having extreme behind in life/time's running out/existential crisis thoughts in the middle of a heatwave

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having extreme behind in life/time's running out/existential crisis thoughts in the middle of a heatwave

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Concept of Fugitive Arc being a collective fever dream among tmkm branch + a few BORDER agents due to a gas leak that apparently happened in Shizuka City
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"Do you remember when four-eyes met like 3 different neighbors and learned about a whole new culture that even chibi didn't know about because they're an errant nation?"
"What the fuck are you talking about"
me playing alan wake 1 and trying not to get killed by the entities:
I have to get work done but I feel like I've had all the life sucked out of me and physically cannot even draw right now
I can't find the keys to my garden send help

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i'm so tired of insomnia, man
https://www.tumblr.com/pynkhues/792748560495116288/hi-sophie-there-is-this-new-australian-hit-series?source=share
Hi Sophie, I finally got to finish the show. I love everything Emma does, so of course I had to give it a chance, although I am pretty biased against Teresa Palmer... It's not necessarily her acting (though she ruined The Discovery of Witches for me), but her other content. I consumed too much of it and at one point the mummy thing just started to creep me out.
But I really tried to stay open watching the new show. I think Emma did not disappoint, only the pacing of the last episode was a bit off. I absolute loved the cinematography. Most of the cast (including Teresa) really delivered. People seemed to be pretty impressed by Philippa. I think she was good (better than in the Newsreader and in Territory) but not better than Bella Heathcote or Ming-Zhu Hii. And in my opinion Catherine McClements took the cake. All in all, I was entertained, but it's not the kind of show that makes my mind wonder back to for a longer period of time like The Newsreader did. Even Secret City left a stronger impression on me.
Would love to hear your thoughts once you get to watch the show. Perhaps it can distract you a bit from your many real life demands a bit. 😉
Hi! And ah! Your timing is wild, because I actually just binged the first three eps tonight.
I hear you about Teresa, she's - - mmm. Look, I haven't seen Discovery of Witches, so can't speak to that, but I do think she's a very talented actress (2:37! Warm Bodies! Ride Like a Girl! And while I loathe both, she really is very good in Berlin Syndrome and The Clearing), and that combined with her pretty traumatising upbringing and the fact that I know quite a lot of people who've worked with her and say she's extremely lovely and professional always means I give her a bit of grace. She's definitely deep in the Byron culture though, which 😬, and the fact that she's pregnant right now with baby number 6 (six!) is just - - yes. I hear you, haha.
I've only watched the three eps so far, and Emma is, as always, a good director and genuinely exquisite with directing scenes of intimacy in particular - the scene between Philippa and Tane Williams-Accra's characters having sex for the first time since having a baby I thought was genuinely really, really beautiful, and the way that played into her mother playing music and dancing was just the right amount of enmeshed and tragic, y'know?
I do think all of the cast has been solid though. Bella's been good, but I've been particularly enjoying Ming-Zhu Hii, like you, and I'm glad Philippa's been getting so much acknowledgement, because she's had moments already where I've felt she's been pretty great (although I will say just in what I've seen so far that I feel Teresa noticably outacts her in some of their moments together, but then, Teresa is a much more experienced actress). I know Catherine has some big stuff coming up though, which I'm extremely excited for, because I adore her!
But - - yes.
The show generally from what I've watched so far is messy though. I thought the first episode script was honestly just pretty awful - heavily heavily expostitional, and I think it failed to ground us in both the stakes and the storyworld, and I was a bit relieved that the writing was a lot better for eps 2 and 3. It's still got huge issues with pacing, exposition and narrative reveals though, and I genuinely can't believe they revealed Isabelle's job and why she's there as randomly as they did in ep 2.
Also I'm not sure if it's because it's a Canadian co-production, but that heavily orange-saturated colour grade for the Australian coastline is borderline Hollywood-colour-grading-Mexico and I am BAFFLED by it. Like, as someone who's driven the Great Ocean Road multiple times in her life - and has family who still lives along it - I am genuinely shocked at the choice to colour this:
Like this:
Just - - it really is kind of shocking to me?
Anyway, sorry, haha, this is just a little brain dump after watching the first three eps, but I'm intrigued and the performances are solid, even if the writing isn't. I'm not surprised it's not going to be one that stays with you though having finished it, because I'm halfway through, and the character work just isn't there enough to give me confidence that they could stick a landing, which is a bummer.
In my documentary I'm making, I really wanted to include the time I got suspended from twitter for saying "TERFs should suck shit and die" (Not my most creative tweet, but I was posting with passion)
BUT I can't find evidence anywhere of this happening!! I know I took a screen shot of it, and I know I re-posted the screenshot somewhere... But it's just GONE from the internet!!! And from my computer!!
So I think I'm gonna have to remove that part from my project and it kills me :(
If anyone can remember what the year was when Twitter would just ban you for even saying the word TERF, that would be really helpful. From googling, the closest guess I can get is 2019, but google has been surprisingly extremely unhelpful. Were no articles written about this, really? Or is Google search just completely cooked?