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Cuando ya no sabes si leer a tantos autores pesimistas te ha causando una depresión o si buscas a autores pesimistas porque estás deprimido

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Ideas Drawn
Andreas Weininger
This is ‘Ball Theater’ Weininger concept, closer to mechanical synthesis of Gestalt in response to the problems arising on the future theather.
“Das kugeltheater von Andreas Weininger. Eine antwort auf die frage des raumtheaters, problem des zukünftigen theaters. - die raumbühne, das raumtheater als der ort des mechanischen schauspiels. die bewegung ausgangspunkt aller primären mittel, wie raum, körper, fläche, linie, punkt; farbe, licht; ton, geräusch; zu einer mechanischen synthese gestaltet (im gegensatz zur statischen synthese in der architektur)”
image. Axonometric. Andreas Weininger. Bauhaus 1-3 1927, 2
A nice #weissbeer for day 2 of #beeradventcalendar from @aldiaustralia and special guest reviewer bandit #weininger #thebeermatesnetwork (at Googong) https://www.instagram.com/p/CW-XUCCJvE8/?utm_medium=tumblr
As an ornament the arc of the circle can be beautiful: this does not signify the perfect completion which no longer lends itself to criticism, like the snake of Midgard that encircles the world. In the arc there is still an element of incompletion that needs to be and is capable of being fulfilled - it can still be anticipated. For this reason the ring too is always the symbol of something non-moral or anti-moral.
Otto Weininger
@acapivaradeucria @wieningerbrasil @yeasteria #weininger #yeasteria #beer #cerveja #sabado #acapivaradeucria #bebendocomacapivara (em Yeasteria - Ponto Cervejeiro)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Andor Weininger (Austrian-American, 1899-1986)
Design for “Skittle Brothers,” 1924
Pencil, watercolour and ink on squared paper, 21.5 × 29 cm
« La beauté féminine n’est certes que la moralité devenue visible, mais cette moralité est celle de l’homme, qui en a transposé la perfection dans la figure de la femme »
Otto Weininger, Sexe et Caractère (1903)