#uoplay

Walk, run or jump! Your videos will never be shaky or blurry now. Because you can now attach your smartphone or GoPro to Uoplay handheld gimbal from Gimbalmart.

Our gimbals are assembled at Foxconn, the company that assembles IPhone, which provides a flawless output while shooting a video. A hassle free experience in capturing professional videos. 

Uoplay is an iphone gopro gimabal, it can either be used with iPhone or a GoPro, is extremely simple to use, packed with lots of latest features: precision brushless motors, ultra-sensitive gyros, wireless remote controller for distant shots, quick Bluetooth connectivity, very lightweight and portable, fits with any smartphone or GoPro, delivers perfect videography experience. 

Your 3D application has two camera types built in: Free and Target. The cameras work nearly identically; there is no fundamental difference in how they view your scene. Both have the exact same controllable settings and both behave the same when their properties are adjusted over time. The difference lies in how they animate. A Target camera is a nontraditional real-world camera, but very traditional in the computer world. A Target camera uses a camera object and target object to determine its POV.

The camera can be moved independent of the target and vice-versa. Target cameras are great for imagery that involves one or more of the following:

A fly-around, fly-by, or fly-over, A tracking shot, A still Target cameras have their problems, though. The most common is the gimbal lock or flip-around scenario.

Because the camera always maintains its Z-up axis relative to its target, certain problems occur when passing close to or directly above the target. Most animators call it the whip-lash problem, and it is the telltale sign of a novice animator. Essentially what happens is that the camera whips around the target object as it passes close by-sometimes in only one to two frames, which is completely distracting and unprofessional. Although you ca not eliminate the problem of gimbal lock, you can minimize the chances of encountering it.

If your shot involves a fly-by, maintain a safe distance from the target, especially if the camera is above or below the target. Try to remain or be on the same horizontal plane when the camera's near the target. That way, the camera is not rotating along several axes as it passes by the target, but just one. If you absolutely need the shot from above or below the target, keep your camera slightly left or right of the course so that it pass directly over the target. Otherwise, your camera will rotate 180 degrees in about one or two frames.

The path on the left causes a 180-degree rotation in less than two frames. The right hand figure's path produces a much smoother fly-by because of path's trajectory arcs away from the camera's target as it gets closer. When you truck a target camera, you have to move both the camera and its target. While this is not a hassle if you are moving in one direction, it can become quite a pain when you try to follow a winding path-say moving along a windy road that's hugging the cliffs. Although many seasoned animators deal with this nuisance, your 3D application incorporates another type of camera that eliminates the target: a Free camera.

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