Today we bid a fond farewell to Special Collections Project Cataloger, Jennifer Dunlap, as she embarks on a new adventure at the Houghton Library at Harvard University. We wish her well! Jenniferâs parting gift to us (and you!) is a highlight of some of her favorite items here at the UChicago Special Collections Research Center.Â
1. Duns Scotusâ Ordinatio I. [Venice] : [Johannes Herbort, de Seligenstadt, for Johannes de Colonia, Nicolaus Jenson et Socii], [1481]. This volume contains the first part of Duns Scotusâ Ordinatio or Quaestiones in quattuor libros Sententiarum (commentary on the Sentences of Peter Lombard). This volume is perhaps the most interesting binding of all the SCRC incunabula featuring blind tooled pigskin over wooden boards with brass âfurnitureâ (metal attachments on the cover, usually to protect the binding), catches, and clasps. (Incun 1481.D9 Rare c.1)Â
2. Boethius. Boetius De philosophico consolatu ⌠[Strassburg] : [Johann GrĂźniger], [1501]. Aside from the wonderful hand-colored woodcut illustrations, SCRCâs copy is full of provenance information including annotations, manicules, former ownerâs inscriptions, and a few manuscript poems. (alc B659.D2 1501 Rare)
3. Barentsz, Willem. Deliniatio cartae trium navigationum per Batavos, ad Septentrionaelm plagam, Norvegiae, Moscoviae, et Nova Semblae ⌠[Amsterdam] : [Cornelius Nicolai], [1598]. This map was produced to highlight the three expeditions undertaken by Dutch explorer and cartographer Willem Barentsz (c.1550-1597) between 1594 and 1597 in search of a Northeast Passage. It depicts he Arctic regions including Greenland, Iceland, northern Scandinavia, and northern Russia, as well as the routes that Barentszâ ships took, not to mention numerous map monsters. (alc ff G3270 1598.B3)
4. Tennyson, Alfred. The ode by Alfred Tennyson on the opening of the Exhibition, 1862. [Coventry] : [Charles Newsome], [1862]. Part of the Gerald N. Wachs Collection of Nineteenth-Century English Poetry, this silk souvenir ribbon from the 1862 International Exhibition features Tennysonâs Ode on the opening of the Exhibition and a woven image of the Crystal Palace, where the exhibition was held. Tennyson was asked to write a piece which would be set to music by composer William Sterndale Bennett and performed at the opening of the Exhibition. The ribbon was designed by Edwin Rollason and produced by ribbon manufacturer Charles Newsome of Coventry. Newsomeâs intertwined monogram appears at the top of the design in gold and cream. (ff PR5568.O15 1862)
5. Apian, Peter. Astronomicum Caesareum. [Ingolstadt] : [Peter Apian], [May 1540]. Another beautiful hand-colored 16th century imprint, this edition includes 22 volvelles, several of which feature the striking dragon design seen on the title page. SCRCâs copy is inscribed by Tycho Brahe to mathematician and astronomer Paul Wittich. (alc ff QB41.A639 1540 Rare)
6. Gart der Gesundheit. [Augsburg] : [Johann SchĂśnsperger], [5 June 1486]. This German herbal printed in 1486 includes a wonderful example of a printerâs error, that of fallen type, near the end of the text. Fallen type occurs when a piece of type gets snagged on the leather covering of the ink balls while one of the pressmen is inking the form, gets pulled out of its place in the form, and ends up getting imprinted long-wise onto the page. These errors are fairly infrequent as the error would typically be noticed when the paper was removed from the press and the printer would return the fallen type to its place in the form and continue on with the job. (Incun 1486.G17 RareCr)
7. Dante Alighieri. [Divina commedia]. [Venice] : [Bartolomeo de Zanni de Portesio], [17 June 1507]. This copy of the 1507 printing of Danteâs Divine comedy has been heavily censored, probably in accordance with "Index librorum prohibitorum et expurgatorum ... D. Sandoval ex Roxas" of 1612, with the questionable sections of the text completely crossed out with wide vertical stripes of ink. (PQ4302.B07)