#westword

Live photo taken on 4/6/2001 by anonymous

Fugazi, Ogden Theater, Denver, CO USA 4/5/2001 (FLS #0982) & 4/6/2001 (FLS #0983)

Between April 5 and April 21, 2001, Fugazi embarked on their “Four Corners” tour of the United States to kick off the 2001 tour itinerary with 15 shows in as many as 10 states (Colorado, New Mexico, Texas, Arizona, Utah, Wyoming, Nebraska, Missouri, Indiana and Pennsylvania), their longest string of shows in 2001 and about half of their total amount of gigs that year (32 shows).

The Ogden Theater in Denver, Colorado turned out to be the first stop of the tour and hosted two shows on consecutive nights. According to an article titled “Ten of Our Favorite Concerts From the Ogden’s 100-Year History” by the Westword Staff (“The independent voice of Denver since 1977”),

“The Ogden was built in 1917, and it was opened as a theater in 1919 by John Thompson, who also ran what is now called the Bluebird Theater. Originally home to organ recitals, lectures and vaudeville acts, including Harry Houdini, the space became a movie theater in 1937. In the early ’90s, Doug Kauffman of Nobody in Particular Presents turned the Ogden back into a music venue. In 2006, NIPP leased the venue to AEG Live, and the Ogden has continued to be one of Denver’s most vibrant concert halls, with everyone leaving a mark on its stage, from just-breaking-big bands to fan-favorite nostalgia acts and singular one-offs from musical icons.”

Being back in Denver sparks memories for the band, as Guy reminisces, “it’s been a very long time since we’ve been to Denver, does anybody remember, not the last time when we played the Fillmore [formerly the Mammoth Events Center] but a few times back when we played here and we had this idea that we were gonna have a can drive, a food drive, remember that, I think it was like four or five bucks and then a can of food and then we were gonna distribute the food to people, but then it turned into this big riot and all the kids in the street started throwing the cans at windows, do you remember this, it was seriously fucking nuts, just a pleasant memory from the scrapbook for you all.”

I spent some time with the recordings of both Fugazi gigs at the Ogden Theater these last couple of weeks, and enjoy these a whole damn lot. The band hadn’t performed live since concluding their Scandinavian run some 6 months earlier, on October 10, 2000 and while both performances surely include a handful of shaky transitions and the occasional missed chord or hiccup, the band’s musicianship, work ethic and ardor come out on top. As such, both recordings essentially portray a band that found its bearings rapidly, came out swinging and had the welcoming audience eating out of its hand.

The recording of the first night includes a total of 28 songs, taken off of The Argument (6) (at the time not yet released), Furniture EP (1) (at the time not yet released), End Hits (5), Red Medicine (2), In on the Kill Taker (6), Steady Diet of Nothing (2), Repeater (3), Margin Walker EP (1) and 7 Songs EP (2). This includes some rare live renderings for 2001 such as Full Disclosure, Give Me The Cure or Cassavetes.

Some of my highlights here are Sieve-Fisted Find, Cashout (considering Ian very often introduced this one, it is clear he takes the subject to heart, “we came into Denver yesterday and as we drove around we saw one million housing projects like people building condominiums, condominiums, condominiums, town houses, town houses, town houses, and, you know in Washington D.C. it’s the same thing, it’s like everywhere you look there’s houses being built, houses being built, prices are going up so this is a song about where exactly people are supposed to live at this fucking point”), the live debut of The Kill (Guy’s eerie guitar play sounds fantastic while Joe is still coming into his own on this one, “we’re trying something new, I haven’t got it down totally, give me a break”), Last Chance For a Slow Dance, Arpeggiator (with Jerry Busher on second drums), Blueprint, another dubby version of Promises (reverb on the snare, distortion on the vocals and a thunderous thump on the kick drum) or Sweet and Low (the reverb on the guitars is just mesmerizing).

The recording of the second night showcases another 27 songs, taken off of The Argument (4) (unreleased at the time), Furniture EP (1) (unreleased at the time), End Hits (6), Red Medicine (4), In on the Kill Taker (4), Steady Diet of Nothing (1), Repeater (2), 3 Songs 7” (1), Margin Walker EP (1) and 7 Songs EP (3). This includes a bunch of rare live performances for that year, such as Turnover, Stacks, Suggestion (the band has to start over after Ian singles out and addresses a couple of guys for fighting), Break-In, Bad Mouth, Instrument, Walken’s Syndrome or Forensic Scene.

Overall, this one has the better flow and more exceptional set list in my opinion. Still, some personal highlights include the fast-paced, flawless opening string of songs up until the first interlude, Turnover, Burning (with additional percussion by Jerry Busher), Argument into Blueprint into Instrument closing out the main set, Strangelight, a dub-injected version of Target (which has the audience participating in some double time hand-clapping) or Forensic Scene.

There is some fun banter by Guy as well, leading into Oh, “while we were driving out, we drove straight to Denver from D.C., it’s the first place we’re playing, on the way out, these guys were listening to the radio in the van, and there’s this show on NPR called ‘Money Talk’, are you familiar with this show, they started using a fragment of one of the songs we played a while back [plays the ‘Morse’ intro notes to Facet Squared], that’s like the theme song to ‘Money Talk’ now, and ever since they’ve been using this without our permission, the economy has been in a tailspin, the show about the markets uses a Fugazi song, the economy crumbles, let’s hope they play a few more of our songs on the radio.”

Footage of the second night at the Ogden Theater, shot up-close from the audience, is available through YouTube.

The sound quality of both recordings is easily really good and highly enjoyable, the vocals and instruments clear and well balanced in the mix, the guitars laid out nicely in stereo, even though the volume levels are slightly wavering occasionally, particularly during the louder parts. There are some marginal cuts between tracks on both nights, but nothing disruptive.

The set lists:

April 5, 2001:

1. Intro 2. Ex-Spectator 3. Sieve-Fisted Find 4. Reclamation 5. Interlude 1 6. Full Disclosure 7. Long Division 8. Rend It 9. Interlude 2 10. Cashout 11. Smallpox Champion 12. Merchandise 13. Interlude 3 14. The Kill 15. Last Chance For a Slow Dance 16. Closed Captioned 17. Arpeggiator 18. Nightshop 19. Bed For The Scraping 20. Give Me The Cure 21. Waiting Room 22. Public Witness Program 23. Argument 24. Blueprint 25. Encore 1 26. Break 27. Number 5 28. Oh 29. Promises 30. Encore 2 31. Target 32. Five Corporations 33. Cassavetes 34. Sweet and Low 35. Outro

April 6, 2001:

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