#tyvell

What is your opinion on exclusivity? Do you practice it? Why / why not?

   i would like to answer this with confidence but the fact is; i’ve never been in a position of having to choose! i stated in my rules that i don’t practice it unless stated otherwise for this reason. i honestly think it would depend on the situation and the difference on portrayal; everyone has a different interpretation of canon characters. i’m gonna use an example just so i dont sound like a potato deprived of the english language:  i interact with A1, and A2 follows me. if i see that their portrayal could lead to a different relationship / different circumstances, i am more than happy to interact with A2. this could ... obviously change as i. have never had to make a choice so far. take it with a pinch of salt!

What do you know now about rp that you wish you knew before?

    i wish i had known this website is cold and cruel. a hard bitch

Have you ever felt pressured to write something / with someone you weren’t  exactly comfortable with?

THIRTEEN   /  Who are five of your favorite characters? (In the rp community or otherwise)

Uhhh do ocs count?? I’mma go by the first people in general that come to mind: Lambert ( he Witcher), Margaery Tyrell (but you know it 😔), Tom Nook (rip), Dale Cooper (Twin Peaks), Ishtar of Siltiama ( @treppenwitzz )

FIFTEEN   /   What sort of muses do you tend to write?

Mainly dumbasses, as proven with Milot and my other blog @guillelma. Seriously speaking, I vibe a lot w/ characters who are chaotic in some way, a lil defiant. I’m a big chicken in real life; chaotic but very non-confrontational. So I guess the real reason I write muses that can extend to being even obnoxious is a sort of coping mechanism — though the fun nature in chaos is a strong element too.

EIGHTEEN   /   What makes for a great roleplay partner in your opinion?

bold for things i could definitely see or want, italics for things i could see or am unsure of and striked out for things i don’t want or cannot see.

FRIENDSHIP.     childhood friends  /  work buddies or coworkers  /  family friends  /  friends with benefits  /  smoking buddies  /  adventure buddies  /  fake friends  /  recently friends  /  party buddies  /  friendship of need  /  dying friendship  /  circumstantial friendship  /  partners in crime  /  old friendship  /  [ your muse ] is the good influence  /  [ your muse ] is the bad influence  /  [ my muse ] is the good influence  /  [ my muse ] is the bad influence  /  opposites attract  /  ride or die  /  frenemies  /  roommates or flatmates  /  penpals  /  exes to friends  /  enemies to friends  /  other .

ROMANCE.     childhood sweethearts  /  [ your muse is mines ] childhood crush  /  [ my muse is yours ] childhood crush  /  exes  /  exes to lovers  /  forbidden lovers  /  highschool sweethearts  /  secret relationship  /  opposites attract  /  long distance  /  unrequited [ from your muses side ]  /  unrequited [ from my muses side ]  /  unrequited [ from both sides ]  /  skinny love  /  friends to lovers  /  enemies to lovers  /  spurious relationship  /  power couple  /  newly entered  /  soulmates [ metaphorical ]  /  soulmates  [ literal ]  /  awkward  /  turning toxic  /  toxic love  /  cheating [ on your muse ]  /  cheating [ with your muse ]  /  other .

FAMILIAL.     siblings [ half ]  /  siblings [ step ]  /  [ my muse ] is an older sibling figure to your younger sibling figure  /  [ my muse ] is a younger sibling figure to your older sibling figure muse  /  [ my muse ] is a parental figure to yours  /  [ my muse ] is a child figure to your muse  /  guardian figure  /  legal guardian  /  adoptive child  /  foster child  /  [ your muse ] is taken under mines wing  /  [ my muse ] is taken under yours wing  /  other .

ANTAGONISTIC.     dangerous to each other  /  dangerous to others  /  unpredictable  /  rivals  /  petty  /  developing into sexual or romantic tension  /  based off family matters  /  based of off circumstance  /  based of professional matters  /  based off misunderstanding or lies  /  conflict of ideology  /  betrayal  /  hero - villain dynamic  /  enemies  /  fight club  /  friends turned enemies  /  lovers turned enemies  /  exes turned enemies  /  other .

@tyvell​     ➔     ♡  !

i !!!!! okay i gotta tell you one thing straight up :   i am Bad at receiving compliments so im !!! apologising beforehand if this sounded bad or just.... sounded like what i’m giving back as a respond =/= what you’ve written, but !!!!!  wowza !!!!!! i literally? do not? deserve this?   what you wrote came as SUCH a shock to me because i think like, i’ve been programmed to just, never see my writing as anything more than what it is: just simply my writing. so its!! really a Huge Thing to read that it’s - sort of? - not how people view it? and just. like, that startles me, you know? but in a good way.   in a way that really boosts up my confident and i just AHHHHHHHHHHHHH !!!!!! i really am thankful, so thank you.   thank you so much for pointing this out and even coming forward to tell me?   i’m gonna save this forever now ok thats all for today

ps:   a huge shoutout to a. ( @racetracktm​ ) who actually was responsible in showing me that there’s more than just one way to write a person’s narrative. a. was the one who taught me that a person’s accents — which when you think about it, is a major part of someone’s personality and train of thoughts — could influence the way a muse thinks, and it’s okay, really, to show it.   if it wasn’t for them,  i wouldn’t have discovered to write the way i did.   

and also @alterlovetm​​​ (from when we were writing from my mumu ) because james took how you write a person’s narrative and the way a muse is thinking to a whole new level. the way james applied pacing and their small habits into their muse’s narrations always took my breath away.   and it’s really from them, as well, that i learn to really put more thoughts into describing who my character is outside of just the dialogues and simple behaviours.

i honestly owe it to the both of them,  especially in this particular department of writing,   because they’re truly excellent writers and without our interactions, i wouldn’t have gotten to where i am today. so yeah ! a big shout out !