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@that-is-a-name
Traveling through egypt now and smack in the middle of nowhere I find a building called "Eye Mall"???
I've never heard of this place before and it's design looked creepy af through the bus window. I thought maybe i've heard too much tma and started hallucinating, but no, I looked it up and Jonah Magnus is, indeed, expanding in Egypt.
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He's so baby
One thing I appreciate in Malevolent is that you hear John's laugh for the first time and sounds very ominous so you think "oh it must be hinting at his malevolent (heh) nature" and then he gets a giant character arc and
he still laughs like that.
Like his laugh is just really evil sounding. He's a good guy now but he still laughs like a supervillain while agreeing to pull a prank on someone. 10/10 character detail
reblog with how old you were when you first discovered yaoi
Was Jon's true motive to spare other worlds from the same suffering, or did he use that as a justification because, deep down, he wanted to give himself an excuse to be in his rightful place as the pupil of the eye, even for a moment that would still feel like an eternity?
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Iβm lowkey obsessed with the dynamic between Tomβs Tybalt and Johnβs Mercutio. Even though Tom is about 14 years older than John, their energy just works so well. i genuinely donβt get why people keep comparing it to Shakespeare and saying thatβs not canon, itβs a stage adaptation AND DMN itβs literally allowed to interpret the characters differently AND THEY DID IT SO WELL
No but listen!!! I think this adaptation with those two captured the very essence of the play.
It's not canon, they're not the center of attention in the original play.. except they very much are.
R&J is a tragedy about hatred. And what screams tragedy more than two kids hating each other for no reason but family feud they're not even directly part of, until it kills them both.
The story of Romeo & Juliet is as much about Tybalt and Mercutio as it is about Romeo & Juliet. And yeah, you can squint and see queer undertones to it, and you can not, both work and both reach the same conclusion. Hatred killed the youth of Verona.
Tom and John did a perfect portrayal of that. They have incredible dynamic and managed to capture and represent the idea better than any adaptation that used those two complicated characters as probs to get to the main event. THEY ARE THE MAIN EVENT.
I'd say the Italian version of the musical also got very close to that, especially with keeping Tybalt's motive to pure family feud and not loving Juliet. But honestly, the dynamic between John and Tom was just perfect.
Oh, I love all the little word changes in America Is Great Again. I know Jeff first wrote it during the first trump presidency, but hearing the little changes he made for the TGWDLM:R during the second presidency makes the song hit even harder. The audience didn't even laugh at the song this time like they did in 2018.
Original: It's you and me and me and you, the loudest become the strong Reprised: It's you or me or me or you, the loudest become the strong
Original: It's a charted course at the whim of our own evolution! Reprised: It's a charted course at the edge of our own evolution!
Special mention to Jeff's growl at the end of the last chorus on "Yeah, we're great again". And the fact that he's really pissed off this time. Unlike the first time, he's not smiling, he's not bouncing around the stage--he's angry. The choreography is sharper, fiercer, and Jeff moves almost like he's stabbing the air and like he wants to let his footfalls become heavy with frustration. And the way he/MacNamara whips around that gun at the end like a madman? Yeah.
I feel like this really reflects how bad the state of the U.S. has gotten and how bad the genocide here has gotten. It's not child's play anymore. It never was.
Will Branner's Hidgens has such a gay bottom energy it's converting me through screen as we speak
Hidgens is sort of like the Spiderman of Hatchetfield if you think about it.
anyone can be the Hidge if you embrace it hard enough.
So excited to be thinking about the implications again!!!!!!
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Why is no one talking about how in TGWDLM:R during the scene where Bill is freaking out about needing to rescue Alice, Ted is waaaaaayyyy more depressed than in the original version?? To me it feels like he's dealing with the realization that Peter is infected and that what's the punt of Bill trying to save Alice when it's going to be the same situation. He also probably is trying to talk Bill out of going cause Ted isn't brave enough to go looking for Peter on the of chance he wasn't infected (Paul never tells him Peter was at Beanie's)
In tgwdlmr, when Paul sings "I've never been happy" part, unlike the original, he isn't singing in two voices, he's not fighting against himself, he's coming to a realization on his own.
It really emphasizes that joining the hive was his choice, as he sings to Emma in Inevitable. The spores didn't force him, it just showed him what it's like to belong, and he chose it.
And that makes him and Wilbur Cross solid parallels. Both been shown what's beyond, and they chose to forsake everything they stood for and embrace it.
Bill the Terrible and His Daughter Alice (2025)
SO THE NEW EPISODE GUYS HUH
Victor Frankenstein after achieving the impossible and building a fucking person from scraps of the dead: Oh god, ew, ew it's ugly! Yucky! Yucky! Gross! Ew! Ew! Yucky! Yucky! Gross! Ew!
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*talking about jonah magnus* oh you know jingus mcbingus? Jimmy magma? Monah jagnus? Jared McDonalds eieio? Piece of shit? You know him?
Hey everyone who didn't like Parker being asian in fanarts,
