sure thatâs what he wants you to think,â you say quietly, weakly.
âYou think youâre so much better than everyone,â Jess scoffs, voice going shrill at the edges. âLike just because you work with cars and hang out with those kids and know big words, you get to judge everyone else.â
Youâre not sure whether to laugh or cry. âI donât think Iâm better,â you articulate in such a painfully flat way, you hope she realises how ridiculous her assumption sounds. âIâm the resident freak, okay? Iâm fully aware of my social standing. I just think I know how this ends. Spoiler: not well.â
Jess swallows, folding her arms over her chest. âYou donât know anything about me.â
âYouâre right. I donât.â You shrug, conceding the fact. Sighing, you attempt to soften your expression. âWhich is why Iâm telling you to be careful, not to stop. You wanna keep hooking up with him, go for it. But understand itâs not because youâre special. Itâs because youâre available.â
A couple of students whisper under their breath, exchanging looks, sensing drama. Your spine prickles, tension coiling tighter around you.Â
âWow,â Jess says, eyes shining. âYou must be really fun at parties.â
Humiliation burns your skin. âI donât go to parties.â
âThat explains a lot,â Billy mutters knowingly.
You glare at him. âStay out of it.â
âYouâre talking about me,â he replies boredly. âKind of hard to.â
âThatâs because you make it about you,â you snap, sucking in a breath, and itâs so much easier to do this with him. To argue, to fight, because you know which buttons to push, because you know heâll push back. âYou treat girls like⊠like theyâre accessories. Something to hang off your arm until you get bored, then toss them aside. And everyone just goes along with it because youâre good-looking and you have a nice car. Youâre not some bad boy, Hargrove, youâre just a bad person.â
The word âgirlsâ comes out harder than you intended. Everything about your words slips out, knife-sharp, ready to tear and cut.Â
Jessica flinches; a small, troubled thing, shoulders slanting downward. Billy spins fully to face you, stalking a step towards you, a feral glint in those blue eyes. You try to ignore the way both your chests expand simultaneously, as if something has loosened between you now that youâre near each other again.
âAnd what?â Billy poses, his voice going quiet in that way that makes your pulse spike. âYou want me to take them to church instead?â
âI want you to stop acting like theyâre disposable,â you argue, breathing hard. âLike they donât walk away from you feeling smaller than when they met you.â
Jessâs face goes paper-white, her mouth wobbling.Â
âStop it,â she says suddenly. âJust stop.â
Your mouth snaps shut, your pulse deafening in your ears. Jess looks between the two of you, chest rising and falling too fast.
âYou donât get to talk about me like Iâm not here.â She looks towards Billy, but heâs still glaring holes into your face, ignoring her. âYou donât get to talk about him like heâs some⊠some monster and Iâm too stupid to see it. I know what Iâm doing.â
âDo you?â you ask, before you can stop yourself.
âYes,â she shoots back fiercely. âAnd if he⊠if he doesnât feel the same way about me as I do about him, thatâs my business. Not yours.â
The word feel hangs in the air like smoke. You see Billyâs jaw clench, something about his expression cooling immediately.Â
âI didnât say youâre stupid,â you say, a little softer. âIâm saying heâs⊠not good at this, with anyone. He doesnât know how to be. He doesnât care to learn. And you deserve someone who doesnât have to unlearn treating you like trash.â
âShut up.â
You look towards Billy. Thereâs a raw edge to his expression again, half-frozen, half-feral. The one from your drive when he backed you into your truck, the one outside Garethâs house. The one that says youâve hit something raw. Again.Â
Jessica notices too. You spot the way her hand curls into his jacket, like sheâs not sure if sheâs holding back from putting his hands on you or anchoring herself.
âWhat is wrong with you?â she asks you, her eyes narrowing. âDid he reject you or something? Is that why youâre so obsessed with what he does?â
You actually laugh at that. You canât help it. The sound comes out sharper than you intend. Meaner, too. âHe didnât reject me. He wouldnât know what to do with me if he tried.â
âTry me,â Billy snaps, no hesitation.Â
Thereâs a beat of silence. He looks like he regrets it as soon as it leaves his mouth, but itâs too late. Jessâs face crumples, cracking around the edges. Her fingers jerk away from Billyâs jacket as if he burned her. But this is worse, so much worse. A breath scrapes down your throat when you suck it in, your eyes still locked.Â
âYouâre disgusting,â she whispers, and the quiet devastation in her voice makes you wince.
âHey,â he says, turning toward her. âJessââ
âNo,â she snaps, stepping back. âYou are. And youââ she hisses at you, tears bright in her eyes, burning in a way that makes something cramp in your stomach, ââyouâre cruel.â
She snatches her books out of her locker with shaking hands and slams it so hard the metal rings. Then she pushes past both of you and disappears into the stream of bodies, one hand up to her face. You stand there, the echo of the slam vibrating through your chest, ringing in your bones. The hallway noise rushes back in like coming up from underwater. Snatches of broken conversations. Laughter. A locker door slamming shut two rows down.
Billy turns on you. Right there, too close, physically in your space in a way that makes your skin tingle.Â
âWhat the hell is your problem?â he snarls, low and furious.
You blink, trying to process everything thatâs just transpired. âMy problem?â
âYeah, your problem,â he repeats, more snarling this time, his head bowed towards you. âYou see a girl smiling for five seconds, and you gotta come in and piss all over it?â
âYouâre the one who saidââ
âI know what I fucking said,â he snaps. âYou think I donât hear myself?â
âFunny,â you say, heat rising up your throat. âBecause you sure act like you donât.â
He steps in even closer, crowd tightening around you like youâre both generating your own gravity. Youâre aware of people watching, pretending not to, the whispers, but breaking eye contact now would mean his victory.Â
âYouâre such a fucking hypocrite,â he snarls, low and furious. âYou stand there with your big brain and your big mouth, acting like youâre better than everyone. You treat people like projects. Fix this, fix that, fix them. And the second they donât work the way you want? You write them off as faulty parts.â
Heat creeps up your throat, your glare clashing with his. âI see patterns. And Iâm not gonna stand there and watch you chew up somebody who actually seems nice just because youâre bored.â
âMaybe sheâs not bored,â he says. âMaybe she likes it.â
Something about the way he says she likes it lingers in your mind, the implication blatantly clear. You cross your arms over your chest. âMaybe she thinks youâre capable of more than this,â you reason, voice dropping. âMaybe sheâs wrong.â
His eyes flicker.
There it isâthe nerve.
âYou really think Iâm that bad?â he asks scornfully, a laugh caught in his throat. âThat I just⊠what, go around ruining lives for fun?â
âI think you go around making sure no one gets close enough to see you,â you argue back, equally as scathingly. âSo you treat people like crap before they have a chance to expect anything from you. That way, when you bail, you can tell yourself theyâre better off.â
He scoffs, but itâs weak. âYouâre projecting. Daddy bailed, so now you walk around with a chip on your shoulder.â
You donât bother asking how he found out, if someone told him, but the words are barely out of his mouth before you go for his throat in return. âOr maybe you just like being like him.â
His hand moves so fast you barely see it. Billy slams his palm into the lockers next to your head, hard enough that the metal dents. Several people jump. Someone gasps. You donât move an inch; no blink, no gasp, just steady, hard eye contact. Your heart rockets, though, beating so loud you fear he might hear it due to your sheer proximity, but you refuse to give him the satisfaction of seeing you shrink.
