Alright Iâm ready for this (literally starting the whole thing with breakfast on a fine Monday morning) and let me tell you Iâm getting excited again just reading the summary.
When Haymitch Abernathyâs alcoholism makes the prime time news, Finnick Odair is sent to live in District Twelve to pick up the pieces. But itâs hard to save a friend if you can barely stand looking yourself in the eye. And it might become impossible once that friend decides to move hell and high water to bring two of his tributes home at once, even if it should cost him his own life.
Iâm not going to lie, my expectations reading that summary for the first time where pretty much that Iâd get Haymitchâs POV during the Hunger Games trilogy with bonus romance with Finnick (I donât remember if the âskip to chapter 17 if you want to see Peeta or Katniss right awayâ note was already there when I first started the fic, but if it was I basically mentally skipped it. Oops.). What I got was much better, letâs be honest. Anyway, onward to the fic proper ! :D
The trigger warnings start arriving right away, by the way : Finnickâs pov in the middle of a Capitol night isnât pretty but it is realistic and rings true. Spin Control is in many (most?) respect a trauma fic and if you donât get that during the opening youâve missed an important detail.
Anyway, I do like that the first thing we see of the two main characters is in contrast with what we are presented with in the books. Finnick is vulnerable as fuck, in the middle of a breakdown, and Haymitch is still drunk but almost explicitly kind which, well. Katniss almost only sees the more abrasive side of him.
(Not to say that Haymitch is a nice person, per se. Heâs capable of being kind, we see that mostly from his Hunger Games tape in Catching Fire and in a few moments where he tries being supportive of Katniss in Mockingjay (though even there you have to look for it, imo) but he doesnât ever appear like the nice and smiling type to me, even if you somehow took the Games and everything else away)
âI hate going back every time. I wish I didnât have to,â he heard himself say abruptly, as if the unexpected touch had made something come loose. He opened his eyes to stare at the wall. When he heard Haymitch starting to reply, he continued vehemently. âNot back in there.â He nodded at the club. âBack home. District Four.â His eyes were still burning from the tears that were threatening to spill over, from the bile in his throat. It was one of those days when everything hurt. âI hate that they â Mags, my parents, everybody â that they have to see me like that, like Iâm...â But he ran out of words at that point. Collaborator. Slut. Killer. Saying it aloud would make it even more real, so he just bit his lip. It still felt swollen, from the kissing.
âAw, kid, listenâŚâ Haymitch said in a strained voice as if he was suddenly finding himself wildly out of his depth, his hand still on Finnickâs shoulder, as if he had decided that he would try and hold him upright physically for lack of better options.
I really like this bit, because weâre very much Haymitch there, in a way. We read âI hate going back every timeâ and assume Finnick means the club, the clients, the whole mess of it and it makes sense because itâs horribleâand then he says itâs Four, and suddenly thereâs this sense of âbut shouldnât it be a break for youâ? Like Haymitch, who either doesnât care about what people (who, itâs worth keeping in mind, are not close to him because everyone he loved has been dead for twenty-one years at this point) think of him in 12 or is firmly in the process of training himself out of it, weâre left a little at a loss, trying to readjust the image we had of Finnick and to figure out how to deal with it.
(Interestingly, having left my parentsâ home since I last read Spin Control, I find myself understanding the sentiment a lot better, though. Obviously Finnick and I have very different circumstances but I do get what itâs like to go back to a place where you should be free and comfortable and to find yourself faced instead with a version of you you literally canât stand, whether thatâs really what your family thinks of you or what youâre projecting on them (or both). This tidbit used to make sense in an abstract way for me, itâs less abstract now x))
And then, of course, Haymitch breaks out the booze. Which sounds kind of like a joke when you say it like that but then again, itâs not like heâs got anything else to offer at that moment and he knows it. Haymitch doesnât have experience with Finnickâs problem, doesnât have a solution for it or a way to get Finnick out of his shitty situation because they live in a dictatorship and no one really gets an out...so he shares the only thing heâs found to deal (or pretend to deal?) with this whole mess : the alcohol. It makes for a humorous moment on surface (I like the image of Finnick trying not to cough himself to death, ngl) but itâs actually really sad.
