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Hundreds Die by Own Hand from the series Personal Articles, Vik Muniz, 2000, MoMA: Drawings and Prints
Frances Keech Fund Size: Composition (irreg.): 12 1/16 x 4 1/2" (30.7 x 11.4 cm) Sheet (irreg.): 12 1/16 x 4 1/2" (30.7 x 11.4 cm) Mat: 20 x 16" (50.8 x 40.6 cm) Medium: Photolithograph
http://www.moma.org/collection/works/76472
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[Untitled] (Spaghetti Medusa) (Medusa Marinara), Vik Muniz, 1999, Brooklyn Museum: Contemporary Art
After the head of Medusa from Caravaggio's painting of the snake-haired Gorgon from Greek mythology, "Medusa" painted in ca. 1597 Size: 12 1/2 in. (31.8 cm) Medium: Hard-paste porcelain with enamel
https://www.brooklynmuseum.org/opencollection/objects/219188
Today we celebrate Wear Red Day in support of the American Heart Association’s Go Red for Women campaign, an initiative aimed to eliminate heart disease and stroke in women throughout the world through research and education. Join this woman in Vik Muniz’s “Perfect Strangers” (2017) at Second Avenue-72nd Street (Q) in wearing red today!
Sophia Loren / Diamond Divas series by Vik Muniz #sophialoren #vikmuniz #artist #diamonds #contemporary #art #bnw #diva #italian #portrait #modernizor #inspiration #icon #posing #precious #cinema #legendary #now #shine #arte
#VikMuniz @#SikkemaJenkins & Co. Gallery #NYC #arte #art #cultureisfreedom #artisfreedom #curiositykilledtheblogger #artblogging #photooftheday #picoftheday #bestphoto #amazing #bestshot #igersoftheday #instacool #instaart #instadaily #bestoftheday #contemporaryart #artecontemporanea
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Artist of the Day
Vik Muniz
Postcards from Nowhere: Forbidden City, 2014 From the series Postcards from Nowhere Digital c-print 40 × 57 in
Photographer and mixed-media artist Vik Muniz is best known for repurposing everyday materials for intricate and heavily layered recreations of canonical artworks. Muniz works in a range of media, from trash to peanut butter and jelly, the latter used to recreate Andy Warhol’s famous Double Mona Lisa (1963) that was in turn an appropriation of Da Vinci’s original. Layered appropriation is a consistent theme in Muniz’s work: in 2008, he undertook a large-scale project in Brazil, photographing trash-pickers as figures from emblematic paintings, such as Jacques-Louis David’s Neoclassical Death of Marat, and then recreating the photographs in large-scale arrangements of trash. The project was documented in the 2010 film Waste Land in an attempt to raise awareness for urban poverty. Muniz explained the work as a “step away from the realm of fine art,” wanting instead to “change the lives of people with the same materials they deal with every day.” courtesy of artsy.net
Vik Muniz / 20th Century Fox, after Ed Ruscha (From Pictures of Cars), 2008
c-print, 91.4 x 187.3 cm (edition of 8)
"Hey If You're So Damn Smart, Why Can't You Ever Get a Date?" from the series Personal Articles, Vik Muniz, 2000, MoMA: Drawings and Prints
Frances Keech Fund Size: Composition (irreg.): 12 1/8 x 5 1/4" (30.8 x 13.3 cm) Sheet (irreg.): 12 1/8 x 5 1/4" (30.8 x 13.3 cm) Mat: 20 x 16" (50.8 x 40.6 cm) Medium: Photolithograph
http://www.moma.org/collection/works/76471