Heâs inches from your face, breath hot, eyes wild. Your lips tingle where his breath fans over your skin.Â
âDonât fucking talk about things you donât know,â he hisses through his teeth. âOr next time I wonât just hit the locker.â
He peels his hand away from the metal with a screech of protest and takes a step back, raking a hand through his hair. He turns and strides down the hallway, shoulders tense, head high.
You lean back against the cool metal and let out a breath caught in your windpipe, dizzy from the rush inside your head. The dent next to your head stares back at you. You slide your fingers over it, almost a caress. The metal is warm to the touch. You should feel shaken, and you do, but not in the way you expect. Because under the adrenaline, under the anger, thereâs this stubborn, stupid ache.
You hurt him. Again. You meant to hurt him because he hurts everyone else. To make him feel, just for a moment, what itâs like to be on the receiving end of it.Â
You also didnât. Itâs a tangle you canât unravel properly. He brings out the worst in you, heâs an itch you canât scratch, and yetâŠÂ
His face springs to your mind, the split second before his hand flew free, the series of small decisions and their outcome. It would be so easy to hate him because heâs a hateful person, because he fucks up, because he uses people and treats them like shit. He could choose to be better, but he doesnât. Maybe because itâs all he knows, maybe because this is easier. His pain isnât an excuse, you know that.Â
You gather your books with hands that only shake a little and head to class.
. . .
After school, the shop feels more like home than your actual trailer.
The air is warm with the familiar mix of oil, rubber, and metal. The radio on the shelf keeps drifting between classic rock and static. The big bay door rest rolled halfway up, letting in a band of cool autumn air that smells faintly like wet leaves and something vaguely rotten.Â
You brace one knee on the bumper of a sedan, elbow deep in the engine, fingers slick with grease as you retighten stubborn bolts. Your shoulders protest, but your brain never does. You like this partâproblems with clear causes, clear solutions, parts that either work or donât. Machines youâre good at, excellent at, even.Â
If only people came with specs and wiring diagrams. If only you didnât care about the damage your mouth can do. If only you could fold time back and choose less poisonous words.Â
You get the bolt finally, the wrench slipping just enough to bang your knuckles against metal.
âShit.â
You suck the sting, shake out your hand, and grin despite yourself. Pain makes sense when you can see where it comes from, when the price for it is success.Â
âEverything alright back there?â Frank calls out from the office.
âPeachy,â you shout back.
Youâre just leaning back from the hood when you hear it, a soft crunch of bike tyres on gravel. Your eyes skim towards the bay doors. A small figure on a bike slows to a stop just outside the concrete lip. The kid dismounts awkwardly, one foot hitting the ground before the other, hands wringing the handlebars like heâs reconsidering this whole endeavour now that heâs here.
Will Byers.
You recognise his rounded shoulders, the bowl-cut hair, the way he seems to fold in on himself like heâs practising taking up less space. You also recognise the hesitant half-wave he gives when he spots you looking.
âHey,â he says, voice light but thin. âUh. Is this a bad time?â
You wipe your hands on a rag and toss it onto the cart, searching for Mike or Dustin or even Lucas behind him, but itâs only Will, and after last year, the lonesome sight pings something like worry in your chest. âThat depends. Did you bring snacks?â
His mouth twitches, eyes widening. âNo?â
âThen yeah,â you say, mock-seriously. âTerrible time.â
His eyes bulge further before he catches the smile you canât entirely hold back. He gives a huff of relieved laughter, visibly relaxing.Â
âOh. Right. I forgot you do that.â
âJoke?â
âSay things like you hate everyone when you actually really like us,â he replies sheepishly, wandering a little closer, eyes scanning the tools with an endearing kind of awe. âDustin insists heâs your favourite person in the world.â
âBold assumption,â you muse, tracking the unsure way he lingers, not entirely committed to staying yet. âWhat did you need, Byers? Youâre a bit far from Castle Byers.â
The way his shoulders twitch at the mention of his hideout makes you wince inwardly. After the horrors heâs been through last year, the word castle must burn like a brand.Â
âSorry,â you mumble. âHabit.â
His feet shuffle, and youâre struck again by how small he is, even now, and your anger returns, fresh and hot. âItâs okay,â he whispers, avoiding your eyes.
You nod toward his bike to change the subject towards safer waters. âShe holding up okay?â
He glances back at it like heâd forgotten it was there.
âOh. Yeah. Mostly,â Will explains quietly. âChain slipped earlier. But thatâs not why I came.â
You lean back against the workbench, crossing your arms. âAlright. Lay it on me.â
He bites his lip, clearly rearranging thoughts in his head.
âCan I⊠hang out here for a bit?â he blurts finally. âJust⊠until my momâs shift is over? Jonathanâs at work and⊠I donât really wanna be at home alone right now.â
Something in your chest folds.
âYeah,â you say immediately. âOf course. You donât need a reason. You wanna sit, sit. You wanna help, help. Just donât touch the welder unless I say so.â
His face loosens minutely. âOkay. Thank you.â
A pang goes through your heart at the shaky gratitude in his soft voice. You pat the stool near your bench instead, swallowing. âParking spot for visiting royalty.â
Will climbs up, swinging his legs a little, eyes darting around the shop like there might be monsters hiding in the racks of tyres. You go back to the sedan, but not entirely. Your attention splitsâhalf on the engine, half on the quiet shape perched on the stool.
âYou wanna talk about it?â you ask casually. âOr just rest in mutual silence and pretend the world isnât awful?â
He huffs. âThe second one sounds really good, actually.â
âDone. Silence it is.â
The radio crackles through songs while you work. Will examines his surroundings with curious eyes, now a little looser, less sharp angles and trembling shoulders. You work quietly, falling back into your familiar rhythm, cycling through tools like theyâre extensions of your hand. He watches you with a solemn sort of silence. If it were Dustin, he would be asking you a thousand questions right now, but Will has never been a loud audience, not even the few times heâs shown up alone. This feels different, though. Like somethingâs been fundamentally stripped from him since last November.Â
âDo you ever feelâŠâ he starts, then stops.
Heâs quiet for a second, but you donât rush him, keeping your attention on the engine in front of you. You hear him pick at the edge of the stool, fingernails clicking softly against metal.
âI feel⊠wrong,â he exhales finally. Small voice, yet bigger than the shop.
You put the wrench down.
âWrong how?â you ask quietly.
He shrugs, shoulders hunching. âLike⊠like everyone else got given a script, and I missed rehearsal. So Iâm saying my lines too early or too late, or I donât know them at all. And theyââ he gestures vaguely toward the world outside ââcan tell and they judge me for it.â
Your throat tightens.
âAnd also,â he adds, voice dropping, âthereâs the⊠other stuff.â
You know what he means. The shadows. The Upside Down and its stain. The lab visits Joyce and Hopper barely talk about. The way his eyes go somewhere else sometimes, dark and far away.
