#warderobe

Madame de Warderobe knows all. (Who he lookin’ at tho? 👀)

Typographic Capsule Library 

Blog Post #4

I personalized my typographic library and have chosen the fonts that I like best and that I think are the easy to combine:

Serif All so equal and yet so different, I mostly use serif fonts for body texts at short distances, they must be clear and legible despite their serifs: All 3 are therefore well suited, the "Bodoni 72" is one of my favourite fonts, although you usually have to core it a little tighter because it has a wide width by nature. 

Sans Serif In addition to the Azo Sans lettering, which simply always and for every use fits, the "Champagne & Limousine has a totally personal touch" even rounder hallmarks than the Azo and therefore very feminine and noble. The Futura then rather for the more serious and classic case, yet stylish and precise.

Slab Serif At first I wasn't even sure what Slap Serif was anymore. Then I wondered if I would use it at all and in fact I use it very rarely, but there are these 3 I prefer. In my eyes relatively similar but strong in character. strong characters are harder to adapt, but if they are, they work exceptionally well.

Handwriting Handwriting typefaces are almost always part of my design taste. It always adds that certain something to anything straightforward. Especially, but rarely applicable: "Gloss Drop". It looks like written from a fountain pen, illustrated, but not too kitschy. Easier to mix for example with the Azo Sans, is the Gatreaux or Advertising script. Whereby one can again recognize the range of handwriting scripts. One in a neat handwriting, the next rather wild, like a signature, but I think both can be applied well.