#writing interior

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🧬 100 ADHD CREATIVE WRITING PROMPTS — ADHD-fueled chaos weaponized into creativity

Writer’s block? Cute. That’s for people who think staring at a blank page is a personality trait.

This is 201 pages of ADHD-fueled chaos weaponized into creativity. Not “just prompts.” Not “ideas.” A full arsenal engineered to take impulsivity and hyperfocus and turn them into story detonation fuel.

📦 Inside you’ll get:

100 ADHD-inspired prompts (not the generic Pinterest trash).

A full 201-page 6x9 interior.

Print-ready PDF you can drop straight into your project.

✨ Why It Works:

ADHD creativity isn’t a curse — it’s a cheat code.

Chaos → Creativity. Stop fighting distraction. Ride it like a wave.

Plug-and-play. No formatting. No headache. Just results.

Infinite story paths: poems, novels, delirious journal entries — all fair game.

✍️ Who This Is For:

Aspiring authors sick of being “aspiring.”

Experienced writers who feel stale and need a jolt.

People who just want to have fun again with words instead of hating the page.

⚠️ This isn’t “just a prompt pack.” This is 201 pages of controlled creative mayhem.

🧠 Grab it here before you lose focus: 👉 https://themosthumble.gumroad.com/l/vsftp

Ah, I can relate to this problem far too much. Because of that, I can definitely help out!

1) Long descriptions can be fine! If you’re setting a scene or explaining a unique place. If your characters are entering some place that’s dilapidated and dusty, we’re going to want to know that. It hearkens to something to be concerned about later in the plot, so that’s fine. If you’re trying to talk about a type of room people may not encounter in their day-to-day life, then we’re going to want to know more about it to have a clear idea of what it’s like. We just don’t need to know every single detail.

2) Cut out what’s not important. I totally empathize with wanting to explain each and every detail of what something looks like. But in all honesty? A lot of the things you explain won’t be important in the grand scheme of things. If your description is going onto multiple paragraphs or taking up too much space, then change it by only mentioning what’s important; parts that your characters will interact with or something with a symbolic meaning. The shattered mirror on the wall may mean that your character can no longer see their true self anymore, and the red walls may signify that two lovers are about to take a new step in their blossoming relationship, but the plush detail of the couch that no one even sits on during the scene doesn’t need to be there.