âYeah,â you say softly. âThatâll do it.â
âKids at school think Iâm weird,â he blurts out, as if now that the dam burst, he canât stop. âThey always did, but now itâs⊠worse. They look at me likeâŠâ He fumbles for words. âLike Iâm freak. Or cursed. Or⊠crazy.â
You drop the hood of the sedan with a careful thump and turn to face him fully, leaning back on your hands against the bumper.
âYouâre not crazy.â
He shoots you a look thatâs halfway between sceptical and please.
âIâm not saying youâre not dealing with some serious supernatural nightmare bullshit,â you explain carefully. âBecause you definitely are. But reacting to that? Thatâs not crazy.â
He lets out a breath, shoulders shaking a little. He shoots you a wide-eyed look, panic and desperation, small beacons lit with frantic need.
âSometimes I just want to be⊠normal,â he whispers shakily. âBut then that feels wrong too. Because if I were normal, I wouldnât see things. I wouldnât be able to help.â
âExactly,â you say calmly.
He blinks, swallowing. âThatâs not what everyone else says.â
You hum knowingly. âWhat do they say?âÂ
He shrugs one shoulder, scrubbing jerkily across his face. ââItâll be okay.â âItâs over now.â âItâs all in your head.ââ
You make a face. âYeah, that last oneâs my favourite. Like, no shit itâs in your head, Brenda.â
He snorts, surprised.
You soften your tone. âYou know why they say that?â
âBecause they donât believe me?â he guesses.
âMaybe some of them.â You search his expression until heâs looking at you, making sure he takes in your following words. âBut mostly I think itâs because theyâre scared. The idea that whatâs happening to you is real? That it could happen to them? That breaks their whole brain. So they try to shove you back into a box where everything makes senseââoh, heâll get better, everythingâs fine.â Itâs not fair to you. But itâs easier for them.â
Willâs eyebrows crease. âThatâs⊠messed up.â
âPeople are messed up,â you say, nodding. âI diagnose them all the time.â
He studies you for a moment. âDo you feel like that?â
âLike the world is wrong?â
âYeah,â he murmurs, a little shyer now. âYou donât⊠I mean you⊠You donât seem like everyone else.â
A small snort escapes you. âIâll take that as a compliment.â
âIt was,â he says quickly.
You let your gaze drift over the shop. The stains on the concrete, the pegboard lined with tools, the calendar with a girl in a bikini leaning on a sports car that you keep threatening to take down.
âIâm a girl mechanic in a town that thinks women should only touch cars to wash them.â You swallow over the lump in your throat, sniffing once. âIâm poor. Iâm smart in a place that doesnât know what to do with smart without it becoming about a man. So yeah. I get it.â
The groove between Willâs brows deepens. âDo people⊠treat you differently?â
You huff. âYou mean besides the customers who ask to âtalk to the man in chargeâ when I tell them whatâs wrong with their cars?â
His eyes go wide. âThey really do that? Still?â
âWeekly,â you confirm flatly. âSometimes daily. Had a guy last month call me sweetheart three times and explain to me how the engine works while getting every single part wrong. I finally let him finish and then told him Iâd put his air filter in his glove compartment if he didnât shut up.â
Will laughs out loudâa real laugh, not the strained kind.
âWhat did he do?â he asks.
âGot red,â you say. âLeft. Came back two days later when the car stalled out on the highway, like I said it would. Didnât call me sweetheart that time.â
Willâs smile fades into something more thoughtful.
âBut,â you continue, âbeing treated like I donât belong? Like I must be confused about what I want? Yeah. Thatâs⊠constant.â
Something about that clearly hits close to home because he follows that up with, âHow do you handle it?âÂ
âBadly,â you admit. âYell a lot. Get into arguments I shouldnât. Say things that are too sharp.â
Your jaw remembers the pressure of Billyâs fingers. Your tongue remembers the taste of every nasty thing you hurled at Jess. At Billy. How easy it is to judge, to tear down because youâre so used to baring your teeth, to biting, so you wonât be hurt first. Â
You swallow again, a discomfort blooming inside your chest, alongside realisation you shouldnât have done what you did.Â
âBut sometimes,â you add more carefully, shaking off your spell, âI use it.â
âHow?â Will asks curiously.
You dip your head in a nod, rubbing the edge of your thumb, oil sunk deep into the groves of your skin. âEveryone underestimates me. Thatâs their first mistake. They talk over me, so they donât hear the part where Iâm right. Then, when the car failsâor whatever metaphorical car theyâre drivingâIâm the only one who knows how to put it back together. That gives me leverage. Options. And someday, if I play it right? A way out.â
âA way out,â he echoes, more thoughtful.
âYeah,â you say. âI wanna be an engineer. Or⊠something like that. Fix bigger things than transmissions. Design stuff that doesnât break in the first place. But college costs money, and money costs time, and time is currently measured in overtime pay and how much sleep I can sacrifice without turning into a zombie.â
âYouâd be a really good engineer,â he says, earnest in a way that punches clean through you.
âTell the scholarship committee,â you choke out, but the warmth lands anyway, warming you from inside.
He hesitates, eyes dropping to the floor. âDo you⊠ever feel guilty for wanting to leave? Like youâre abandoning people?â
You think of your mom, asleep in her small bed with her back to the wall. You think of Dustin and Lucas and Max and Will himself. Of Eddie, his warmth all encompassing, his laugh thawing something cold and jagged inside you. You think of Hawkins, with its rotting underbelly and monsters both literal and metaphorical. That horrible, belly-deep sense that what happened last year isnât concluded, not really.Â
âYeah,â you exhale heavily. âAll the time.â
âBut you still want to go,â he says slowly, a question there.
âI have to try.â You shrug, kicking the floor with the tip of your boot. âIf I stay here forever just because other people need me, Iâm gonna end up resenting them. Or myself. Or both. And thatâs⊠not fair.â
He looks down at his hands. âI want to go too. Sometimes. But it feels like the other place is tied to me. Like if I leave, it might follow.â
âThatâs not on you,â you say immediately. âYou didnât ask to be kidnapped by a monster and kept in another dimension.â
He laughs weakly. âNo, guess not.â
âIf anything,â you go on, âyouâve done more than anyone to keep the rest of us alive. Youâve survived, Will.â
He looks up, eyes dark and too old for a face so young. âThen why do I still feel soâŠâ He scrunches his face, searching for the right word, exhaling a shaky, âBroken.â
You exhale slowly.
âBecause people keep treating you like you are. Because kids are jerks. Because adults are cowards. Because what happened to you was horrible, and itâs not a light switch you can flip off when itâs inconvenient.â
âThatâs depressing.â
âDepressing is telling you everythingâs fine when it obviously is not.â
He considers that. Then: âIs that why you told Jess those things? Yesterday?â
You blink, thrown by the sudden change in conversation. âHow do youâ?â
âPeople talk,â he answers, tips of his ears going red. âAlso, Lewis Brownâs older sister saw the whole thing, and he overheard her on the phone last night with a friend.â
You press the back of your wrist to your brow, trying to rub out the dull ache suddenly forming there.Â
âHe said it was kind of awesome,â Will adds hastily, seeing the twist of your mouth. âIn a terrifying way.â
You grimace. âI was⊠not nice.â
âYou told the truth,â he says, echoing your own words.