When he would go back in to serve his client, the spot on his shoulder where Haymitchâs hand had been would feel oddly empty all night; he just wasnât used to that kind of support anymore, not when his family didnât know how to give it and heâd rather die than talk to Mags about sex.
This is the first time in this story where I really want to hug both of these men and put them in blanket burritos like they arenât grown adults and fully capable of killing me one handed, but rest assured it certainly isnât the last. I wonder how long itâs been since Finnick was on the receiving end of that kind of platonic touching tbh (Iâm not sure how much his family knows exactly, or how much of a damper the knowledge puts on their physical interactions, but i feel like itâs probably a reasonable question to ask) and of course Haymitch has probably been touch starved for the past twenty years or so which, ouch. Makes me wonder if he was overly conscious of his hand afterwards, too.
There was another world, somewhere, in which the victors of Panem made contact with District Thirteen in that year, during those Games, and everything changed when the rebellion began. Haymitch sobered up somewhat, just for a little while but long enough for everything to turn out differently. Finnick gained new hope and went to make new friends back home; he went to meet Annie Cresta and became a happier man.
This was not that world.
Ah, yes. The warning I read and then promptly forgot. Oh well, itâs okay, itâs not like I disliked the actual ending xD
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What are your other fandoms? (and OTps in the fandom)
Oh well I havenât posted much content for them in recent months but Iâve been in The Hunger Games and Mad Max Fury Road fandoms!
In THG my OTP is Odesta (although I also really really like Joniss) and in MMFR itâs Nuxable. (I swear, Iâm never gonna ship the main ship in any fandom Iâm in. It seems to be impossible.) Itâs a little sad because I have a lot of incomplete fic ideas for both these pairs (I REALLY want to do that fregginâ Fairy Tale Odesta AU) and I just canât get over the hurdle of properly plotting. But even if I havenât posted much Iâve met some FANTASTIC wonderful intelligent people in these fandoms that I still follow to this day and they are amazing and I am so happy to have met them!!
Spin Control reread: 2. Arena Talk With Flickerman
Aaand weâre back for chapter two! Iâve slept four hours ish last night (and itâs now half past 9pm) so please forgive any typo or weirdness the spellchecker doesnât take care of ^^â @troviaâ, @princess-nellâ, this is your call before we start :3
Also, the way I did this chapter is a little different from the others. For the prologue and chapter 1, I wrote my comments down as I read through the story but in this case I read the full chapter first and Iâm going back on it now, for the simple reason that I was as confused as Finnick about the turn of events.
See, this chapter starts on the evening of Haymitchâs very public overdose, as Finnick gets âinvitedâ to participate in a talk show where Haymitch and his alcoholism are very obviously going to be the center of attention. Finnick is kind of confused as to why heâd be invited except for looking pretty âwhile other people [use] the big wordsâ. It took me until the end of the chapter to realize it but actually, yeah, Iâm pretty sure being pretty is exactly what Finnick was called for.
Because the other guests on that talk show?
Mags, an eighty-ish years old woman whose refusal to upgrade her prosthetics is already making it harder for people to understand her.
Chaff, a nearing-fifty alcoholic with a stump and a rather caustic attitude
Terence from District 6 who looks closer to Magâs age than his actual sixty years and has a morphling addiction problem.
In other words, Caesar Flickerman now has to host a program with three walking reminders that life doesnât stay pretty forever or for everyone (after all, you can make an argument that Mags is just old, but thereâs no way you can pretend like Chaff and Terenceâs lack of compliance with Capitol beauty standards arenât linked to their games, even if most of your population is eager to pretend it is). Thatâs already three reminders too many for a government trying to normalize and glamourize the Hunger Games until its victims have to say thanks for being sent to the slaughterhouse and punished for it afterward. So what do you do? You throw your local sex-on-legs eye-candy in there so people have something nice to look at while other people discuss the utter mess that is Haymitchâs life. Itâs brutal packaging is what it is, down to Finnickâs clothes actually:
After a remake session with Cherry, his stylist, and her team, [Finnick] was trying to get comfortable in his chair despite the excuse for a pair of pants he wore, while the studio lights burned down on him and Flickerman discussed Haymitch Abernathyâs alcoholism, which was still a disease.
