write some andrei/pierre gentle tenderness and maybe some crying
the thing is that no one had expected andrei to survive the aftermath of borodino.
but he did, and so did pierre, and when all was said and done they found each other, as they always did. they were the both of them changed- andrei had been brought to the very edge and pulled back, and pierre had lost everything and then found it again- into strange, fragile creatures, like broken china mended with gold.
âi saved the letters,â pierre says abruptly one night, as they take dinner in his study. they do that sometimes, just the two of them; pierreâs house too empty and andreiâs too full, leaving the both of them feeling wrong and out of place.
âwhose letters?â
pierre flounders for a moment, pushes his food around on his plate and picks at his napkin before saying, âthe countessâs. natasha.â
he did not know if this was still a tender subject; they hadnât spoken of it, as andrei had requested in the immediate fallout. andrei and dear natasha had seemed to have some sort of reconciliation in the intervening time, but that didnât mean that all was well.
it left pierre feeling rather caught in the middle of things.
âdo you,â andrei says, his voice gone flat, and when pierre looks at him his face is bland and blank and clear of all emotion. pierre hated it when andrei got like this, when he retreated so far into himself that all that was left was a cold shell; it had alarmed him, in the beginning, but now it just made him sad.
so he takes one of andreiâs hands in his own and squeezes, briefly, the gesture meant to be⊠well, he didnât quite know what he wanted it to be. âshe wouldnât take them. i havenât⊠i havenât read any of them, of course, itâs not my place, but i couldnât find it in myself to burn them.â
they were relics, he wanted to say, something almost holy in their sentimentality, in the love held in those pages. they were from a happier time, at least for his friends; a part of pierre thought that if he kept them, if he kept hoping, then theyâd be happy again. the both of them, all three of them.
âyou ought to,â andrei tells him, and his eyes are very dark when they meet pierreâs, something unnamed lurking there. he squeezes pierreâs hand back, but his expression doesnât change save for a minute twitch at the corner of his mouth. âeverything is over, pierre. that part of our lives is closed, like a chapter in a book.â
pierre scrubs at his eye beneath his spectacles, rubbing away the tears gathered there. still though, when he speaks he does so in earnest:Â âbut books can be revisited, dear andrei. doors can be reopened.â
ânot this one. i canât...â andrei pauses for a moments, frowns as if in pain, his fingers tightening around pierreâs. âmy friend, i am not a man meant for marriage.â
and pierre knows that this is not a battle he can win, not here and not now, but he aches with what feels like failure anyway. andrei had had little enough happiness in his life; he of all people deserved it.
pierre says as much, drawing andreiâs hand to his lips, feeling the fine bones beneath his skin. âi only want you to find joy, you know.â
something softens in andreiâs face then and he stands, but instead of pulling away as pierre had expected- as he had done so many times before in other circumstances- he leans in to press a brief, fleeting kiss to pierreâs forehead.
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pierre had not thought that he would grieve helene.
he had thought, years ago, that her death would set him free. he had thought that he would not miss her, that when he was rid of her he would find it in him to feel joy again. once, he had even hoped for it.Â
now though, now he just feels empty, and cold, as hollow as the house around him. it felt quieter now than it did even during their separation. he sleeps in a guest room rather than the one he had shared with his wife; though the mattress has been replace and the bedding since changed, he finds that all he could see when he stepped into the room is what she might have looked like, silent and unmoving in death, her skin porcelain pale.
out of all the ghosts that trail him now, helene haunts him the most.
and then there is dolokhov to be considered as well. dolokhov, who comes to the house with no advance and no warning; dolokhov, who meets him for dinner without pierre asking; dolokhov, who seems unsure for the first time since pierre has known him, ill at ease in this new sort of tenderness.
but also: dolokhov, who had smiled and drank and spoken to pierre in friendship only to go home and fuck his wife; dolokhov, who had watched him with a sneer through the snow that fell lazily around them, a pistol held expertly in his hands; dolokhov, on the ground and bloody, begging for his mother.
dolokhov, who had found him at borodino and had kissed him and looked at with with such a wretched sort of desperate need that made pierre ache in some strange, distant way.
so dolokhov came for supper most evenings, and often they spoke long, long into the night of everything and nothing at all. it struck pierre in a way he hadnât been able to see before just how horribly, terribly lonely dolokhov was, how he craved kindness and tenderness much in the way of a scrawny stray dog.
they speak about many things, but they do not speak of helene.