âYeah,â you say slowly. âButâŠâ
You picture Jessâs face, the way her eyes filled with tears, the tremor in her voice when she said, Thatâs my business, not yours.
âI talked about her like she wasnât there. Like she was stupid. Like she needed me to tell her what was good for her.â
âShe kind of does,â Will says, frowning. âYou were just being honest, right?â
âThatâs not the point,â you say with a tired groan. âHonesty is great. Necessary, even. But thereâs a line between being honest and being cruel. And I stomped right over it.â
He swings his legs a little, the soles of his sneakers scuffing the stool. âYou were trying to protect her.â
You wish it were the case. Because maybe, yeah, a part of you was. But this wasnât about Jess, or even doing the right thing. It was about Billy. Everything in your life is about him these days. âMaybe. But I was also⊠angry. At him. At the way he uses people. At how everyone lets him. At how normal it is. Jess caught the shrapnel for that.â
Will watches your struggle play out, frowning thoughtfully, then, âDo you feel bad?â
âYeah,â you admit quietly, the response immediate. âI do.â
He looks at you for a long beat. âYou should tell her.â
You huff out a breath. âI know.â
âYouâd tell me to,â he insists, giving you a pointed look. âIf I yelled at Mike because I was mad at the world and made him cry, youâd say I should apologise. In fact, thatâs exactly what you did last summer when Lucas and Mike had their fight.â
âDonât use my own logic against me, kid,â you grumble, squeezing your eyes shut.
Will smiles, small but real, slightly crooked. âThen maybe you should stop being so logical.â
You throw a rag at him. He ducks, chortling.
âIâll⊠think about it.â
âYouâll do it,â he corrects right away, looking smug and knowing, and you canât even be mad because it warms you to see him like this again, even if only for now. âThinking about it is for people who arenât you.â
You flip him off lovingly and go back to the sedan.
You work until the sky outside the bay door goes from light grey to deep slate. Will sits in his spot, legs swinging, notebook out, scribbling something with a pencil you pulled out of your pocket and passed to him with a sworn promise youâll get to see the finished thing.Â
A soft call of your name jerks your head towards him. You havenât noticed him pack up, but he stands there, backpack on, no notebook in sight. Thereâs something about his expression that makes you stand up straighter.Â
âWhatâs up?â
Will sucks in a tiny, wet breath. âThereâsâŠ. something else. I havenât told anyone, butâŠâ
The hairs on your arm prick up, the comfortable air from moments prior dissipating like smoke. You bite your tongue, not pushing him, letting Will process whatever it is in his own time. Will battles with whatever is stuck in his mouth, the words that wonât come out, but you can tell itâs something bad. Heâs shaking, you realise with a quiet curl of dread in your stomach.Â
âHey, kid, Iâmââ
You both jerk towards the office, where Frank stands frozen in place, his eyes on Will. âOh, Will. Itâs good to see you again, son.â
Will attempts a weak smile. âMr Hopkins.â
Not waiting for another moment, Will hurries towards his bike. You follow after him, your eyes narrowed. âWill.â
âThanks,â he blurts out, one foot on his bike pedal, one hand on the brake. âFor⊠you know. Everything.â
You search his face. He drops his gaze first, fingers wringing around the bike handles.Â
âAre you sure youâre okay? You wanted to tell me something.â
He jerks his head in a nod. âItâs fine. It can wait.â
He pedals off, light blinking on the back of his bike, disappearing into the early evening light. You watch him go until heâs no longer visible, then turn back to shut the bay.
His words linger.
You should tell her.
You go to bed with them still echoing in your head, and the lingering terror on Willâs small face burned into your mind.
. . .
The next morning, you get to school earlier than usual.
Partly because you finished your shift at the shop on time for once. Partly because you woke up before your alarm with your heart pounding from a dream about pipes bursting and water flooding everything you own.
You see Jess in homeroom. She looks rough in a way thatâs unusual for her.
Her ponytail is lopsided today, dark circles linger under her eyes highlighted by too much concealer. Her cheer jacket is wrinkled around her shoulders. Her laugh rings too loud when her friend says something, the sound unusually brittle.
You see Billy later in the hall after the second period.
He looks⊠fine. Tired, maybe. Thereâs a scratch on his neck that wasnât there the other day, and a hickey peeking above his collar that you try very hard not to stare at. His walk is the same, his smile the same. If anything, he seems more relaxed. Loose around the edges, content.Â
You hate the way your brain puts two and two together.
After the third period, you march towards your locker, only to find Jess already there.Â
Sheâs in her cheer skirt, a sweater layered over it, hair pulled up into a high ponytail thatâs been redone since homeroom to be sleeker. Her back is to you, shoulders hunched slightly, like sheâs trying to make herself small even while wrapped in school colours.
You suck in a deep breath, square your shoulders, and walk forward.Â
âHey,â you call out, keeping your voice low.
She stiffens. Slowly, her head turns in your direction. Up close, Jess looks more haggard, drained somehow. There are faint shadows under her eyes, the kind you only notice if youâre looking for them. Her smile sits on her face wrong: polite, small, flat.
âHi,â she says.
You lick your chapped lips. Youâre suddenly very aware that youâre not great at thisâapologising, being vulnerable, admitting mistakes. Youâre much better at fight-or-flight. Mostly fight.
Still.
âIââ you start, stop, force yourself to go on. âLook, about yesterday.â
Her hands close around the books in her arms. She stares at the locker door. âItâs fine,â she says too quickly. âYou donât have toââ
âItâs not fine,â you cut in. âI was an ass.â
She blinks, surprised enough to look at you.
âI shouldnât have talked about you like you werenât there,â you say, grimacing. âOr like youâre stupid. Youâre not. It wasnât my place to make you feel small. I was angry at Hargrove, and I took it out on you. Thatâs⊠not okay.â
She swallows. The movement is small but visible. âYou were just trying to help.â
âMaybe, but intent doesnât cancel impact. I meant what I said about him being bad at this. But you didnât deserve to be collateral damage in our weird little war.â
The corner of her mouth twitches, like she wants to smile but isnât sure if itâs allowed.
âYour⊠war,â she repeats.
This time, you grimace for a different reason. âWeâve been⊠clashing. Since he came by the shop. He brings out the worst in me.â
She nods like she gets it. You lean against your locker, watching her, scratching at the spine of your textbook.
âLook,â you begin, sucking in a fortifying breath. âIâm not gonna pretend to know everything about whatâs going on between you two. And Iâm not gonna tell you what to do. If you like him? Thatâs your business. But if he hurts you? If you ever need someone to⊠not look at you like youâre crazy for feeling how you do? Iâm around.â
The words feel clumsy and too soft in your mouth, but you let them sit. Jess studies you, something complicated jumping across her features, as if sheâs unsure whether youâre making fun of her.Â
âWhy?â she asks quietly.
