#ttddv

So these are the Anemoi album covers, right? Do you notice a similarity between all of them?

Yes, they all have animals surrounded by a gold ring on them. Obviously there is a lot of symbolism involved with these specific animals and their respective albums, but that’s a whole other conversation.

Right now I want to point out the gold ring— more importantly, how is it changing as the albums progress?

In Notos, the thicker portion of the ring is in the bottom right corner.

In Eurus, that portion is in the top right corner.

In Boreas, it’s in the top left corner.

And in Zephyrus, it’s in the bottom left corner.

THE RING IS GOING IN A CIRCUIT!!!

The thick portion of the ring is moving counterclockwise with each album! And if you go back to Notos after Zephyrus, it’ll be right back at where it started!

This is yet another symbol of the Anemoi albums’ themes of change, cycles, etc. AND IT’S HIDDEN IN PLAIN SIGHT!

How COOL is that??? I just noticed!!

This is even crazier when you add on the fact that the final song you listen to, after going through all the albums, is Rounds.

RAHHHHHHHHHHHHHHHHHHHHHHHHHHHHH ITS THE BIG ONE! OR ONE OF THEM! RAHHHHHHHH

Notos

Notos, the first installment in an ongoing series, is named for the ancient Greco-Roman god of the south wind, who brought storms in the summer. Musically, the record draws from the siblings' memories of summers spent exploring the Pacific Northwest with their grandparents, as well as their experiences with the frequent threat of hurricanes as they grew up on the Texas Gulf Coast. Thematically, the series considers the question: "where did our ideas come from?" Notos recounts a time when the duo weren't even aware there was a question to ask, and reflects on the backfire effect we experience when confronted with new information for the first time.

Eurus

Once that first question posed in the Notos EP is asked — "where did my ideas come from?" — it opens the floodgates to more. While wrestling with them all can ultimately lead to a fuller understanding of the world around you (and leave you with more empathy than you started with), it can also leave you feeling alienated from the communities you used to identify with. Eurus, released in early 2018 as the second installment in a series, is a continued interrogation of our own beliefs, and as Eurus was the wind most closely associated with autumn, the record seeks to capture the feelings of dark woods, dry branches, dead leaves, and wondering who had migrated — you, or your flock?

Boreas

Boreas, the northern wind, ushered in the harsh frosts of lonely winter. The arrangements of this third installment evoke images of snow-blanketed darkness, candlelight behind cupped hands, and a vast night sky ribboned with stars and auroras. As we wrote these songs, we found ourselves confronted with the ways we’ve personally and communally reflected the character of this wind — how we often avoid discomfort, even at the expense of others, until we are left cold, hard, and unfeeling. In this record, we ask the winter to instead kindle us into something warmer and softer than who we’ve been.

Zephyrus