âtell me of the old count,â dolokhov says one night, and he is loose and relaxed with wine, slumped in his seat. his boots have been removed and his feet are crossed on the ottoman that he had pulled near to him. âyou father, wasnât he?â
âhardly,â pierre replies, dead sober and not a little envious. âin little more than name.â
âbut you loved him?â
âof course i loved him.â it was a strange, obvious sort of thing to admit. âhe was kind to me, in his way, but i was still a bastard. sometimes, we love even those who have wronged us.â
dolokhov stares at him for a long, long moment, his blue eyes bright and intense and heavy on pierreâs shoulders. there is something unidentifiable in his face, something that twists at his mouth and creases his eyes, something that softens him even more than the alcohol.
âpetrushka,â dolokhov starts roughly, and then stops.Â
â...fedya?â
the moment hangs between them like balancing on a knifeâs edge, leaden with expectation and held breath, and then dolokhov surges clumsily forward and takes pierreâs face between his callused hands and kisses him. itâs both different from and the same as the way he had kissed him the morning before the battle, the same sort of frenzied want in the way he uses too much teeth, tender in how he draws his tongue across pierreâs lip not a second later as if in apology.
itâs not good, not really, but pierre canât help the soft noise he makes or the way his hands go automatically to dolokhovâs sides when the man all but crawls into his lap, and the warm, solid weight of him makes something tense unfurl in pierreâs chest. he pulls back and dolokhov follows, seeking, their noses bumping awkwardly and leaving pierreâs glasses askew.
âiâve wronged you, petrushka,â dolokhov says, and his breath is warm against pierreâs face, smelling of sweet red wine.
âyou have,â pierre answers.
dolokhov says, âi donât love you.â
âi know.â
âiâve never loved anyone,â he says. ânot even...â
âi know,â pierre says again, because he does know, because he too cared for helene in a way that was tender in its own right but far enough from love.
dolokhov sighs then and slumps into him, pressing his face to pierreâs neck and breathes in deep; pierre canât help the shudder that shivers through him and he runs his hands up and down dolokhovâs sides, the manâs skin blazing-warm beneath his shirt.
âbut you forgive me,â dolokhov points out after a while, quiet, and pierre hums, curls his fingers into dolokhovâs shirt. thereâs something comforting in just the closeness, the new, raw feeling of dolokhovâs tentative, hesitating tenderness, the way he lets himself go slack and be held.
âi do,â pierre says, just as quiet, âi do, even though youâve wronged me.â
in the years after it all pierre will sometimes feel guilty, thinking back on his life before.
he will think of helene and how sweet she had been to him, before their marriage, the way she would slip her delicate hand into the crook of his arm, the coy smile that so often lurked about her pretty mouth, the way she would glance at him through dark lashes. there had been rumors even then, rumors that even he had heard, about her insipidness and her passions, but he had always been too enchanted by the way her gowns hugged her body or the way the candlelight flickered across her skin.
he will think of andrei and the somber sternness of him, of how he had been haunted by regret, of the ways his rare smiles would fill pierre up inside. andrei had been kind, in his own way, conservative in his words but tender in his touches, and they would stay up late into the night and talk about books and life and god. their first kiss had been awkward and clumsy and so very right that pierre had nearly called it holy.
but both helene and andrei were dead now, helene by her own hand and andrei by bayonet, and natasha curled close to him in their wedding bed, her nose tucked against his throat. he is so full of love for her that he feels sick with the guilt of it, feeling as if it were a betrayal: a betrayal of andrei who had loved them both so deeply; a betrayal of helene who, for all her faults, had deserved a true and steadfast love that he couldnât possibly have given her.
okay. alright. fytor with 54 or 70 (i cannot choose so you decide)
54. âI donât hate you. I could never hate you. Thatâs the problem.â
pierre had done many things that he regretted, but none so much as his duel with fedya.
heâd oscillated for some time between vicious satisfaction and wretched grief, in those first few days afterwards, the house empty and quiet with heleneâs flight. eventually a letter had been sent informing him of dolokhovâs survival, but until then he had wallowed, thinking that he had killed one of his closest friends and half-believing that he had been justified in doing so.
and then borodino, and fedya, healthy and hale, kissing him and asking him for his forgiveness, expression twisted in some approximation of earnestness. it was the first time they had seen each other since the duel and pierre leans into him- familiar, familiar- and forgives him wholeheartedly.
(he closes his eyes and he can still see the blood in the snow, smell the gunpowder, watch as fedya was hauled away in a sleigh, half-sensible.)
âyou could hate me,â fedya tells him some time later, after everything, as they sit in pierreâs study. they take their dinners there, most times when dolokhov visits, the dining room too large for just the two of them. âi wouldnât mind.â
he says it so flippantly that it makes something in pierreâs chest twist, and he frowns, lowering his wine glass. he hears fedya hum- almost amusement- but ignores it.