âWhy what?â
âWhy would you care?â she clarifies bluntly. âYou donât even like me.â
âThatâs not true,â you disagree, almost offended. âI donât know you enough to like or dislike you. I dislike what this place does to girls like you.â
âGirls like me,â she echoes, but thereâs less heat this time.
âOnes who are expected to smile,â you explain, watching understanding dawn across her face. âTo be pretty and sweet and small and never complain. To date the quarterback or the new guy with the cool car, and be grateful even when heâs a dick. To never be angry in public.â
You pause, cutting your gaze across the moving throng of students around you.
âGirls like me are allowed to be angry. Thatâs the only thing we get. We do something wrong, and everyone rolls their eyes and says, âof course sheâs like that, look at her.â But girls like you? Youâre not allowed. So when you do snap, they call you crazy, or ungrateful.â
Her throat works. âYouâve thought about this a lot,â she says.
âOccupational hazard,â you say with a scoff. âI overthink everything. Comes with the wrench, Iâm afraid.â
She huffs a tiny laugh despite herself, and it makes you feel at least ten pounds lighter to hear it.
âAnyway,â you say, clearing your throat. âWhat Iâm trying to say is⊠sorry. For yesterday.â
Thereâs a long pause between you, too much noise, but not enough relief in the tension arcing between you.
âIt hurt,â she whispers at last. âWhat you said.â
âI know.â The admission sits heavily in your chest. âYou donât have to forgive me.â
âIâŠâ She fidgets with the edge of her sweater. âI donât know. Yet.â
You fight to keep your expression steady. âThatâs fair.â
âBut,â she adds, so soft you almost miss it, âthank you. For saying it.â
You nod, too, a little stunned by how much lighter you feel just hearing that. How a tight knot in your chest loosens, letting you breathe a little easier. Briefly, your traitorous mind slots Billy in her place, and you almost bite your tongue in retaliation. Would it feel like this? Would forgiveness and communication be even possible between you, or would you default to your usual warfare?
Before either of you can say anything else, a familiar voice slices down the hallway.
âJessica.â
You donât have to turn to know who it is. The hair prickles at the back of your neck anyway.
Billy. Like your mind has conjured him up from thin air.Â
Heâs striding down the corridor like he owns it, denim jacket slung over one shoulder, boots hitting the floor in measured, unhurried thuds. Even at this hour, he looks like heâs been awake for days and doesnât intend to sleep anytime soon.
Jess goes still.
You watch her knuckles whiten around her books. Billy stops a few feet away, gaze flicking from her to you and back again. Thereâs a tightness around his mouth that wasnât there yesterday. He looks coiled.
âCan we talk?â he says to Jessica, not taking his eyes off you.
She hesitates. Then she nods, looking equal parts determined and focused.
âAlone,â he adds pointedly, chin jerking in your direction.
You feel your spine stiffen.
âI should get to class anyway,â you say, catching Jessâs eye as you turn to go. â You need me, you know where I am.â
Her mouth parts slightly, like she wants to say something, but Billy is already stepping into the space you vacated. You move down the row, pretending to fuss with a poster on the bulletin board around the corner. Youâre not proud of it, but you donât leave, either.
You lean your shoulder against the cool cinderblock wall and listen, the thin metal of the lockers carrying their voices along like a tin can telephone.
âWhat do you want?â Jessica asks stiffly, her voice small but not weak.
âYesterday,â Billy says bluntly, as if it explains everything. âWe need to clear that shit up.â
âThereâs nothing to clear up,â she replies, trying to match his tone. âYou made it pretty clear what you think of me.â
âDonât put words in my mouth.â
This is the part where the charm starts to fray, you think knowingly, tracking the pitches in his voice like weather.Â
âI donât have to,â she says, and thereâs a tremor under the steel now. âYou said them yourself.â
You close your eyes briefly, remembering his careless, heated, Try me.Â
Billy exhales sharply, laughing under his breath. Thereâs heat under the sound, smoke fanning, but itâs not seductive; itâs heated in an angry, destructive way.Â
âI was pissed,â he says. âShe was being aââ
âDonât talk about her,â Jess cuts in, surprising you enough to blink.
âIâm not here because of her,â she continues. âIâm here because of you.â
âWhat, you believe every word that came out of her mouth?â he demands, mockery creeping back into his tone, pointed and sharp. âYouâve known me what, a few weeks? A couple of nights? You think sheâs got me all figured out?â
âNo.â Jessicaâs voice shakes, only once. âBut I think she was right about one thing.â
âOh yeah?â His tone dares her to say what youâre all thinking. âWhich part?â
Donât do it, you want to warn her. Donât pick this fight, not with him, because heâll break you. He will find a way to rip you apart from the inside out. Because a monster raised Billy Hargrove, and the monstrous parts in him keep winning, keep eating the man he could be and spitting out something ugly and cruel. And worse still, you realise how much youâve done to draw that side of him out.
âYou donât care,â she says, her voice quiet with defeat. âAbout me. Not really.â
You hear the soft thunk of locker metal. You picture Jessica setting her books down, needing her hands free.
âYouâre fun,â he says eventually. âWe have fun.â
âIâm not⊠a toy,â Jess says shakily. âYou canât just pick me up when youâre bored and then drop me when youâre done.â
âI never saidâwe never said this was anything. You knew what it was.â
Fun. A way to pass the time. A distraction so he doesnât have to go home and face reality.Â
âI thought I did,â she says miserably. âBut then you said those things in front of her like I wasnât there. Like it didnât matter what I felt.â
âWhat you felt,â he repeats, like the word is a foreign language.
âYes,â she says, voice gaining strength. âWhat I feel matters. Maybe not to you, but it does to me.â
Billy lets out a derisive noise, and you hear him moving, maybe adjusting his position, maybe something else. âYouâre a cheerleader, Jessica. This isnât a goddamn romance movie. We hang out. We mess around. Thatâs it.â
âThatâs not it, though,â she argues. âNot for me.â
âSo thatâs my fault?â he demands with a cold laugh, and you can almost see how he rolls his eyes. âBecause you decided to catch feelings?â
You wince. He always manages to find the sharpest possible phrasing. No hold backs, no hesitations. It scares you, just a little, how much of yourself you can hear in him sometimes. How attuned you are to going directly for the throat, directly for the softest bits that hurt the most.Â
âI didnât âdecideâ anything,â she says. âIt just happened.â
âYou know what else just happens?â Billy asks, voice going cold and hard. âGravity. People fall. Doesnât mean the ground is to blame when they hit it.â
âYouâre comparing yourself to the ground? Like you canât help it if you hurt someone?â
âThatâs not what Iââ He cuts himself off with a growl. âJesus, youâre twisting everything.â
You hear her shaky exhale, deep and exhausted. You feel sorry for her standing there with your shoulder against the cool wall, because Billy is a hurricane, pure destruction, and Jess is just a girl folding under his intensity.Â
âIâm not twisting anything. Iâm just tired.â
âOf what?â Billy scoffs. âOf being seen with me? âCause I can solve that real fast.â
âOf pretending that it doesnât hurt when you act like Iâm⊠nothing,â she says, voice cracking. âLike Iâm justâjust some girl you can kiss when you feel like it and ignore when you donât.â
âYouâreââ
He stops. The silence stretches between them. You find yourself holding your breath, waiting for his response.
