I’m always writing new things and never finishing old ones😖 Songs, stories, scripts..
Like damn NOTHING gets done around here💔💔

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I’m always writing new things and never finishing old ones😖 Songs, stories, scripts..
Like damn NOTHING gets done around here💔💔

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I'm writing a book about a girl with anxiety, and she falls in love with a boy. I'm trying to foreshadow that he was abused without just coming out and yelling "LOOK AT THESE SCARS!! HIS MOM GAVE HIM THOSE!!" He's really adjusted and it's kind of behind him but there are still times, like on his dad's birthday or the day he left home when he just falls apart and I dont know how to foreshadow that he was abused is the gist.
Of course the first step to writing anything like this is to do research into what changes this kind of trauma has on a person, (but it seems like you’ve already done that), and I think the problem here might be that you’re overthinking what foreshadowing means.
Foreshadowing doesn’t need to give so many hints that a reader can put the pieces together -- it just has to give the right pieces so that the final picture isn’t contradicted by anything.
Let him react the way he naturally reacts at this point in his life.
If he falls apart, then let him fall apart, and don’t worry whether the reader looks at that and goes oh no he was probably abused, or simply huh there’s more going on here somewhere. If he’s well adjusted, then the second version is all you need to support the reveal later on.
And if he’s so well adjusted that he never shows any signs, that’s okay too. There’s a trend in literature to give every character a tragic backstory that’s revealed to still be a current wound on their heart, but it’s also good to show characters who (with time and effort) were able to work through the trauma of their pasts and have happy, healthy lives.