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blood byĀ Polina Washington

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by Deni Pesto

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Wendy & Lucy (2008) Ā· Kelly Reichardt
Possession (Andrzej Zulawski, 1981).
āWhat happens after the glamour? What happens beyond the storybook ending? What happens when everything has worked out and you find out that youāre just a couple of people sitting on a bus, wondering who the hell you and the person beside you are?ā
The Graduate (1967) dir. Mike Nichols
Visages, villagesĀ (Faces Places)Ā (2017), a documentary film byĀ JRĀ &Ā AgnĆØs Varda
AgnĆØs Varda and JR have things in common: a passion for and the exploration of images in general, and more precisely, for places and for ways of showing, sharing, and exhibiting them. AgnĆØs chose cinema. JR chose to create open air photography galleries. When AgnĆØs and JR met in 2015, they immediately wanted to work together, to shoot a film in France, far from cities, during a trip in JRās photographic (and magical) truck. Through chance encounters and prepared projects, they reached out to others, listening to them, photographing them, and sometimes putting them on posters. This film also tells the story of AgnĆØs and JRās friendship, which grew stronger throughout the film shoot, between surprises and teasing, and while laughing about their differences.
āThese warm and witty artists get each other, amuse each other, adore each other. Unlikely as it may look, theyāre the picture of happinessā āĀ Joe Morgenstern,Ā Wall Street Journal
āAgnĆØs Vardaās new documentary film, Faces Places, is a testament to her curious, generous, democratic spiritā. āĀ A.O. Scott,Ā The NYTimes
āWhile Varda and JR ply their trade as visual troubadours, they contemplate their own ideas of what constitutes artistic vision.ā ā Ann Hornaday,Ā Washington Post
āFaces Places is a one-in-a-million crowd-pleaser that deserves to be seen by the widest audience possible.ā āĀ David Sims,Ā The Atlantic
[Seen @ LāEpĆ©e de bois, Paris, on Monday 15 January 2018]

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some screens with michael fromĀ āshameā. never mind
Scenarios of Spanish ArchitectureĀ
The Spanish Embassy in Tokyo presents āScenarios of Spanish Architectureā, a photography exhibit that offers a look at the professional work of Spanish architectural photographers Miguel de GuzmĆ”n and RocĆo Romero, also known as Imagen Subliminal. since the early 2000s, GuzmĆ”n and Romero have been portraying a significant part of prominent architecture produced in Spain through stunning imagery.
Stalker (1979)

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Closer (2004)
LāAtalante (Jean Vigo, 1934)