#walkingdistance

【只是騎個車怎麼就到基隆的海了！！】 "Fede" represents courage. 費德馱著胖胖的身軀，拚盡一身力氣也想要踏上通往旅行的路上 於是他到了海，明明只是下午，但他卻想過了日落等日出，用他手中的老相機，拍下或不去拍下那個美麗瞬間 / 海風總是讓人黏 黏住了回憶的吉光片羽 將時間拉回到基隆替代役的當下 那時還可以偷得浮生半日閒 閒暇時走逛基隆的某個角落 看港看海看燈看船看霞看人 / 海風總是讓人鹹 嫌雨都雨多，是我不解風情 或許心裡不正積極想做些什麼的時候 雨才會是浪漫的圓舞曲 滴滴答答 嘩啦嘩啦 大珠小珠落玉盤 / 費德給了我一股莫名的動力 然後說走就走到基隆 看海 是唯一出發的理由 #igertaiwan #iseetaiwan #taiwan #keelung #instakeelung #love #instagood #sea #colorful #blue #fede #費德 #walkingdistance #view_taiwan #canon #photography （在 基隆潮境公園）

Perhaps the GREATEST episode of THE TWILIGHT ZONE airs tonight on ME-TV at 12:35am EST: "WALKING DISTANCE" (written by Rod Serling, directed by Robert Stevens, originally broadcast October 30, 1959) If time travel was a cornerstone of The Twilight Zone, a strong case can be made for his first-season “Walking Distance” being not only the best time-travel episode of the series, but the best episode of The Twilight Zone, period. Everything about it is literally note-perfect: Gig Young’s sensitive performance for the ages as Serling’s stand-in, a thirtysomething ad man burned out from years in the Madison Avenue rat race, looking for some kind of respite and finding it in a literal return to his childhood home (”Homewood”), photographed for posterity by Twilight Zone Director of Photography George T. Clemens in a series of arresting, character-revealing close-ups; Serling’s beautifully-worded script, full of an aching, nostalgic longing for his own childhood... “I had been living in a dead run, and one day I knew I had to come back here. I had to come back and get on a merry-go-round and eat cotton candy and listen to band concerts. I had to stop and breathe and close my eyes and smell and listen.” ...the subtle direction by Robert Stevens (whose only other Twilight Zone episode was the equally-brilliant pilot, “Where is Everybody?”), featuring a special effects-free through-the-looking-glass entry back in time, and an incredibly stylized carousel climax (even better than Hitchcock's in Strangers on a Train); and finally, Bernard Herrmann’s truly haunting and evocative score, a wistful whine of strings that underscores all the yearning and melancholy associated with the futile quest to recapture youth. “Walking Distance” has subsequently become the benchmark against which all such time-travel episodes, TV shows and films—The Time Machine, Somewhere in Time, Back to the Future, Big, Peggy Sue Gets Married, The Time Traveler’s Wife, Midnight in Paris—are measured. But never bettered. arlenschumer.com/twilight-zone #rodserling #twilightzone #thetwilightzone #walkingdistance #arlenschumer @dgareps @adamschumer @nyadventureclub @richardsyrettstrangeplanet https://www.instagram.com/p/CofN0PMrLXb/?igshid=NGJjMDIxMWI=