Also I have to say I like that this sentence starts with Finnickâs discomfort with an outfit clearly meant for the audience more than for him, and ends with a reminder to himself that Haymitch isnât completely lost yet. Itâs like he glances at his own predicament and trauma then subconsciously steers himself back to the more pressing issue. Itâs both a touching sow of solidarity and care toward Haymitch and a heartbreaking dismissal of himself...which, in turn, is an excellent and subtle reminder that it isnât like Finnick lives in a world that will ever allow him to heal anyway.
Oh, and:
Finnick tried to avoid looking at Terenceâs long sleeves, such an uncommon styling choice in a boiling hot television studio, covering up puncture wounds of Morphling needles. Before the show, Finnick had walked in on him shooting himself up in the menâs room. As far as he knew, Terence had never once sobered up since heâd won the 26th Games with a knife and a garrote.
Just in case there was any doubt left that the Capitol (specifically president Snow, but also many people who do not use their brains so they donât have to come to accurate conclusions) cares more about the Victorsâ use as narrative devices than as persons. Not that the people reading SC would have any doubt about that (or at least, they wouldnât survive very long) but itâs still a good reminder to get. And boy do we get some more.
Chaff took control of the conversation without prompting and did what needed doing on the victorsâ end to keep Haymitch alive, swiftly building on the news coverage by weaving a story of loneliness and fame and social responsibility, a term Finnick hadnât been aware the Capitol actually ever used for anything.
You know, I said in my prologue post that Haymitchâs friends didnât fully realize what situation he was in and I stand by that, but just because they didnât realize doesnât mean they didnât care. Chaff is putting himself on the line here, subtle as it may be. Also the fic may be in Finnickâs pov, which means one of the more perceptive Victors is our guide here, but that doesnât take away from the othersâ ability to observe and/or toe the line when needed I mean:
âWell yeah, all the signs were there for me to see though and I didnât, right?â Chaff replied. âAll the signs were there, but I didnât want to see. I didnât realize how hard it must be for Haymitch, only victor of Twelve and all and always the only mentor for the two tributes, too. He never gets to sleep properly during the Games until theyâre both out, did you know that? Probably used the alcohol to stay awake.â
After delivering that last statement with a sorrowful face as if it actually had made any sense, he paused.
Of course Chaffâs statement doesnât make any sense: it starts with the truth and ends with a Capitol-PR-ready, âbut of course he was only trying to serve youâ when Haymitchâs entire life at this point is basically the most long-term suicide attempt ever seen. Itâs lucky Chaff isnât the only one who cares and the others pick up the thread before it can start to unravel:
âThe public often underestimates how stressful the life of a victor can become,â [Mags] said [âŚ]. âIt is especially hard for victors if they are supposed to be performing as mentor but failing. It is a great honor to be a mentor, victors are always anxious to succeed. It can be too much, honestly. I have seen this playing out many times. We put ourselves under pressure. One can get overwhelmed.â
âThatâs what it was like for me, too,â Terence agreed with his grainy old voice, having aged prematurely. He could as well have been Magsâ age instead of only sixty. âThe responsibility was weighing down on me. Not just to the Capitol, who I owed so much, but also to my tributes.â
âWe all want to be at our best during the Games,â Chaff concluded.
âWhat do you think, Finnick?â Flickerman addressed him with a face of rapt interest. He usually adopted that same expression when he told Finnick to get on his knees and suck him off in his dressing room, as if it was a great adventure they were undertaking together.
