RECORDS - Starry Eyes

seen from Singapore

seen from United States
seen from China
seen from United States

seen from TĂŒrkiye

seen from United States
seen from Germany

seen from TĂŒrkiye
seen from Ecuador
seen from Portugal
seen from China
seen from Malaysia
seen from China
seen from United States

seen from Malaysia
seen from Morocco

seen from United States

seen from Malaysia
seen from Germany

seen from Mexico
RECORDS - Starry Eyes

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
RECORDS - Starry Eyes 7" (1978/UK)
___
En estudio The Records siempre fue un grupo muy claro y pulido, un poco AOR en su primer LP, casi tan preciso como los Shoes americanos en su continuaciĂłn âCrashesâ (1980). Sus discos eran comedidos y juiciosos. El âpower popâ lo tenĂan mĂĄs definitivamente en tomas en directo recias, naturales y con mĂĄs aristas. Arriba dos muestras âliveâ de ese âCrashesâ, en mi opiniĂłn el ĂĄlbum mĂĄs completo y con mejores canciones de los tres que llegaron a publicar originalmente.
___
Otra triste despedida, la de John Wicks, cantante, guitarra y lĂder de The Records, fallecido en Burbank, Los Angeles, a los 65 años. Â
Nacido en Reading, Inglaterra, Wicks entrĂł en la Ășltima formaciĂłn de los pubrockeros Kursaal Flyers en 1977, y acabĂł haciendo equipo compositivo con el baterĂa Will Birch, que ponĂa letras a sus melodĂas cuando los Flyers se separaron.
The Records fue una banda caracterizada por sus brillantes armonĂas pop y su limpieza instrumental, como un cruce entre los primeros Beatles y The Byrds, y continuadora en cierto modo de la obra de grupos como Badfinger o Big Star. âPower popâ lo llaman, puede ser, pero en sus discos siempre con mĂĄs maña que fuerza.Â
El cuarteto publicĂł en plena new wave (79-82) tres ĂĄlbumes para Virgin de Richard Branson: âShades in Bedâ, âCrashesâ y âMusic on Both Sidesâ, discos que no tuvieron demasiada suerte a pesar de contener grandes canciones como âHearts in Her Eyesâ (que los Searchers versionaron), âHearts Will Be Brokenâ, âTeenaramaâ y, sobre todo su gran clĂĄsico, el tema por el que son mĂĄs recordados âStarry Eyesâ. Su clip es tambiĂ©n glorioso, con el grupo causando la sorpresa general desde el escaparate de una tienda londinense.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch âą No registration required âą HD streaming
The State Of Our Union!
âI thought I saw some diplomat hawking secret plans in the park.
I thought I saw my president walking through Harlem late after dark.â
Those first lines of this recordâs opener - Looking For Lewis And Clark - suggest youâre in for a politically charged wild ride. Turns out itâs a well-written, tuneful, fun one at that. I love this record for so many reasons and one of them is that The Long Ryders use this record to prove the supposed rock ânâ roll dust bowl of the 1980s is a myth.
This record is an appropriately arrogant blend of country rock love of Gram Parsons, plugged into some Byrdsian jangle guitar, a strong pop sensibility and the spirit of Woody Guthrie. And it all happened in 1985.
Sid Griffin (g), Stephen McCarthy (g), Greg Sowders (d), and Tom Stevens (b) came together again in 1985 to create this long-player filled with addictive Americana (no wonder it was so popular in England!). Itâs their second record together with this line-up. The first being 1984âs Native Sons (which may have even more going for it). The same line-up minus bassist Tom Stevens put out a great EP in 1983 called 10-5-60.
State Of Our Union is packed to the gills with some predictable stuff like weaving, bashing, jangly guitars. But, itâs just as heavy into harmonica, autoharp, banjo, and lap steel. Oh, and drums that never miss a beat and keyboards that donât stink.
Funny thing is, State Of Our Union seems as well suited to the have/have not times of today as it did in the mid 80s. Or, in the 1930s for that matter. Iâm not saying the record is timeless but man is it close. Thereâs no doubt the band didnât like trickle down economics or Ronald Reaganâs view of America. But to say the record is singularly focused on politics underestimates this slab of fine wax. Itâs as easy to pump your fist in the air in support of the small man as it is to get lost in the scenery of riding the rails and filling up your coupe with gas from a glass topper. Itâs simple, straightforward American idealism and itâs awesome.
Go to your local record shop and purchase this LP today. Donât do it and regret it forever. And, Iâm no fan of hyperbole.
Take a peek at The Long Ryders over here by actually clicking this sentence!
For weirdos only:Â Â State Of Our Union is produced by well-respected man and drummer/vocalist Will Birch of Englandâs The Records. Those fine pop songsmiths really deserve a second go around. Mr. Birchâs involvement likely explains the pop sheen that glistens so beautifully in the mid-80s southern California sun. One more thing. I owe my love of the Long Ryders to a guy who turned me on to this record in 1986. That guy? Mike âCountry Punkâ OâRussa. Thanks C.P.