The Making of “Hello, My Question Is...”
First assignment for Comm Design Studies done and dusted. The “Hello, my question is…” proved to be extremely enjoyable, to the point where I forgot it was even work. The scope of the task was to ask an open ended question about design, where I chose to ask “is design ever original?”, as I had been thinking about how ‘new’ designs today are never really new; every design is inspired by other things, meaning that perhaps there are never fully original designs. Concepts and styles are just recycled and reused in different ways. With this question in mind, we had to write it out using objects that had some relation to the content of the question. I chose to use the materials of pencil shavings, eraser shavings, scrunched up paper and pencil lead shavings. Such materials were used as they allude to the concept of starting over and redoing - people sharpening pencils to re-write, people rubbing out things to start over, people scrunching up paper to start work again.
I began by creating my background of scrunched and teared up paper. I thought that as well as relating to my concept, it would add interesting texture, though in a subtle way as it still remained white. The paper kept popping up and moving around, so I taped it down onto my desk. As I wanted my poster to maintain a consistent colour palette of cool colours, I coloured these colours on a scrap piece of paper and then rubbed them out using an eraser, causing the eraser shavings to be dyed with these colours. It was strange keeping all of my eraser shavings and pencil shavings, when usually I would throw them out.
Once I had collated all my materials, I began to assemble them on my page. This was much more difficult than I had anticipated. I didn’t realise just how delicate and flimsy the eraser shavings would be, as well as how hard they were to manipulate into specific shapes. They kept breaking in my hand or blowing away, so I fixed this by using my eyebrow tweezers to place them down. This allowed for a much more tight and accurate grip. A lot of patience was required, as I needed to be very focused and gentle with my work, otherwise it would move around very easily. It was also interesting having to think outside the box of how to compose my type letters, experimenting with different ways to lay them out in a way that would be different to how you would usually think to lay them out. An interesting moment was when a pencil shaving happened to perfectly form the letter “a”, relating to the notion that designs are often made from mistakes or coincidences.
Making the pencil lead background for the word “design” was also challenging. Firstly, it took a lot more lead shavings than expected to create an optimal dense background. Secondly, the shavings were so light in weight that when I gently blew on them to try and spread them out, they ended up all blowing away. Hence, I had to close my window to minimise wind and be very gentle. To carve the word “design” into it, I used a cotton tip which worked very well, as it had good grip with the paper.
Overall, I am very happy with how my poster turned out. At the beginning I was ready to give up because the materials were much too delicate, but I am glad I persevered and finished the composition. It just had to take problem solving and experimentation by changing the way I was working (e.g. using tweezers instead of my hands, closing my window, taping paper onto my desk), as well as patience. Being quarantined also forced me to have to use materials I already had at home, and little did I know that materials I always have in my pencil case could make such an interesting design. This helped me learn that the most mundane objects can be beautiful if you look at them in the right way, and that you don’t need professional equipment to design, rather just passion and creativity.