An American Werewolf In London is a film that gets lumped in with other monster movies, but to me is the best Werewolf movie ever made. It’s protagonist is loveable and sympathetic, the love interest is empowered and dynamic, the effects are terrifying, the script is deceptively simple yet deft and eloquent. I don’t know why this film doesn’t get talked about more. #watchmorehorror https://www.instagram.com/p/B07H70XhnTA/?igshid=kuo4f3h85zkc

28 Weeks Later is beautifully shot and horrifying experience. I want to say it’s the best zombie movie ever made, but I think I liked the first one more, and I still haven’t seen either Dawn Of the Dead. #watchmorehorror

Baffling, yet chilling: The Wailing provides a haunting look at the demonic possession tale through a traditional Korean lense. It’s a shame the protagonist is bumbling and unlikeable- otherwise it’s a captivating film. #watchmorehorror (at East Rock)

“The House On Haunted Hill” still lives up to its title as an absurd Halloween Joyride. Though the acting and effects have not aged very well (were they even intended to?)The story remains a horror classic, codifying trope after beloved trope #watchmorehorror (at East Rock)

Never before has a film triggered as much social anxiety in me as “Killing of a Sacred Deer.” Every piece of dialogue is either completely out of sync with the circumstances, or delivered in a terrifying deadpan. The story is indescribable yet chilling, though the ending gets a bit too stuck in the weirdness to be fully satisfying. #killingofasacreddeer #horror #watchmorehorror (at East Rock)

Though “It Comes At Night” has some great moments, the overall story fails to reach the potential promised by those moments. An ending so senseless (perhaps intentionally so) as this one would have been more powerful, if we hadn’t seen it before a million times. #itcomesatnight #watchmorehorror (at New Haven, Connecticut)