Dec 4, 2018
Tayler Patrick Nicholas There is a type of beauty at play here similar to the aesthetics of scientific photographs, which alienate and disembody the observed object. This is the “sea change” of the close-up: when what is in front of us turns into “something rich and strange” just by the sheer fact
Tayler Patrick NicholasCaptured in the deep blue, highly reflective glaze covering one of the ten bulbous protrusions of the wall-mounted ceramic piece titled Claws and Leaves XXVIII. (2018), the viewer appears in the midst of the artwork. Surrounded by a miniaturised mirror-image of Art Text Budapest’s exhibition hall, the observer is diminished to a microscopic scale.
https://www.ujmuveszet.hu/2018/12/unseen-creatures/
