Marv was born to musically gifted parents Vera Hall Miller and the late Marvin Anthony Miller Sr. With strong musical influences on each side of the family it was a certainty that their son would pick up his own unique talents and love of the craft. When I ask about how he got started, Marv immediately delves back into his family roots.
āMy grandfather, Rupert A Hall Sr. was an anointed church musician and my grandmother Vashti Rosetta Hall, was a singer. My mother was also a very active singer. She not only sang with the church choir, but also with my Aunt Vashti, her sister, and with the Suburban Mass Choir so we were always in church. She always worshipped in song. My mom just loves to sing so as long as Iāve been around, sheās always been a part of at least two choral ministries and various other groups outside of the church. My dad was a special case because although all of his siblings could sing, as far as I know, heās the only one who could sing AND play an instrument. He played bass guitar like nobodyās business. As far back as when I was four or five I would see my dad doing funk and R&B gigs, but also playing in church. I looked forward to sitting in with my dad because there would be several different instruments, whereas in church with my mom, there was typically just an organ.ā
But Marvās mom and dad were just the tip of the iceberg. Stretching from the roots of his ancestral line on up to the youngest of his current cousins, Marvās family (the Hunts, the Halls, and a stem of his fatherās side) are all incredibly gifted and in many circles, widely known for their musical capabilities. Just about every family member can carry a tune, play one or more instruments, write music, direct, and anything else you can name. While many of us were playing with dolls and pretending to be Power Rangers, Marv was singing with family choirs at his home churches of Mt Zion United Methodist-Magothy, New Shiloh Baptist, New Carmel Star, and playing alongside aunts, uncles, and cousins galore. When he wasnāt playing or forced to sing, he would sit behind the drummer in service and mimic the movements he witnessed.
With Marvās family being so richly endowed in talent, I ask him about how he came to choose the drums of all things. His humble spirit and old soul reveals itself as he responds, āWell I figured āMy dadās pretty awesome at playing bass, thereās no way I can do thatā so it had to be drums. I would hear my dad and his band members talking about notes and key signatures, and I didnāt want any parts of that at four or five years old, so I became more enamored with drums. Let my mom tell it though, it was always drums even from when I was in the womb, kicking around. There was also one camp meeting experience where my Aunt Virgie whoās good at anything she puts her mind to, just decided she was going to play drums, and she did exactly that.ā
At New Carmel Star, Marvin was among the children who were too small to be able to effectively reach all the parts of the drums, so fellow musician and future band mate Timothy Riddick would permit them to bang on tambourines, bongos, and whatever else he could find within their capabilities. Marvās Aunt Vashti however, had other plans, and would have him sing along with the youth choir until he was old enough to actually play without assistance. In the meantime, Marvās interest in percussion only grew more and, having broken the toy drum set he started out with, Marv developed his own system for practicing and growing his sound. At just seven years old, he began surreptitiously assembling a five-piece makeshift drum set from his motherās business file boxes as his toms, his penguin toy chest as high hats, and his Aunt Virgieās tambourine for a snare. He chuckles as he thinks about those days.
āIām sure my mom is still upset about what I put those boxes through, because I would mostly wait for her to empty out some boxes, but if she didnāt, I would still just use one side to bang on as a bass drum, hoping she never turned the box around. And I would use the box tops until I beat through them, and then switch them out for one of the spare tops she had sitting around.ā
If his mom was upset, she never really let on, and Marvās growing skill caught the eye of his Aunt Verda, his loving and watchful godmother, who gave him his first opportunity to play when she asked him to play for their Little BGās concert. He played the entire service and received a large Ninja Turtles coloring book as a reward. This was his first taste of gig life.
At this point, Marvās responsibility was running the camera with his cousins for Thursday night services at New Carmel Star, but his Aunt Vashti caught wind of his developing talent and put it to good use by having him accompany her piano skills with his drum playing. Here he learned valuable lessons about the acoustics of a room as the instrument set up for New Carmel was not the normal set up. āThe ceilings were so stupid high that everything carried, and in order to stay on beat from all the way across the room, I had to either play a few beats ahead or a couple steps behind just to get everything on a level playing field.ā
At age 11 or 12 Marv had graduated from box tops & the old penguin toy chest to his own snare drum with stand, and foot pedal, generously provided by his Aunt Vashti. Unaware he needed a complete set of his own, he played services at his cousin Henryās church under the leadership of his aunt and alongside his cousin JeNean on just the snare and foot pedal. āI just made it work.ā He says simply. Being in middle school by this time, Marv had also signed up to be in the school band and followed his cousins to New Shiloh Baptist Church to be a part of the Determined Choir. It was during this time that he received a call from his dad to come and play at John Wesley United Methodist Church, his first actual gig as a drummer.
