How Sad, How Lovely; M. Frances Foster, 2016  —  found papers, unglued

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@tenderrenderings
How Sad, How Lovely; M. Frances Foster, 2016  —  found papers, unglued

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(new personal work) extracted excerpt — Castle of Chill Lovers
men inhabited
and we have made like a living grave ... the dark vault lies wherin we lay ... and I have felt winter through when winds were high
© 2016 - MF. Foster / Tender Renderings
still from Bobby Mills’ The Road Not Taken
I’m learning, so I’m leaving,Â
written by C. Marshall

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“...a taste for displacement in the sense that foreign experiences of any kind offer the opportunity to develop new perspectives. I have a really deep curiosity about how different people form their identity in relation (or reaction) to place. I am also very attached to my home. I’m in a constant conversation of sorts with my surroundings, and for a long time it was a self-protective measure, having things just so. As I’ve found more internal stability, leaving home for longer stretches of time, that relationship has become more fluid.”Â
Emily Johnston via Apiece Apart
#typeinthewild 🔎
Planting Trees
At the back of our acre here, my wife and I, freshly moved in, freshly together, transplanted two hemlocks that guarded our door gloomily, green gnomes a meter high. One died, gray as sagebrush next spring. The other lives on and some day will dominate this view no longer mine, its great lazy feathery hemlock limbs down-drooping, its tent-shaped caverns resinous and deep. Then may I return, an old man, a trespasser, and remember and marvel to see our small deed, that hurried day, so amplified, like a story through layers of air told over and over, spreading.
John Updike