Okay, sorry to ruin the beautiful moment of solidarity (because even with their limited means, everyone on this side of the talk show is doing what they can to help Haymitch out) with Flickerman being a creepy douche, but considering itâs been established that the topic of Finnick using drugs was supposed to be off-limits (implicitly, but still) I canât help but wonder if this is Flickerman deciding to toe the line just so he can have Finnick under his thumb again, and that only make him even more gross.
âI am worried about Mr. Abernathy, I am. This is going to be a difficult case,â the doctor told the camera. âAs therapists, we see this every day. Yes, we can help this patient to detoxify and send him on his way. Will he have lost his attitude problem? No. He will drink again, and we cannot blame him for that. It will be almost impossible for him to not drink without undergoing extensive therapy first. It would even be so if he was a Capitol citizen, held to our higher standards of restraint. In my professional opinion, Mr. Abernathy is not fit to fulfill his duties by himself and he will not be for a long time to come. You cannot expect this man to act as the sole mentor for his district any longer.â
Okay, first of all, this doctor may have understandable reasons somewhere but heâs still participating in the vile hostage-holding of Haymitch by helping to lay out the bricks for a Capitol-issued miracle narrative, but also the sheer hypocrisy in the bolded part is astounding, even though I knew it was coming. The levels of willful blindness you have to maintain for this sentence to be even remotely acceptable are staggering, even higher than Effieâs disdain of the District Twelve tributes who didnât know how to eat with forks and knives. Itâs even worse to read after having seen the actual canon party where people puke just so they can eat again. And then they have the gall to talk about the Capitolâs higher standards of restraint. Ugh.
âSo there is the pressing matter of District Twelveâs participation in this 72nd Hunger Games,â Flickerman continued when the feed was cut off [âŚ]. âThere are two young tributes at the Training Center now, anxiously waiting for a mentor to prepare them for the Games as we speak. It doesnât seem like it will be Haymitch. Furthermore, there is the matter of Haymitch handling mentorship in the future. Mags.â
âWell, there is precedence, of course,â Mags said. While she answered promptly, Finnick could see that a guarded expression had crossed her face. She wasnât clear on what angle on this topic would most likely help the victors and Haymitch. Haymitch, who would have to step in front of a camera once the hospital released him, working with what they delivered right now and telling the public whatever Snow expected. Haymitch, who wouldnât retire because none of them were allowed to retire. âDistrict Twelve is special even now, itâs the only district with only one mentor. I remember a time when there would always be a district or two that would not be able to provide their own mentors at all. District Twelve was the most recent district without a district victor as mentor, actually, before Haymitch himself won the second Quarter Quell. Four years before, Twelveâs first victor, Swagger â he had died in a terrible accident, I rememberâŚâ
Oh my, I remember reading that part and taking so long to process the actual meaning of it with regards to Haymitchâs situation because I was too busy thinking âOKAY THIS IS IT FINNICK IS MOVINGâ. Which is entirely not supposed to be the only point of the scene (and it definitely isnât as soon as you spare even a second to remove the shipping goggles) but well. Itâs be untruthful to pretend like that didnât happen ^^â
âOh, of course.â Flickerman shook his head sadly. âHe fell and broke his neck, I believeâŚâ
âYes,â Mags agreed with a nod of gratitude, although the way Finnick had been told the story, Shane âSwaggerâ March had fallen and broken his neck only insofar that he had kicked away the chair he had been standing on, a noose wrapped around said neck. âSwagger had died, so Lyra Ingram from District Two moved to Twelve as substituteâŚâ
Okay Iâd quote the entire exchange about past Victors who mentored for Twelve in a more or less temporary fashion but that would make for waaaay too big a quote-block. That being said, having Finnickâs fact-checking commentary to rely on is both painful and invaluable. Itâs a much more knowledgeable pov than Katnissâ because contrary to her, Finnick has insider knowledge. Heâs been doing this long enough to have learned the truth, a bullet which Katniss dodged in canon. It also works to make the reader dislike (ha) the Capitol on a much wider level than Katnissâ pov initially does. A lot of the deaths she acknowledges (or speculates about, though with very little risk of error) are abstracts at first. In her first game, Rue is the only kid Katniss really cares about aside from Peeta. Later, we start with Seneca Crane, then the old man from Eleven, and then the deaths get progressively closer to home.
