Jun 28, 2017
(via https://www.youtube.com/watch?v=AFtup098K3o)
< melodic & percussive experiment on Zarlino Scale >
Loading...
seen from India
seen from United Kingdom
seen from United Kingdom
seen from Mexico
seen from Hong Kong SAR China
seen from India
seen from Italy
seen from Italy
seen from Italy
seen from China
seen from United States
seen from Mexico
seen from United States
seen from Australia
seen from Italy
seen from Italy
seen from Italy
seen from Italy
seen from Mexico
seen from Kazakhstan
(via https://www.youtube.com/watch?v=AFtup098K3o)
< melodic & percussive experiment on Zarlino Scale >
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
The music of the spheres, from Zarlino’s Le Istitutioni Harmoniche (1558), p.102.
(via https://www.youtube.com/watch?v=AFtup098K3o)
Experimentation with a melody played on a sampler S2000 tuned on Zarlino scale...
Listen to Train Whistle by kiwanis #np on #SoundCloud
Listen to Party Center at 43018 by Luke “Z” Zarlino #np on #SoundCloud
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
brending #Coach_Z #JZsee Music Video Email
Brain Scans Reveal That Humans Definitely Feel Empathy For Robots http://gizmodo.com/5995253/brain-scans-reveal-that-humans-definitely-feel-empathy-for-robots tumblrbot: “ WELL, I KNEW THIS ALREADY....
[http://brendingzarlino.tumblr.com/post/102605132328/brain-scans-reveal-that-humans-definitely-feel-empathy](http://brendingzarlino.tumblr.com/post/102605132328/brain-scans-reveal-that-humans-definitely-feel-empathy) How did you do this? http://www.facebook.com/Zarlino
A composer thoroughly grounded in written composition who wishes to learn improvisation must spend a few days practicing in the following manner. Suppose he has a two-voice composition to which he wishes to add a third part. Let him consider with care the passages and melodies of the two given parts until he thoroughly understands how the counterpoint is organized. Then he may safely add the part he wishes.
G.Zarlino, Le Istitutioni Harmoniche (1558)
時間をかけて対位法の構造を理解した後に、はじめて「３声目」の即興ができるようになる。