A middle school student with varied interests and an expensive hobby, Marv was thrilled with the prospect of making money to do what he already loved. He thought that these musicians he saw playing were doing so because they wanted to, so he was genuinely shocked and enthused when he realized he would be paid for his services at his fatherās church. āWhen I got to John Wesley and they said they were going to pay me x amount of dollars, I thought āOh, well ok! Iām going to buy these toys and get myself these things I want. Iām going to have so much fun.āā His mother however, was no fool and had other plans for him that would teach him about responsibility and independence. āMy mom said, āOh youāre getting a check now? Great, you buy your food and clothes. Iāll make sure you have a roof over your head.ā Of course she still cared for me and made sure I was taken care of, but she wanted me to learn. Most kids my age werenāt working or were bringing in allowances of $50-$100 once every couple of months, but here I am at 12 years old clearing $200 a week easily. So my mom was absolutely instrumental in teaching me financial responsibility.ā
That responsibility has continued with Marv throughout his entire life. Heās been primarily taking care of himself and paying his own expenses since his first gigs, and he went on to study and earn his degree in business administration. He has managed to turn his life passion into positive income amidst always keeping a steady day job. Anyone who knows him can speak on his reliability, his humble spirit, and his generous but relaxed demeanor. His friends, family, and colleague will attest that he is one laid back, wise beyond his years, good guy who always comes through in the clutch.
When questioned as to how he maintained this sense of responsibility and still managed to be a kid, how he kept his integrity and stayed on the straight and narrow track being just a preteen boy growing up in Baltimore, he says āOh I was a weirdo, I was a nerd. I actually did my work when we were in school. I was considered advanced for a time because I was reading two grades above my level so they would place me in the upper classes for reading and language arts, which is funny because in my elementary school, one of my distant cousins was a teacher, so she watched out for me. Then at my second elementary school, my principal went to New Shiloh Baptist and even though she didnāt make the family connection until way later, she sensed something in me and kept a good rapport with my mother. Itās hard to get into trouble when youāre in advanced classes, unable to bring home bad grades, and then youāre in church 6 of the 7 days out of the week.ā Essentially, anyone who came into contact with Marv could sense something special about him. He likes to say it was āpeople seeing the Christā in him thanks to his familyās faith and influence.
As an honest, God fearing, hard working, intelligent young man who stays pretty busy, you would think that Marv doesnāt have to worry so much about the epidemic of violence and struggle that our young men are facing in the streets today, but itās actually something he has to think about daily. āIām still a black man in Baltimore, driving a black car, with black tints, traveling to and from every day, and even when Iām not thinking about it, my wife reminds me how big of a reality it is for us.ā We talk about the incident that happened back in October with 31 year old gospel drummer Corey Jones. Corey was leaving a gig and had some car trouble. He was on the side of the road, waiting on roadside assistance when an unmarked car with a plain clothes officer rolls up on him to investigate. No one is aware of what happened next because there are no dash cams or recordings anywhere but the officer says he was āconfronted by an armed manā and Corey was shot and killed on site. āI was extremely saddened by it because it just shows that anything can happen to anyone at anytime." Marv says. "From what we can tell of the back story, he wasnāt doing anything wrong, just coming home from a gig. Heās on the side of the road, having car troubleā¦I go out of town all the time and travel to and from; that could be me. Itās just the grace of God. All I can say is make sure you keep all of your papers in tact, know your rights, and even thenā¦you can do all of that, and it still may be for naught. So just pray.ā
