What memories would your muse be shown if they were in the presence of a Dementor, and what physical reaction would they have?
Her motherâs death. It was one of the darkest chapters of her life, and itâs the one she can envision best ----- Harryâs death is, of course, more recent and more raw and painful, I think, but she doesnât have a memory as painful as the one of seeing her mother dying. That memory was a trauma for a long time and itâs still not entirely resolved because, well, she wasnât given the tools to heal herself. She was a child when it happened and her father didnât offer the right support, and no one else gave it to her either ----- she found her ways of dealing with the trauma, but they werenât perfect. And how do you deal with that, when youâre nine years old, and you watched your mother die in a gruesome way? Is there even a good way, when it in itself is so bad?Â
The memory is a sore spot. A bruise on Lunaâs life thatâs not yet faded, that continues to hurt when pressed, an ache she forgets thatâs there until something bumps against it and reminds her of what she lost. The memory is still scary and painful and harsh and gruesome. She prefers to ignore its existence.
I donât think Luna would feint --- I think she would go pale and quiet and turn into herself, the way she did as a child. Thatâs what feels safest. Zone out, shut out the world, and move around on copilot.
Is your muse capable of casting a corporeal Patronus? And if so, what form does it take and what memories does your muse use to cast it?
Luna is capable of casting a corporeal Patronus! It takes the form of the hare. Hares are from a young age quite independent and Luna learned to be that as well. In East Asian culture, hares and rabbits are affiliated with the moon, which fits her perfectly, as her name means moon, too. Hares are swift and shy and solitary creatures --- I think that fits Luna well. Sheâs not shy, per se, but sheâs not outgoing either. Sheâs solitary in a way that she is good at being alone and fending for herself ( though this has definitely changed since she married & had the twins ). I think Luna is swift in her thinking.
Memory-wise, Luna thinks of her friends and family. Easy. Those are the things that give her most joy in life, the things that make her feel grounded and accepted and loved and --- thatâs what it all comes down to, I think. She thinks of her marriage day and watching the twins grow up and nights spend with her friends and so much more.
What would your muse see if they gazed into the Mirror of Erised?
Right now? Harry. Luna is quite content in life, I think, and doesnât wish for much --- sheâs not a materialistic person, and has a stellar family and career. But Harry, Harry is gone and itâs like a piece was ripped from her life, and thereâs no way she can twist and turn that reality and make it better.
Itâs just horrific. It just hurts. Itâs plain and simple. Death is a mystery, and Luna lives and breathes mysteries, but this is one she doesnât want to discover.
She just wants Harry back.
She wants Harry back, not just for herself, but for his children most of all, and for Ginny, and for the rest of his family. She wants Harry back because itâs right, because it was wrong that he died ----- and thatâs not to say that itâs ever right when people die, because thereâs no fairness in death, but Harry is Harry and Harry is one of her first ever friends and sheâs familiar with grief, but NOTÂ like this. She wants Harry back. Itâs simple. And maybe itâs selfish, because other people have died and other people are going to die but ---- Luna is human. She aches. She longs. She cannot stand to see his children broken and the world around her ripped from out under her.
So when she looks into that mirror, itâs Harry on her side, and heâs laughing and healthy and the world is still wrong, but at least thatâs still right.