#warren kanders

Kanders stepped down as vice chairman of the Whitney in July 2019 following a vocal activist campaign protesting his Florida-based company, Safariland, for its sales of tear gas to law enforcement agencies in the US and Israel.

In his resignation letter, the well-known art collector and philanthropist said that the “campaign of attacks against me and my company that has been waged these past several months has threatened to undermine the important work of the Whitney. I joined this board to help the museum prosper. I do not wish to play a role, however inadvertent, in its demise.”

According to Sher, the individuals and groups that demanded Kanders’ resignation were “at the nexus of  widespread antisemitic, anti-capitalist and terrorism-connected movements.” Sher identified Amin Hussein — a Palestinian-American activist who founded the radical organization Decolonize This Place (DTP) — as the “chief agitator and ringleader” of the protests against Kanders.

"These people seek to appease their guilt with gifts of blood money and donations of works of art to the Museum of Modern Art."

If you've never read Guerrilla Art Action Group's "Call for the Immediate Resignation of all of the Rockefellers from the Board of Trustees of the Museum of Modern Art," here it is. It's a classic and an important precedent for what is happening at the Whitney, yet GAAG's example is too rarely cited. It's so meaningful to me that I actually threw down and bought an original copy of the text this past year. This is a scan of that.

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Decolonize This Place Plans Action at the Whitney Opposing Tear Gas Manufacturer on Museum Board

(all images courtesy of Decolonize This Place)

This Sunday, December 9, activist coalition Decolonize This Place will lead an action at the Whitney Museum of American Art in response to news that one of the museum’s vice chairmen, Warren Kanders, is the owner of defense corporation Safariland. The corporation was revealed as the manufacturer providing tear gas to US Customs and Border Protection officers deploying tear gas on asylum seekers at the US–Mexico border on November 25.

Decolonize This Place and other New York City activist coalitions will gather at the Whitney in solidarity with the near 100 museum employees who penned a letter to the museum’s administration addressing their distress, providing a set of demands to the museum requesting “the development and distribution of a clear policy around Trustee participation.” The action is being organized autonomous from, but in solidarity with the Whitney staffers.

Activists at Standing Rock

Artists involved with Decolonize This Place have crafted a set of protest art riffing off of Warhol’s Death and Disaster series — prints appropriating images of violent catastrophes and tragic accidents. (On November 27, Hyperallergic reported that Kanders is a “significant contributor” in the popular Andy Warhol exhibition at the Whitney, From A to B and Back Again.) Rather than Warhol’s iterations of Jackie O after the assassination of JFK, they appropriated photographs of Safariland’s tear gas canisters and images of activists barraged by smoke at Standing Rock.

On December 3, Adam Weinberg, the Alice Pratt Brown Director of the Whitney Museum of American Art, released a statement addressed to museum staff and trustees, writing, “Even as we are idealistic and missionary in our belief in artists — as established by our founder Gertrude Vanderbilt Whitney — the Whitney is first and foremost a museum. It cannot right all the ills of an unjust world, nor is that its role. Yet, I contend that the Whitney has a critical and urgent part to play in making sure that unheard and unwanted voices are recognized.”

 In response, Decolonize This Place detailed their disappointment in the museum’s reaction on the action’s Facebook event, writing:

“We commend the efforts of the Whitney staff, and recognize the courage displayed and the risk they have taken in organizing and speaking out. This Sunday, we will assemble with our friends, families, and communities to make it known that as broad public stakeholders in the Whitney, we too refuse to tolerate the presence of Kanders on the board of the museum. Many of us, our families, and our communities here and abroad have been on the receiving end of the products made and marketed by Safariland and its numerous subsidiaries like Defense Technology. We consider Weinberg’s apparent decision to stand with Kanders a line in the sand. That line is unacceptable to us, and now the entire institution of the Whitney faces a broad crisis of legitimacy.

Weinberg celebrates the museum as a ‘safe space for unsafe ideas.’ Yet by standing with Kanders and Safariland, he affirms that the museum is a safe space for those profiteering from state repression, settler colonialism, white supremacy, and anti-black violence. These are the forces that create systematic unsafety and perpetuate death in the very communities the museum claims to serve, communities to which many staff at the Whitney belong … We have a responsibility to hold all of our institutions accountable, including the Whitney Museum. After much deliberation, reach outs, and consultation with collaborators, we are putting out this City-Wide Call. This is the beginning. See you in front of the Whitney Museum.”

“Riot Control” canisters developed by Safariland Safariland tear gas found at the border Safariland tear gas found at the border alongside an image of Whitney director Adam Weinberg

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