Walking Distance (2015) ★★★★★★★★☆☆

Walking Distance (2015) ★★★★★★★★★☆

THE CITIZEN KANE OF TELEVISION airs tonight on ME-TV at 12:35am EST: "WALKING DISTANCE" (written by Rod Serling, directed by Robert Stevens, originally broadcast October 30, 1959) If time travel was a cornerstone of The Twilight Zone, a dimension creator Serling described as “timeless as infinity,” a strong case can be made for his first-season “Walking Distance” being not only the best time-travel episode of the series, but the best episode of The Twilight Zone, period. Everything about it is literally note-perfect: Gig Young’s sensitive performance for the ages as Serling’s stand-in, a thirtysomething ad man burned out from years in the Madison Avenue rat race, looking for some kind of respite and finding it in a literal return to his childhood home (”Homewood”), photographed for posterity by Twilight Zone Director of Photography George T. Clemens in a series of arresting, character-revealing close-ups; Serling’s beautifully-worded script, full of an aching, nostalgic longing for his own childhood... “I had been living in a dead run, and one day I knew I had to come back here. I had to come back and get on a merry-go-round and eat cotton candy and listen to band concerts. I had to stop and breathe and close my eyes and smell and listen.” ...the subtle direction by Robert Stevens (whose only other Twilight Zone episode was the equally-brilliant pilot, “Where is Everybody?”), featuring a special effects-free through-the-looking-glass entry back in time, and an incredibly stylized carousel climax (even better than Hitchcock's in Strangers on a Train); and finally, Bernard Herrmann’s truly haunting and evocative score, a wistful whine of strings that underscores all the yearning and melancholy associated with the futile quest to recapture youth. “Walking Distance” has subsequently become the benchmark against which all such time-travel episodes, TV shows and films—The Time Machine, Somewhere in Time, Back to the Future, Big, Peggy Sue Gets Married, The Time Traveler’s Wife, Midnight in Paris—are measured. But never bettered. #rodserling #twilightzone #thetwilightzone #walkingdistance #tv #television #tvhistory #televisionhistory @dgareps @dbbushman https://www.instagram.com/p/Ciczmi1L9ij/?igshid=NGJjMDIxMWI=

THE CITIZEN KANE OF TELEVISION airs tonight at 12:30am EST on ME-TV: "WALKING DISTANCE," the 5th episode of Rod Serling's Twilight Zone, originally broadcast on October 30, 1959. If time travel was a cornerstone of The Twilight Zone, a dimension creator Serling described as “timeless as infinity,” a strong case can be made for his first-season “Walking Distance” being not only the best time-travel episode of the series, but the best episode of The Twilight Zone, period. Everything about it is literally note-perfect: Gig Young’s sensitive performance for the ages as Serling’s stand-in, a thirtysomething ad man burned out from years in the Madison Avenue rat race, looking for some kind of respite and finding it in a literal return to his childhood home (”Homewood”), photographed for posterity by Twilight Zone Director of Photography George T. Clemens in a series of arresting, character-revealing close-ups; Serling’s beautifully-worded script, full of an aching, nostalgic longing for his own childhood... “I had been living in a dead run, and one day I knew I had to come back here. I had to come back and get on a merry-go-round and eat cotton candy and listen to band concerts. I had to stop and breathe and close my eyes and smell and listen” ...the subtle direction by Robert Stevens (whose only other Twilight Zone episode was the equally-brilliant pilot, “Where is Everybody?”), featuring a special effects-free through-the-looking-glass entry back in time, and an incredibly stylized carousel climax (even better than Hitchcock's in Strangers on a Train); and finally, Bernard Herrmann’s truly haunting and evocative score, a wistful whine of strings that underscores all the yearning and melancholy associated with the futile quest to recapture youth. “Walking Distance” has subsequently become the benchmark against which all such time-travel episodes, TV shows and films—The Time Machine, Somewhere in Time, Back to the Future, Big, Peggy Sue Gets Married, The Time Traveler’s Wife, Midnight in Paris—are measured. But never bettered. #rodserling #twilightzone #thetwilightzone #arlenschumer #walkingdistance @dgareps @marckarzen @richard_syrett @dbbushman https://www.instagram.com/p/CcLegCEL9ml/?igshid=NGJjMDIxMWI=

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I have lots of #bluebells in my garden, still, went for a Bluebell Walk. The wood is walking distance from my house. #bluebellwalk #walkingdistance #wood みんなが行っている #ブルーベルウォーク に、負けじと行ってみました。 自宅から歩ける範囲に、こんな #森 があったとは！ 写真では感動は伝わりにくいですが。 どっちを見ても #ブルーベル だらけで、半ば遭難しかけました。 #シカ も見ました。 (at Thrift Wood - Ockwells Park) https://www.instagram.com/p/COXkfasr7_b/?igshid=9y0of5f6mna3