âIâm what, Billy?â Jessica asks, barely audible. âSay it.â
âYouâre pretty,â he grinds out finally. âYouâre easy to be around. You donât nag. You donât ask questions. Or you didnât, until sheââ
âDonât,â Jess snaps, and this time her voice rings louder, clearer, syllables more solid. âDonât blame her. She might be rude, but at least she doesnât lie to my face.â
âI havenât lied.â
âYes, you have,â she snaps back. âEvery time you looked at me like I was special when I wasnât.â
Something in your chest twists. Youâre not sure who youâre feeling it for.
âYou are special,â he says, frustration bleeding into his tone. âJust notââ
âNot enough,â she finishes for him. âNot the right kind of special.â
He doesnât answer.
âI like you,â she says. âI know thatâs stupid. I know youâre⊠you. But I do. And I thought⊠I donât know what I thought. That you might care. Even a little. Eventually. Not just about how I look in your car.â
âYou look good in my car,â he says automatically.
âYouâre not listening,â she spits back, âYou never listen.â
âI listen,â he protests.
âTo what you want,â she stresses, more assured now. âWhat you need. What youâre angry about. But when I try to talk about me? You change the subject. Or you make a joke. Or youâŠâ She trails off.
You hear a soft thud. Maybe her head against the metal.
âI shouldnât have slept with you,â she says quietly.
You exhale through your teeth.
âDonât say that,â he snaps.
âWhy not?â she asks, genuinely confused, and you close your eyes. âItâs true. You wouldnât talk to me if I hadnât. Youâd just find some other girl to climb into the back seat with.â
Donât say you regret him. Your eyes open, a shaky breath escaping your lips. Thatâs why heâs angry, why heâs demanding she doesnât say stuff like that. Because it hurts. Deep down somewhere, it nags at him because itâs one thing when he uses, but another when someone regrets letting him.Â
âThatâs notââ
âYou told her youâd âtry herâ right in front of me,â Jess snaps, voice shaking with anger now. âDo you have any idea how that felt?â
You hear him move. A shoe squeak, a shift of weight, you stop breathing for a moment.
âI was pissed,â he repeats. âShe was being a bitch.â
âMaybe she was.â Jess lets out a sound between a laugh and a sob. âBut she saw something I didnât want to see. And instead of proving her wrong, you proved her right.â
âShe doesnât know me,â he says, low.
âDo I?â she demands immediately.
Silence. You stare at the chipped paint on the opposite wall, jaw clenched. You could and should walk away, but your feet wonât move.Â
âAnswer me,â Jess says, fiercer than youâve ever heard her. âDo I know you?â
âNo one knows me.â
Thereâs no brag in it. No cocky edge. It sounds⊠empty. Hollow in such a way that it rips clean through you. Once upon a time, you thought the exact same thing: that no one could understand you, that no one saw you. Or ever could. You were an oddity in a world demanding conformity, to be eradicated at first chance, not here to be understood or accepted.Â
What must it be like? To live with Neil Hargrove in your house, to fear the hand and voice and presence of a man who should love and protect you, but instead hurts you? It doesnât excuse the harm Billy does, but does it not explain it? If all you know is fear and hurt, is that not going to be what you put out into the world? Kindness requires the kind of bravery people like Eddie possess. To be open and loving in a world thatâs determined to punish you for it.Â
âWhose fault is that?â Jess whispers after what feels like a small forever.
Billy laughs once, sharp and humourless. âYours, apparently,â he replies flippantly. âFor thinking thereâs something to know.â
âThatâs not what Iââ
âYou want some douchebag whoâs gonna write you poems and hold your hand and talk about forever?â he asks, words turning cruel in that quick, familiar snap. âGo find someone else. Iâm not your fucking boyfriend, Jessica. Iâm not your saviour. Iâm not your anything.â
âDonât talk to me like that,â she chokes out, voice cracking.
âYou wanted honesty,â he spits out. âThere it is. Now get lost.â
Thereâs a sharp, wet inhale, and you hear, more so than see, the hurried retreat. The slapping of feet and the hiccup she sucks in as she runs past, mercifully turning in the opposite direction and not noticing you standing there. Your heart thuds as you watch her retreating back, your brain buzzing, caught in a maelstrom of warring emotions.Â
Footsteps draw in your direction, and you tense, hurriedly checking if you can make a quiet escape.Â
âThis is where you say I told you so,â Billy announces dryly, rounding the corner, his expression closed off.Â
Your gaze roams over his profile, the glinting earring at his ear, the tension in his jaw. âHow did you know Iâm here?â
He barely turns his head, but the electric blue of his eyes is devouring, zapping you until your back brushes the wall behind you. The way heâs looking at you is answer enough. Because you both always know. Because your personal, inbuilt fucked up sensor for one another never seems to fail.Â
âAnd I wasnât gonna say that,â you add, readjusting your stance.
âWhy not?â he sneers, his teeth appearing in a predatory smile. âYou were right.â
âBeing right doesnât feel good right now. It just feels⊠sad.â
He laughs once, bitter enough to sting. âGet used to it, grease monkey. Thatâs life.â
âDoesnât have to be.â
He shoulders past you. You catch the faintest brush of his arm against yours. No shove. No deliberate hit. Just contact, like he has to have this, even now, when everything is bubbling hatefully between you.Â
âYou think youâre so different from me,â he throws over his shoulder. âBut youâre not. You break things too. You just convince yourself youâre doing it for a good reason.â
You flinch. An hour ago, you would have argued with him until you were ready to drop. But you canât, not anymore because heâs not wrong. Billy disappears into the flow of bodies, broad shoulders swallowed by noise and colour. Yet he lingers on your mind the entire day. And maybe thatâs the real problem.
Because for all the ways you can see him clearlyâ
You still havenât figured out how to stop looking.
. . .
Friday arrives with rain and pre-game excitement.Â
You spend the day in a fog, going through the motionsâclasses, lunch with Eddie at your usual table, more classes. Eddie finds you after seventh period with that nervous energy he gets before performances, talking too fast about setlists and amp settings and whether they should open with Zeppelin or Sabbath, or something else entirely.
You let his words wash over you, anchoring yourself to his familiar presence.
âYouâre still coming, right?â he asks as youâre walking to the parking lot.
Your elbow meets his ribs gently. âI said I would.â
âI know, but youâve been weird all week. I just wanted to make sureââ
âIâll be there, Ed.â You soften your voice, force a smile on your face. âI promise.â
He relaxes instantly, shoulders slumping. âOkay. Good. Game starts at seven, but we go on at seven-thirty. Meet me by the bleachers?â
âSure. Iâll see you there. Donât suck or Iâm disowning you.â
He flips you off with both hands, but heâs grinning now. Happy, a soft part of you notices, and you watch him climb into his van, watch him drive away with one hand out the window in a wave.
Then you go home, shower off the dayâs grease and anxiety, and try to figure out what youâre going to wear to a basketball game you donât want to attend. You settle on jeans and a sweaterânothing special, nothing that says you tried. This isnât a performance. Youâre just showing up for Eddie.