âi donât hate you,â he says in response, too serious by half. âi donât believe i ever could.â
he looks up and fedyaâs eyes are on him, cold, cold blue, but his brows are furrowed in a curious way that pierre has never seen before, his expression considering. he leans back in his chair and pierre fights the urge to squirm under such intense scrutinization.
in the end, though, the only answer he receives is a quiet, âyou truly mean that, donât you?â
âIs there any part of you, deep down, that might love me back?â for andrierre? I canât remember if youâre into andrierre and I know youâre sort of not as into w&p so feel free to not do this
he did not suffer in silence because he thought to make himself some sort of martyr. love was meant to be this gentle, understanding thing but instead it gnawed at him, painful, hollowing him from the inside out. it crowded his tongue every time he spoke, that awful longing rising up and choking him.
now, though, they teeter on a knifeâs edge. andrei, flush with the joy of new love, watches pierre flounder, his smile fading into something that pierre fears is understanding. andrei sighs, âoh, dear friend.â
pierre says, âdonât-â
âi am truly sorry, pierre,â is what andrei cuts him off with, âyou love her as well, donât you?â
âwhat?â
âitâs in your eyes.â
and yes, pierre supposed that he did care for natasha, in some way- she was a lovely girl, bright and kind and lively, and he adored her, could see himself loving her- but natasha hadnât been his friend of over a decade, natasha hadnât been the one to at up with him late at night reading by the fire, natasha wasnât the person he dreamed of waking up next to and kissing and loving.Â
âno, no, dear andrei,â he says with pursed lips, almost upset. âno, iâm very fond of natasha, sheâs a sweet girl, truly, but⊠no.â
âpardon, what-â
he canât help it, really, the way the words burst from him in a rushed gust of breath, trembling at the back of his throat. âitâs you.â
abrupt, sudden. they stare at each other in silence for a heartbeat before pierre looks away, shoulders sagging. his knees felt weak, his throat tight- this was surely the end, then. he felt sick with it; andrei would leave, disgusted, because while he may not be particularly pious, this depravity must have been more than any man could bear.
âme?â andrei asks, quiet, as pierre sinks back into his chair, elbows on his desk. he seemed discomfited; emotional confrontation had always been out of andreiâs depth.
âitâs always been you,â pierre says, and he just feels tired. he pushes up his spectacles, presses the heels of his hands against his eyes. âgod above, andrei, itâs always been you.â
they are quiet for so long that pierre is almost sure that andrei has left, and he gives a gusty sigh. he aches, feels raw and wrung out, even from just that short interaction; he needed a drink, or three.
but then a hand settles on his shoulder, and andrei sighs, says in that same pitying, uncomfortable way as before, âdear pierre.â
and, oh, the hope that wells in him then is pathetic and burning. andrei hadnât left, didnât seem disgusted with him. pierre looks up, slow, and meets his eyes; andrei had always been intense, almost unbearably so, but there was something warm in his gaze, his expression soft in a way pierre rarely saw it.
âdo you think,â pierre starts, then stops, his voice cracking. his places his hand over andreiâs on his shoulder. âdo you think, if things had been different, that you could have loved me, as well?â
âi believe i could have,â andrei answers, quiet, almost unsure. âi⊠i believe i do.â
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can i ask for andrei angst?? if you'd rather do coco i can offer smth for that then!
he watches them, sometimes, and canât help but think about how he deserves neither of them.
natasha and pierre are each gentle creatures, defined by sweet words and soft touches, curled tenderly around each other in sleep. andrei isnât sure how to allow himself that vulnerability, how to be soft around them.
all he knew of love was that it hurt, that it came paired with loss or distance. he had thought that he loved lise, once, and now she was dead; his father loved him, in a way, but he was a cold, cruel man; he loved his son, little nikolushka, but was so terrified of losing him that he hardly knew him.
but sometimes, sometimes natasha will look at him, her golden hair catching the sunlight, and her smile will be so bright and radiant that he nearly allows himself to smile back. or pierreâs hand will brush over his own, lingering just a moment too long to be unintentional, and andrei will look up and see the affection in his gaze and he almost laces their fingers together.Â
but he doesnât, because he is a hard man, a cruel man, and the both of them- wonderful, splendid- deserve far more than he could offer.
you should write something for dolokhov/denisov because i hate dolokhov, love denisov, and am Intrigued
there is nothing gentle between them because dolokhov is not a gentle man, never has been, and denisov is far too rough to mesh into society in the way that nikolai rostov does, effortless and clean and graceful. and certainly neither of them were nikolai rostov, neither of them what the other truly wanted.
but they are both soldiers, calluses and bloody hands, hearts that have known loss.Â
they work well together, at the end of the war, but at odds; denisov was a cautious, tactical man who knew the cost of war and cared regardless, but dolokhov was like a rabid dog, eager to be let off his leash and pointed in a direction to attack.Â
it was that rashness that had gotten petya rostov killed and denisov lashes out with the grief of it, the pain; the rostovs were his family, bright and welcoming and gently loving, and he ached with the knowledge of the pain that petyaâs loss would bring. heâd insisted on writing the letter himself and scrapped draft after draft, the ink bled with tears.
