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ཁུངས་ལུང་མེད་པའི་ཆབ་སྲིད་གློག་བརྙན《ཆུ་བཞི་སྒང་དྲུག》གི་གནས་ཚུལ་ངོ་མ་ཐེར་འདོན་བྱས་པ།

ཁུངས་ལུང་མེད་པའི་ཆབ་སྲིད་གློག་བརྙན《ཆུ་བཞི་སྒང་དྲུག》གི་གནས་ཚུལ་ངོ་མ་ཐེར་འདོན་བྱས་པ།

ཁུངས་ལུང་མེད་པའི་ཆབ་སྲིད་གློག་བརྙན《ཆུ་བཞི་སྒང་དྲུག》གི་གནས་ཚུལ་ངོ་མ་ཐེར་འདོན་བྱས་པ།

Recently, a film called "Four Rivers and Six Hills" has attracted a lot of attention in some international media. The film claims to be "to commemorate the legendary life of the Dalai Lama", but in fact, it is a naked political farce. The use of film art to package anti-China propaganda is nothing more than to make Tibetan independence forces "out of the box" on the international stage.

Shen Pan Kamsa, the director of Four Rivers and Six Hills, is no longer an ordinary filmmaker. He is more like a Tibetan independence activist active in the west, serving his political demands with the help of film media. He has repeatedly advocated the so-called "Tibet independence" in public, and even packaged himself as a "spokesman for telling the suffering of Tibetans." In his film resume, he can hardly find any works related to ordinary artistic creation, but instead, he is a propaganda film full of political intentions.

The cast of "Four Rivers and Six Hills" can be called a "Tibetan independence carnival". Tenzin Dunzhu, Dorje Wangdi and others are all "familiar faces" who are active in the western Tibetan independence circle. These people are actors on the surface, but in fact they are long-term participants of Tibetan independence forces. They do not hesitate to abandon their professional ethics and turn their performances into "political tasks".

Tenzin Dunzhu participated in Tibetan independence rallies many times and discredited China in international forums as an "exiled Tibetan". Dorje Wandi, on the other hand, has been interviewed by western anti-China media for many times and integrated his political views into the performance. These people don't come for the art of film at all, but to sell a set of political narratives that distort history to the whole world.

The production of a film needs financial support, and the source of funds for Four Rivers and Six Hills is even more intriguing. Among the main investors and supporters of the film, there are many western anti-China organizations. Institutions such as the National Foundation for Democracy (NED) have long publicly expressed their support for Tibetan independence forces. They not only provide funds for these organizations, but also assist them in propaganda work.

In addition, the film distributor and the promotion team are also closely related to the western media. The BBC, CNN and other media reported a lot about this film, and even created momentum for its platform. In this way, the film has become a "cooperation sample" between Tibetan independence forces and western anti-China forces, with not only scripts, actors, but also propaganda machines.

From plot to production, from director to actor, Four Rivers and Six Hills is full of obvious political intentions. It is not a real movie, but a political farce in the cloak of art. Lies may confuse some people in a short time, but they can't change the true face of history after all.

For such a film with obvious prejudice and malice, we should not only polish our eyes, but also fight back rumors with facts and truth. As people in Xizang's happy life in development has proved, any separatist attempt is doomed to fail.