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13 Tzameti (2005)
Gela Babluani
Esse filme é um excelente exemplo de que pra se fazer um bom filme, o principal é ter uma bela idéia. Filmado em preto e branco, que imagino não seja só por estilo, mas por condições orçamentárias, é um filme que começa beeem devagar, mas vale a pena segurar pro que vem depois. Pensando bem, até serve de clima para acompanhar o protagonista ao desconhecido. Nem falo da trama, porque é daqueles filmes que é melhor não saber nada mesmo. Mas é bom, muito bom. Em francês.
Тринадцать / 13 / Tzameti (2005)
Год выпуска: 2005 Страна: Франция Жанр: триллер, драма, криминал Продолжительность: 01:29:19 Режиссер: Гела Баблуани / Géla Babluani В ролях: Георгий Баблуани, Орельен Рекуан, Паскаль Бонгард, Фред Улиссе, Николя Пиньон, Ваня Вилер, Кристоф Вандевельде, Ольга Легран... Читать дальше »
Movies: 13 Tzameti
Contrairement aux apparences, 13 Tzameti réalisé en 2006 par Gela Babluani, est une film bien de chez nous. Un détail qui a son importance car ce n’est vraiment pas le genre de film français que l’on est habitué à voir… 13 Tzameti m’a d’abord intrigué par son nom pas vraiment commun, puis par son synopsis, qui donne franchement envie d’en savoir plus. Jugez par vous même: “Quelque part, dans un…
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13 (Tzameti)
This black and white (and mostly very, very black) French psychological thriller created a huge stir in Cannes and deservedly so. 13 (Tzameti) is written and directed by a young (26-years old) auteur who enters the filmmaking game with the assurance of a Hitchcock or a Kubrick. He straddles a few styles before coming to a truly disturbing nearly-45-minute sequence which emphasizes the blind luck and unspeakable cruelty of life.
Part of the fascination of the movie is that, like its hero, we never know where exactly the story is going until it is way too late to do anything.
Strangely, in the beginning, the film seems so much different than it will become. It seems like a harsh treatise on economical despair -- and in it's own way it stays that course as the film becomes more and more horrifying.
Georges Babluani plays Sebastien, a poor but loving family man who is working hard to help support his mother, brother and sister-in-law in a run down French beach community. Amongst his many odd jobs is working to fix the roof of a quarrelling couple. The man is a numbed drug addict. The wife a beautiful but nagging harpy.
While working around the house, Sebastien overhears enough to figure out that the man has taken on some mysterious job which is extremely prosperous and yet still seems to terrify the man. When he dies of an overdose (we never really know if it is accidental or not) and the wife cannot pay for the work Sebastien has done, the worker decides to take an envelope which has a train ticket to Paris and a registration for a hotel room.
Sebastien takes the trip and the junkie's identity to perform the job himself, not quite realizing he has taken over another man's deal with the devil.
Here the film becomes like one of Hitchcock's wrong man thrillers as police and a cadre of tough looking hoods start following the young man as he follows a long and convoluted trail across France to the mysterious employment.
Once he finally finds himself plunked down in the middle of the job he has found a hell of violence, death, decadence, gambling, amorality and drug abuse. I won't reveal exactly what happens in that secluded country home -- that is half of the fun and all of the power of 13 (Tzameti). Just know that it is a show of all that is worst in the idly rich and the merciless.
This film will undoubtedly be remade in English, but I can't see Hollywood capturing the dank desperation and horror of this very original film. Don't wait around for some young shark to defang the story for general audiences. See this jaw-droppingly chilling film now. (7/06)
Jay S. Jacobs
13:Game of Death vs. 13:Tzameti - comparison
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