Thatâs all this is.
. . .
The gymnasium buzzes with noise.
You forgot how much this town cares about high school basketball. How itâs the only thing that matters from November to March, how everyone shows up to cheer for boys whoâll peak at eighteen and spend the rest of their lives talking about glory days that never were.
The air smells like popcorn and sweat as you push your way through the crowd, the air humid with so many bodies packed together. The bleachers are full already, the band is setting up at one end, and on the court, the team is warming upârunning drills, taking practice shots, bodies moving with coordinated precision.
And there, in the centre of it all, is Billy Hargrove.
Heâs in his uniformânumber 8, white tank top with green and orange trimâand even from here you can see the way his body moves. Fluid and controlled. Every motion is calculated for maximum efficiency. He takes a shot from the three-point line. Swish. Nothing but net.Â
The crowd roars.
Itâs hard not to admire him, the predatory grace of his body, the subtle, coiled aggression in each gesture. You knew he would be here, of course. Heâs the new star of the team, but youâve never seen him in an actual game, and the last thing you want is for him to spot you. Youâve lost enough hours thinking about what transpired between you and Jess.
No one knows me.Â
You find Eddie near the bleachers like you promised. Heâs tuning his guitar, fingers moving across the frets with practised ease.
âYou made it!â Heâs grinning, nervous and excited. âWe're on in twenty. You gonna stay for the whole game?â
âMaybe. Depends on how much I can take.â
He glances at the court, and something in his expression tightens. âWell, Hargroveâs been on fire during warm-ups. Coach is probably creaming himself.â
Your mouth refuses to work, so you say nothing, but you make the mistake of looking the same way and freeze.Â
Because Billy is looking at you now, across the gymnasium, through the crowd and the chaos, his eyes find yours with that same unerring precision. Heâs holding the ball in one hand, subtle tension in the tendons of his hand. Sweat glistens on his tanned skin, his curls pulled back, but thereâs something feral in his expression.
Then someone shouts something at him, and the moment breaks.
âCome on,â Eddie urges, pulling you toward one of the last available spots. âLetâs get you a seat before itâs standing room only."
You follow him up, find a spot in the middle section where you can see the court and the band. Eddie lingers for a moment, like he wants to say something, then thinks better of it.
âI gotta go, but Iâll find you after?â
You try to smile, tap the metal bolt resting against his chest. âFor luck,â you remind him, everything you need to say packed into those small words. âBreak a leg.â
Eddieâs face softens, but he still rolls his eyes dramatically. âThatâs theatre, sweetheart. For musicians, itâsâactually, I donât know what it is for musicians. Donât die?â
Despite everything, you laugh. âDonât die then.â
He bounds down the bleachers, all nervous energy and long limbs, and youâre left alone in a sea of people who all seem to know each other.
The opposing team comes out. West Lafayette. Bigger school, better funding, players who look like theyâve been recruited since middle school. But when the whistle blows, and the game starts, none of that matters.
Because Billy Hargrove plays basketball like heâs trying to kill something.
. . .
Heâs vicious.
Thatâs the only word for it.
He moves across the court with controlled violence, driving to the basket with his shoulder down, taking hits that would flatten other players and bouncing back like theyâre nothing. When someone tries to block him, he doesnât go aroundâhe goes through, all elbows and aggression and the particular kind of rage that canât be contained.
By the end of the first quarter, heâs scored twelve points and picked up two fouls.
The crowd is going insane.
You watch him intently, and something in your chest clenches tight. Because this isnât about basketball, maybe it is to everyone else, but you know better. This isnât about winning or glory or proving heâs better than West Lafayette.
This is about punishment.
Every drive to the basket, every hit he takes, every time he goes down hard on the court and gets back upâheâs hurting himself. Deliberately. Pushing his body past limits because pain is familiar, pain is controllable, pain is the only thing that makes sense.
Youâre destroying yourself, you think, and something like anger and grief collect at the back of your throat until you want to push into the middle of the court and shake him.
The buzzer sounds for halftime. The teams head to the locker rooms, heads bowed in discussion. The crowd shifts now that thereâs nothing to watch, talking, laughing, heading for concessions.
And Eddieâs band takes the floor.
You watch them set up, watch Eddie adjust his mic stand and make some joke that gets a smattering of laughs. They launch into their set. Covers, mostly, safe choices that wonât offend the parents in attendance, something you know Eddie abhors, but is better than not playing at all.
Despite that, Eddie transforms when he plays. Youâve seen it many times, but it never gets oldâthe way he becomes larger, more confident, more himself. His voice fills the gymnasium, rough and powerful, and for a moment, you forget about Billy Hargrove and scholarship applications and the crushing weight of wanting things you canât have.
You simply watch your best friend play, and let yourself feel proud.
The set ends to genuine applause. Eddie catches your eye in the crowd and grins widely. You offer him a thumbs-up with a crooked smile.
Then the team comes back out, and the game resumes.
The second half is worse.
Billy is playing harder now, more recklessly. He takes a hit that sends him sprawling across the court, and he comes up with blood on his lip and fury blazing in his eyes. The ref calls a foul. Billy doesnât acknowledge it; he just wipes his mouth and gets back into position.
West Lafayette is starting to get scared. You can see it in the way they hesitate, the way they give him space, the way they track him like heâs something dangerous.
Theyâre not wrong.
With three minutes left in the fourth quarter, Billy drives the lane. A defender tries to block him and gets an elbow to the ribs for his trouble. The defender goes down hard. Billy scores.
The whistle blows shrilly. Another foul. But Hawkins is up by fifteen, and Billy got twenty-eight points to his name.
The crowd is chanting his name like itâs a church hymn.
You feel sick to your stomach.
The final buzzer sounds. Hawkins wins, 78-60. The team swarms Billy, slapping his back, shouting his name, celebrating in a hooting, brash way guys often do. He accepts it with that sharp, empty smile, all cockiness and ease, letting the praise soak into his ego.Â
Then, for just a second, his eyes find yours in the crowd.
And you see it. The exhaustion. The particular kind of emptiness that comes from pushing yourself past breaking and finding nothing on the other side. You stand before you consciously decide to. Start making your way down the bleachers, moving against the tide of people heading for the exits.
Eddie catches you at the bottom. âHey, where are youââ
âI'll call you later,â you say, and keep moving.
âWaitââ
But you're already gone, pushing through the crowd, heading for the exit that leads to the back parking lot.
. . .
The back parking lot is nearly empty. Most people are still inside, celebrating or commiserating. The air is cold in a stinging way, making your breath visible in the lights that buzz overhead like dying insects. October in Indiana means the temperature drops deceptively fast after the sun goes down, and you can feel it nowâthe bite of it against your cheeks, the way it makes your lungs work harder.
Your truck sits parked at the far edge of the lot, under a broken light that keeps flickering on and off. Youâre fishing for your keys when you feel itâthat particular weight of his attention.Â
You turn slowly.
Billy leans against the side of the building, half-hidden in shadow. Still in his uniformânumber 8, white tank top dark with sweat, gym bag slung over his shoulder. His hair is damp, curls falling across his forehead, and thereâs a bruise forming on his jaw from where someone caught him with an elbow in the third quarter.