But here with Finnick, they already are hitting home. Not just because every Victor who died knew Mags and/or him directly, but because every instance of this is a reminder that Finnick is only one displeased president away from being the next on the list of suicides and/or suspicious accidents.
âSo was there a call for mentors and they volunteered?â It took Finnick a second to recognize his own voice, because he hadnât known he would open his mouth before he heard himself say the words. This wasnât really supposed to be his show. Uneasily, he sat up in his chair, the cameras all on him now, while he spoke on, the words still just tumbling out of his mouth. âHow did it work? Were they just chosen?â In the corner of his eye, he could see the other victorsâ eyes turning towards him briefly when they wondered about his angle.
âNow Finnick, that would be quite cruel,â Flickerman laughed. âForcing a victor to move to another district and leave their loved ones behind just like that.â
Finnick forced an unconcerned smile on his face, shrugging it off. âSeems to me like it would be a great honor,â he replied, half automatically, following the victorsâ cardinal rule â when in doubt, call it an honor. âIâm sure a lot of victors would be greedy for the opportunity.â
Look at the gears already turning in Finnickâs head! Of course heâs good at split second decisions and rapid thinking under pressure. Even Annie, who Katniss describes as having only won her games through luck (which is only true insofar as any Victor only gets there thanks to a number of favorable conditions) wouldnât have survived the flooding of her arena if she hadnât been able to make good decisions while swimming, and Finnick made a lot of these good decisions at fourteen, thereâs no reason to think heâd have lost the ability now at twenty-one.
It hurt Finnick to see, knowing [Mags] was trying to help him out before he could do something stupid. But he didnât want to be stopped. He suddenly really didnât want to be stopped.
Honestly it kind of hurts to picture what could be going through Magsâ head at this moment, too. Sheâs got a wife and children with her in Four. She managed to build herself a family that, presumably, helped her to keep going. Most likely, several other Victors have found similar solace in their families. It makes sense for them to think Finnickâs family would have the same sort of positive impact on him, but thatâs not where Finnick is coming from. And since he never told people about his problems with being in Four (and canât very well explain it now) it makes sense that theyâd be scared shitless for him when the previous victorsâ moving could only have been punishments.
(Because of course it is. No one moves out of their district unless specifically instructed to, and Snow simply doesnât do gifts, let alone gifts that would potentially allow people to form unmonitored inter-districts connections when his whole system relies heavily on keeping each district in the dark as to what its neighbors do.)
Oh course, Finnick plays the audience like a fiddle. Even in canon, if you think about it, his particularly infamous reputation as a heartthrob is already evidence that he knows how to maintain his image, and the later revelation that he âgets paidâ in secrets is also indicative of his knowing exactly how important presentation is...so really, itâs not that surprising, even if it takes him a couple minutes to get the audience around to his point of view.
What I am a little more surprised by is this:
Because any victor, given the chance, would have taken the opportunity to run away.
I donât know if this is me misreading things but it sounds to me like that isnât quite as absolutely true as Finnick makes it sound. Certainly he would take any opportunity to run away that didnât get his family killed, but Iâm not sure everyone else would, not when thereâs already of history of what happens if you fail as a guest mentorâas well as what happens if you succeed too much, as well.
It was only in moments like this anymore that he felt like his body was his own, starkly aware of how it still was such a powerful weapon, how he could still use it to kill if need be even seven years after heâd won.
Very consciously, he drew a breath and released it again like he would before he attacked.
Chaff was throwing him a sharp look, his face guarded now â the expression of a tribute suspecting that his alliance was falling apart.
