Unit Six Post:Â âLabelsâ Summary
For my special topic in unit six, I chose Wyatt Fleckensteinâs poem âLabels,â which I found on YouTube under the recommended videos section. This represents sexuality, because the whole poem is Fleckensteinâs experience of being queer, namely in terms of dealing with family ignorance (Fleckensteinâs motherâs love despite difference). It also represents unit six, because, as I mentioned in my last post for unit six, slam poetry is a type of pop culture. Fleckenstein doesnât specifically make pop culture references, but understanding this poem as pop culture allows me to analyze it within the terms set up in Gender Stories.
According to Gender Stories, one of the ways to rewrite the binary (out of the three: retell, revise, and rewrite), is through synthesis. In terms of gender, that means a âstrategy [that] allows one body to carry markers  and meanings of both genders simultaneously without privileging eitherâ (Foss, Domenico, Foss 128). While Fleckenstein does represent ambiguous gender roles (âshe bought me menâs dress shirts for my job interviews.â), I would argue that this poem also synthesizes sexuality. When describing sexuality, Fleckenstein uses the term queer, which like gender can be, is âfluid, ambiguous, and multiple within the same personâ (Foss, Domenico, Foss 128). As Fleckenstein says, âShe (the mom) is trying to learn what queer means. I tell her for me, itâs mostly about the people Iâm attracted to, but itâs a complicated identity; I say, donât assume itâs the same for everyone.â This is also similar to how Gender Stories discusses asexuality, though they explain that asexuality opts out of the binary altogether because asexuality includes no desire to have sex and the binary is inherently sexual.
According to Pflag.org, queer is an umbrella term for someone âwho feels somehow outside of the societal norms in regards to gender or sexuality. Relating to Fleckensteinâs poem, it is also a âfluid label as opposed to a solid label, one that only requires us to acknowledge that weâre different without specifying how or in what contextâ (âA Definition of Queerâ). I would argue that this lack of labels--a big point to Fleckensteinâs poem--is a way to rewrite the binary. Thatâs because, for all the oppositions/sides to it, the binary relies on labels and categories. To refuse exact labels is a way to refuse the binary itself. According to Gender Stories, âopenness and flexibility are the only rules for constructing and performing this kind of [sexuality]â (Foss, Domenico, Foss 132). Much like familial interactions, Fleckensteinâs sexuality is portrayed as open and flexible.