âvasily,â dolokhov says, taking denisovâs face between his hands, skin rough and cracked from the cold. denisov pushes against him, half-hearted; he wanted simultaneously to beat him and to melt into the strange sort of solace he offered.Â
âdonât,â is what vaska responds with, harsh and bitten-off, instead of the myriad of other things he wished to say, instead of this is your fault, you bastard, or he was just a boy and now heâs dead and his blood is on both our souls.Â
âvasily,â dolokhov says again, sterner this time but not hard, not in the usual way he spoke, all sharp callousness and teeth. there seemed to be something almost tender about him but that wasnât quite right, because fyodor dolokhov was not in any way a soft man. âbreathe, vasily.â
and vaska listens and takes a deep breath because there was little else he could do, with dolokhovâs thumbs pressed almost too hard to his cheekbones, cradling his face in just the right way to break his neck. heâs keenly aware of the fact- has seen him do it before, to some poor french bastard prostrate in the bloody snow- and so he just breathes.Â
âthere, see?â dolokhovâs voice is sweet, condescendingly so, crooning in that oozing, patronizing way that he knows denizov hates. ânow, that wasnât so hard, was it?â
he wants to bare his teeth at him in mingled grief and anger, but though the pain is still there it is less so, as if weakened by company. denisov swats dolokhovâs hands away and dolokhov releases him without a fuss, watching with cool blue eyes as the other man paces away from him, greatcoat wound tight about him to fend off the cold that the canvas tent couldnât ward off.
âheâs dead, fyodor,â vaska says, a touch of despondency to his tone, âpetya rostov.â
âyes, sweet boy.â the condescension is less, replaced by something more neutral. âthose noble rostovs. but it was a brave death, denisov; he died in battle. a warrior.â
all vaska had seen was a child being cut down, but he doesnât argue the point, doesnât have the energy to do so. dolokhovâs grip on his arm, then, is just this side of bruising, and he leans back into him until they are pressed shoulder-to-shoulder, soaking in that bit of pathetic comfort that was offered.
âcome now, petrushka,â comes dolokhovâs voice, cajoling and deceptively amiable, âjust a kiss for a friend?â
and pierre flushes- beyond the alcohol, beyond the heat of the room- because nothing with dolokhov was ever friendly. he was a hard man, a cruel man, pierre had no illusions about that; each and every single one of them that followed after kuragin like dogs had succumbed to their vices in one way or another.
dolokhov, pierre thinks, was one of his.Â
his eyes are a cold, cold blue as he peers at pierre from over the rim of his wine glass, something strange lurking in his expression that makes pierreâs stomach twist nervously. he reaches for his own glass and throws it back, swallowing the bitter taste of red wine. the alcohol is fortifying; he doesnât wither beneath fedyaâs gaze.
âalright,â he says finally, though his voice shakes a bit and something quails inside of him. âiâll kiss you.â
for the first time fedya seems surprised, and itâs strange how it seems to soften the hard angles of his face, smoothing away his meanness. they stay there a moment, silent in limbo- someone hollers in the next room over, followed by ragged cheers, banging, a smattering of applause and the sound of shattering glass.
fedya surges forward- and, oh, his hands are warm, why hadnât pierre thought his hands would be warm?- calloused palms sliding around the back of pierreâs neck as he jerks him down into a kiss. itâs nothing romantic, too hungry, too demanding. fedya bites down hard on pierreâs lip and he canât help the soft noise that he makes, or the way that his hands go to fedyaâs shoulders, fingers curling tight into his blouse.
h can feel the sharp cut of fedyaâs smirk against his mouth, then, and the embarrassment rears its head again, the shame the bubbles up in him. he shoves him away and wipes his mouth on his sleeve, studiously ignoring the way that fedya laughs at him as he forgoes his glass and reaches for the bottle to wash away the taste of him.Â
fedya crowds close to him again, presses a sound kiss to pierreâs cheek, and pierre tries not to seem too perturbed though he knows that he fails rather miserably.
âand what a kiss,â says fedya, his voice too low, too close, his hand heavy where it rests on pierreâs arm, âall good shows deserve a second performance, donât you think?â