Oh yeah. You know how Katniss and Finnick took one look at the Capitol streets in Mockingjay and declared the 76th Hunger Games open? Yeah. This is an extension of that, in that the games never really end for anyone (in some ways, they never really start, either, you just go from a nameless pawn in Snowâs machinery to a named, visible and important piece).
Itâs also the first hint we get of Finnick, in some respect, regretting his days in the arena, which doesnât make sense until you realize Finnick (or Victors in general) never had as much control on his own fate as he did during the Games. Back then, it was up to him to figure out how to survive, to be quick enough to kill before he got killed. Itâs tragic and horrible to think, but Finnick was empowered in the arena in a way that he isnât here, because he canât do anything without having to worry about a heap of very literally life-or-death problems.
Like I said, this is the first hint of that, and I didnât pick up on it until later but honestly when I did it made so much sense to me, and itâs a pleasure to see the seeds of that particular thread sowed this early in the story.
âFinnick,â Mags said softly, reaching up to take his face into both of her hands. âFinnick, lad, what did you just do?â
Instead of replying, Finnick closed his eyes and turned his head away.
Never again, he thought. Mags, his parents, Keanu and Perri â his older brothers who both looked at him as if heâd gone Capitol â Coral, his kid sister who was of Reaping age now and slowly figuring out what exactly it meant when he was shown with all those movie stars and politicians on the television. All these people who meant so much to him that it hurt to think about. Soon, he would never have to look at any of them ever again. So he had become ⌠heâd become that man, so what⌠at least his family wouldnât have to see it.
Theyâd never learn his secrets, how fucked up heâd become. The things he thought about when he was alone at night, waking up from those dreams heâd never told anybody about.
Oh, Finnick. Heâs so ashamed of his own trauma and the way it presents itself, and I mean itâs not like itâs all that surprising because trauma is an ugly beast at the best of time, filled to the brim with things that donât make sense and illogical reactions all around...having to live with it under scrutiny, surrounded by people who donât get it (at best) or judge you for it (at worst, though I donât remember Finnickâs family being confirmed to go one way or the other) and donât really have the means to help even if they want to, honestly just makes tings worse. I suppose itâs time I brought my âblanket burritoâ moments count up to two.
âNo,â Mags replied sadly behind him. âI wish you had been allowed to be, though.â
Thanks for breaking my heart, Mags. And then, of course:
@trovia replied to your post: âHolding a president accountable is the most...
Oh, is that a good show? I watched the first couple of episodes and was quite intrigued, but then I wasnât sure if I should watch more.
ItâsâŚall right. It has a great (diverse) cast with a female Indian lead which lets it do a bunch of pretty good things from the get-go (I remember an early episode where Alex goes âoh sure, blame the brown girlâ which sounds silly out of context but felt very on point). It does try (even if it sometimes fails) to be critical about American politics, andâŚwell, thatâs something, especially in this genre. It does do some really good things with its plot, too, so if you like spy thrillers, youâll probably like it. Although the last story arc feels really disconnected from the rest of the show, and frankly, makes me wonder how much was rewritten after the Trumpening.
Itâs probably not my favorite show of all time or anything, but itâs good, and Iâd probably recommend checking it out.
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HE BUMPS HOGAN WITH THE BACK OF HIS HAND. â  let that one through, hap -------  â tony mouths into the bodyguardâs ear ; his breath is hot & glasses of grey goose are masked beneath layers of rumple minze . his fingers twitch direct happyâs gaze to the tall photographer. the fissure on his face erupts & reveals a row of white teeth. Â
       â  NOW...how can i help you, ms -----  â
@troivaâ  â¤ď¸ for a one-liner a long time ago.
trovia replied to your post âNaNo wordcount: Femdom novelâ350 words before I stalled because people...â
...! I demand a notification once that femdom fic is ready for consumption.
Iâm trying not to look too far ahead on this one, but given itâs a novel told in out-of-order scenes, and one I have big ambitions for (literary-agent-finding ambitions) itâll definitely need beta readers down the line. So I just might take you up on that!