He looks exhausted. Hollowed out. Like heâs been running on fumes for so long, heâs forgotten what it feels like to have anything in the tank. In the intermittent darkness, his eyes look more black than blue.
âYou waiting for someone, mechanic?â His voice cuts across the space between you, sharp, edged with something mean.
Your hand tightens on your keys. âGood game.â
âThatâs why youâre out here?â He pushes off the wall and starts moving toward you. Slow and deliberate. âTo tell me I played well? Give me a little gold star on my homework?â
âNo.â You force yourself to stand your ground even as every instinct screams at you to get in the car. So much has been said between you, most of it intended to harm, and right now, the weight of those words is like a third person between you. âIâm out here because youâre destroying yourself and somebody should probably say something about it.â
Billy laughs; short, cold, utterly devoid of humour. âAnd you think youâre that somebody? After what you said last week? After the shit you said to Jess? Iâm supposed to believe you give a shit?â
The words hit exactly where theyâre supposed to. Your chest tightens, shame and regret twisting together. A week of chewing over your words and their impact, and you try, once again, to find the words that are foreign to you.Â
âAbout thatââ
âSave it.â Heâs closer now, maybe ten feet away, and you can see the exhaustion written in every line of his body. âI donât need your pity. I donât need your concern. Or for you to try and figure me out through a basketball game.â
A thousand insults and observations burn on your tongue. Yet you think of Will asking you if you feel bad, about the bruises on Billyâs skin, about Jess and the relief of apologising. About that soft, gentle part of yourself youâve hidden away to keep yourself safe. A side of you very few ever see, and only because they deserve it: Eddie, your mom, the boys, Frank, and, more recently, Max.
Right now, the fire ebbs from you, and instead, you hear yourself say, âIâm sorry.â
Billy goes completely still. âWhat?â
âFor what I said.â The words come out rough, reluctant, but honest. âAbout your father. I shouldnât haveâI didnât have the right to use that against you. It wasnât right.â
Heâs staring at you like you just spoke a foreign language. A foreign emotion spasms his face, there and gone in an instant. His jaw clenches so hard you can see the muscle jump in that trademark way youâre beginning to associate with him.
âBut,â you continue, and your voice hardens, âI meant what I said about Eddie. Heâs off limits. Whatever you think is happening between us, whatever this is, Eddie doesnât get pulled into it. Do you understand?"
Something passes over Billyâs face, dark and primal, as he pushes towards you, the distance shrinking.
âSo you do think something is happening between us.â
âIââ You falter. âThatâs not what I meantââ
âYeah, it is.â He takes another step, and now heâs close enough that you can smell him; sweat and something else, copper maybe, from his split lip. âYou felt it.âÂ
The light flickers. In the darkness, Billyâs face is all sharp angles and shadows. He chuckles suddenly, looking away, then back at you, a rough, pleasant sound. Real, in a way his performative, arrogant displays of amusement never are.Â
âI was pissed at you,â he says quietly, and thereâs something dangerous in his voice now. âAfter last week. After you threw my father in my face like you had any fucking rightââ
âI said I was sorryââ
âIâm not finished.â His voice cracks like a whip. âI was pissed. I wanted to make you feel it too. Wanted to make you as angry as I was.â
His tongue drags over his lip again, his stare searing. When he speaks next, Billyâs words tumble out raw, rough in a way that makes your spine tingle. âI wanted you to think Iâd hit you, wanted you to believe I would.â
The parking lot light buzzes. Flickers. You can hear your own heart, thudding like a drum inside your chest. His head angles away from you, half-turned away.Â
âBut I wouldnât have.âÂ
âI know.âÂ
The words are barely a whisper, but they land like a grenade between you.
Billyâs head snaps back toward you. âWhat did you say?â
âI know.â Youâre surprised by how certain you sound, how serene, how true it feels even as you repeat it. âYou wouldnât have hit me.â
âHow?â The word comes out surprisingly strangled, a crack youâve never heard in his voice. âHow the fuck do you know that?â
Because youâve grown up around violent men, youâve tasted their cruelty. You know how easy it is for them to commit to it. If he truly, deep down, wanted to hurt you, he could have. Would haveâmany, many times. Despite the cruelty and ego, despite his temper and threats, he hasnât done anything you could truly hate him for because youâve returned his fire with fire of your own.Â
Because underneath all the rage and posturing and desperate need for control, thereâs a line Billy Hargrove wonât cross.
At least not with you.
âI just do,â you say simply.
Billy breathes hard, his fists clenched at his sides. Youâre intimately aware of how youâre the only ones here, your truck cold against your back, with him a stride away. You wonder if there will ever be a time when thereâs not this torturous electricity between you, capable of destruction andâ
âYou think I donât like it?â he asks abruptly. âThe way you talk to me. The way you look at me like you see all the shit Iâm trying to hide and donât back away.â
âYou act as if you hate it,â you point out, frowning.
âMaybe I do,â he counters with a breathless, dangerous little laugh. âMaybe I hate that I like it.â
You could kiss him. You could shove him. You could do both, one after the other.
âI should go,â you say instead, something breathless in your voice because you want. So much itâs making you dizzy, unbalanced, and wanting is a dangerous thing for a girl like you.Â
âYou sure?â he asks, low and throaty. Not mocking, not challenging.Â
You swallow thickly. This is different, a new shade between you, something youâre not sure is safe to explore, something you doubted you were even capable of. No teeth or snarling, just⊠this. A prickling heat, simmering steadily between you.Â
âNo,â you admit despite your better judgment.Â
Something like satisfaction licks across his face.
âYouâre not good for me,â you say absently.
âIâm not good for anyone,â he says without missing a beat.
You believe that, too.
âLet go,â you repeat.
This time, he edges back slowly half a step, still drilling holes into you. He searches your face one last time, like heâs memorising it, seeking something. Like neither of you is entirely certain how to proceed now.Â
âGo home, princess,â he calls out after what could be minutes or hours of watching each other. âFill out your forms. Dream your big dreams. Pretend this is all temporary.â
âAnd you?â you canât help but ask. âWhat do you do?â
Billy smiles; a small and sharp thing. âI play the game,â he replies lazily, mockingly. âItâs the only thing Iâm good at.â
His gaze sweeps over you, a flicker of something there, and you would give anything to know what heâs thinking about right now, as he examines you.
âNight night, mechanic.â
âNight, Hargrove.â
Smirking, he turns, ambling back towards the noise and the lights, the shape of him familiar and magnetic. Sad. Something about him walking away fills you with sorrow you canât quite explain. You watch him go, hands trembling slightly where they hang at your sides.
You donât know if he hates this or loves it. You donât know if you do, either.
You just know that youâve stepped too close to something with teeth, and part of you is already leaning in for another bite.
an: what's THIS? resolution to a conflict? actual communication? it only took 50k+, maybe in another 200k, we'll get to a kiss. but next chapter is gonna be Halloween, and BOY is it gonna be a joosy one. thoughts? ideas? musings? let me know and see you next week, hope you have a good one.






