Faith is a critical aspect in Marvinās life. It has played a large role in his growth from childhood and has matured him to the man he is today. Ask him about it and heāll tell you how faith and family are his largest values. In an overly sexualized world where itās already so easy to succumb to temptation, musicians have a reputation for slipping on their moral code. Recently, gospel singer and drummer Teddy Campbell was in a huge scandal over his infidelity, performer Israel Haughton had to come out and apologize regarding his indiscretions, Deitrick Haddon, Tye Tribbett...the list goes on. I ask Marv why he thinks itās so much pressure out there and how he stays away from it to maintain a happy marriage and level conscience. āI keep my sexuality at home with my wife." he says honestly. "Itās very easy for anyone to fall, especially when you have talent and thereās an influx of people drawn to you. There are a lot of shallow and devious people too. I love my wife, and at the end of the day you just have to ask yourself āIs it worth losing what I have?ā 99.98 percent of the time, the answer is no, and you keep it moving. When that remaining percentage happens, you still have to have enough discipline to tell yourself no. Iāve made it my business to ignore women simply because my demeanor is inviting and I donāt want those problems. I notice them, but I donāt have time to mess up my good thing. Iām around to do a job. Itās just about integrity. Itās easier said than done, and I understand how these unhappy or lonely people can slip up, but me personally, I donāt have that issue. What I have at home is better than anything I find out there on the road. Period.ā
Speaking of how lonely it gets and how much pressure there is for musicians brings to mind just how much Marv has on his plate. Juggling a full time job, very steady musician work, being a devoted husband, and now a new dad surely doesnāt leave a lot of time in the day and must be incredibly time consuming, which is another common thread among failed relationships and connections in the music world. When asked how he balances his professional and personal lives, Marv adamantly blurts out āGOD. I really could use a clone. It takes a certain type of focus on developing the skill to learn music quickly and accurately because you donāt get all day to practice, or you may not make sound check. Itās not easy, but if you properly plan for what youāre going to be doing and you work well with the musicians you encounter, that part takes care of itself and youāll be able to prioritize your personal life accordingly. Sometimes, itās the other way around, itās all about proper planning and prioritizing.ā
Now weāve all seen those biopics and behind the scenes specials where prioritizing family life and music donāt always work out. Itās not at all simple and is often the leading cause of separation, either of business or of families, because there came a time where one had to choose between the success of either or. I asked Marv if itās a battle that he has to face and how he deals with it. āOf course itās an issue. What it comes down to is whatās most important to you. I classify myself as a part time musician, and thatās because Iām blessed enough to be able to do accounting and provide stability for my family, and still be left with time to do what I love. So I can fit gigs in as they come to me, serve on Sundays, and still prioritize time for my family. Family is everything to me. My mom only had two kids, my dad had as many as he wanted to, but for the most part it was just my sister and I. I would like to give my son many more siblings under the same roof and be able to nurture whatever musical initiative they have. Maybe even have my own little family band. My wife isnāt a performing singer, but she can carry a tune and she has an intense love of all music. She gets my life and she supports me in everything. So between her being quality control and exposing our kids to all music, while I pass on the skill and knowledge, both of us being rooted in faith at the core, Iām hoping to build something special in both worlds.ā
Hearing about his future plans brought up further conversation about Marvās goals for his profession, what drives him. āNow that I know touring doesnāt just mean being away from your family for months on end, I would love to do a few tours. Itās also about legacy for me. I want to make things that my children can hear, see, feel and know that itās their dad. And thatāll involve me getting into production more, which is also something I want to do. I donāt want to just make whatās out, I want to create music again.ā
Real live music is something Marv often cherishes above all else. Coming from such an instrumental background and being exposed to live stage performance very early, Marv fell in love with the sounds of funky bands like Earth, Wind & Fire, Graham Central Station, Prince, and Parliament. He gravitated towards the groovy gospel of John P Kee, Hezekiah Walker, and mass choirs particularly of the 90s. When asked who his style most closely resembles, he doesnāt compare himself to anyone strictly out of humility, but a few of his icons include Calvin Rodgers, Sonny Emory, Marvin āSmittyā Smith, and Jeff Lesley. Today you can find him serving on Sunday mornings with Mt Olive Baptist Church, traveling all over as the primary drummer for the Reunion Choir of Baltimore, doing live shows up and down the coast as the drummer of Motown and More, working on multiple recording projects such as an album with a group out of southern MD called Connected, and helping out fellow musicians and good friends all over the Maryland-DC-Virginia region. Samples of his work can be found on YouTube under marvin2g9 (see link>> https://youtu.be/bK9AiIFgPXU ), on his FB page at facebook.com/marvinsquared and on Instagram under marvin2g3.