#unexplored plot point

She says that she wishes that he would have Erica put in the ground, and he responds that technically she is. I would call him a smart-ass, but the way he delivers the line doesn’t come across as sarcastic. In fact, at this point on the show, Jean Paul doesn’t seem to have a sense of humor. Jacques is the witty, sarcastic one, and Jean Paul is the serious one with the one-track mind that can only think of Erica. Later on in Desmond Hall, they try to give Jean Paul a sense of humor by having him make a joke every now and then, but it doesn’t work because it goes against his original characterization. Maljardin-era Jean Paul doesn’t joke around and rarely even uses sarcasm.

Despite his humorlessness, he is a joy to look at in this episode. Here he is earlier in the scene with Alison, putting flowers on the capsule and looking just dashing.

Anyway, Jean Paul sends everyone out of the crypt, so that he can have a few moments alone with the capsule. He clasps his hands together as through praying, although whether it’s to the Christian God, the Great Serpent, or himself is unclear because he stays silent.

Back in the great hall, Alison asks Dan and Matt some more about Raxl and Quito’s religious practices and learns that, because their religion considers Christianity heresy, they may refuse to take part in the funeral despite loving Erica. (They attend, anyway, although they do perform their own rites/ritual separately beforehand.)

Alison, the thought of that seems to please you a lot.

Holly comes downstairs and, after a recap conversation with her mother and Tim, goes to see Matt. She starts out by telling him that she’s wary of attending any funerals until her own (because of the quarrel that occurred at her father’s), but then mentions another reason why she doesn’t want to attend and why she couldn’t sleep in the previous episode:

Holly: "Look Reverend, you're going to think this is way off, but last night, I had a very strange nightmare."   Matt: "What about?" Holly: "About me. Like...some kind of a warning."

Raxl, presumably on Holly.

She lights some incense and then a message appears in the writing box where Quito wrote something a moment before. A message from the Serpent about Holly, perhaps?

Holly: "Suddenly, there was this woman, like a priestess, who seemed to be in a temple, she was standing over me with a strange kind of headdress and she looked like my mother." Matt: "Your dreams are beginning to sound like a B-movie. Go on." Holly: "Well, then she said, 'Those who are part of this evil must pay the price.'"

She asks him what the dream means. He declines to answer because he’s not an authority in dream interpretation, but insists that she attend the funeral despite her worries. Because he can’t answer, I shall try to provide one for him based on some of the research that other fans have done on Ian Martin’s original plans for the Maljardin arc.

(WARNING: The YouTube and Maljardin Blog links in the next four paragraphs contain spoilers for later Maljardin episodes.)

For the first nine weeks of Strange Paradise, all episodes were credited to Ian Martin, a veteran actor and soap opera writer who appears to have been quite emotionally invested in the story, as there is evidence that he may have based Erica on his first wife Inge Adams, who also died young. I’ve read a rumor that Krantz Films owner Steve Krantz and his wife Judith (who later became a famous and influential romance novelist) may have ghostwritten some episodes, but there is no evidence to support the presence of any ghostwriters in this period of the show’s history.

Nevertheless, as the Maljardin arc went on, a discrepancy started to appear between the episode summaries in newspapers and the actual content of the episodes that aired starting in Episode 30. Strange Paradise historian Curt Ladnier has written many blog posts on these “lost episodes,” comparing the newspaper listings with the aired episodes and analyzing the changed plot points. Ladnier attributes the changes to executive meddling, requiring Martin to rewrite episode scripts when he was already writing five per week.

One of the most notable changes to these scripts was the omission of a new character named Tarasca, whom the newspaper summary for Episode 42 describes as “a native high priestess in love with Jacques, a French buccaneer.” Because Elizabeth dreamed about being her in the original version of that episode, we can safely assume that the priestess in Holly’s nightmare who resembled her was Tarasca. Also, given that this show mostly uses dream sequences as a means of showing events that happened in the past, we can also infer that, at some point, she sacrificed a young woman who looked identical to Holly, meaning that Martin was most likely planning on writing a 17th-century counterpart for her as well.

Several other early episodes hint at (or appear to hint at) the character of Tarasca and her connection to Elizabeth Marshall, including a cryptic line in Episode 12 where Jacques promises Elizabeth a “change” while she is on Maljardin. For more information and some more speculation about Tarasca’s role and backstory, see this video. I’m a little obsessed with this aborted storyline and have been waiting since October for a chance to discuss it, so, from now on, I’m going to reference it often and provide my own thoughts as to how I think it would have played out.

Erica’s funeral. Why is no one wearing black save for Dan and (obviously) Raxl and Quito? At the very least, Alison should be, because she takes her sister’s funeral more seriously than anyone else.

Jean Paul, I know what you’re thinking, but Reverend Dawson’s not talking about the possibility of Jacques resurrecting her. You really do have a one-track mind.

Jacques: “I do believe Holly needs me to jack her up by the bootstraps.”

Holly’s response to seeing Elizabeth chatting with Jean Paul. Really, Holly? Your mother marrying the richest man in the world *who adores you* is probably the best thing that could possibly happen to you.

After the funeral and a couple boring scenes about Holly’s subplot (there are a lot of references to the stupid Holly portrait in this episode), we see Dan confront Jean Paul about whether the guests can finally leave the island. Even though Jacques re-hired him last episode, he claims to be looking for a new job and he wants to make Alison leave the island with him and return to New York. Before Jean Paul has time to object, Jacques crashes the after-funeral reception, which he treats as a party. Ignoring Dan’s question of whether he and Alison can return to the mainland, he opens up the bar and commences trolling his detained guests:

So not suspicious. ;)

Tim: "With your permission, sir, I would like to propose a toast. To the departed. To Mrs. Desmond!"

Jacques: "Cheers--I mean, thank you."

He also pressures Alison into staying, giving her Dr. Menkin’s lab to use for her research. He then brags to Dan that none of the other guests want to leave and insists that he, too, can if he wants, but he will have to do it himself because it’s too late for Quito to sail him back:

BISSITS!

After the reception, Jacques returns to the crypt and gloats a little to Erica about how he has now imprisoned everyone on Maljardin. The handsome devil once again makes it clear that he doesn’t intend on freeing her and that she, too, is his prisoner. And, of course, he has some pun with it, as one might expect:

Can’t criticize this one, because even Shakespeare made it and I think it’s funny. I like puns, sometimes, just not terrible puns like the “pose” one from last episode.

Not even a detained guest anymore?

I think I just broke my comedy drum set. ;)

Coming up next: Another episode with a flashback to Maljardin in 1689, which means another two-parter. I also have a special essay in the works about the copyright status of Strange Paradise in the United States, which may surprise you. (It certainly surprised me.) Stay tuned for all these posts, as well as the Bad Subtitle Special for Week 4 after the Episode 20 review.