#transcendingboundaries

Transcending Boundaries: The Artistic Architecture of Hollein's Feigen Gallery

Hans Hollein's Feigen Gallery stands as a testament to his vision of architecture transcending traditional boundaries. The gallery's design embodies Hollein's belief that architecture should not only serve as a physical space but also evoke emotional and psychological responses. By commissioning Hollein to design his gallery, Richard Feigen sought to create a space that would challenge conventional notions of architecture and serve as a fitting backdrop for contemporary art.

The gallery's design reflects Hollein's postmodern sensibilities, incorporating elements of asymmetry, spatial manipulation, and a departure from conventional architectural norms. The structural asymmetry of the grand opening supported by a reflective column serves as a striking feature, drawing attention and inviting exploration. This design choice not only adds visual interest but also prompts viewers to question the traditional hierarchy of architectural elements.

The entrance itself becomes an artistic statement, blurring the lines between architecture and art. Hollein's deliberate departure from the surrounding buildings in New York reflects his belief in architecture as a counterpoint, challenging the existing urban fabric and introducing a new dialogue.

The question arises: What is the relationship between art and architecture within the context of Hollein's Feigen Gallery? The gallery's design suggests a symbiotic relationship, where architecture becomes an integral part of the artistic experience. However, the challenge lies in finding a balance where the architecture enhances rather than overwhelms the art it houses. As Feigen's experience with contemporary artists refusing to show in the space demonstrates, achieving this balance is not always straightforward.

 TeamLab’s exhibition “Transcending Boundaries” will be on view at 6 Burlington Gardens through March 11. You can watch videos of the installations via @thecreatorsproject:

Transcending Boundaries: A Dialogue Between Postmodernism and Modernism

As the Austrian Travel Agency office stood proudly in Vienna, a testament to Hans Hollein's visionary architectural prowess, little did it know that its destiny would soon take it on a remarkable journey. Like a traveler drawn by the allure of distant lands, this emblem of postmodern design was about to embark on a voyage that would transcend time and space.

In a twist of fate, the Austrian Travel Agency found itself drawn to Barcelona, a city renowned for its architectural marvels, including the iconic Pavilion designed by Ludwig Mies van der Rohe. This pilgrimage of architecture was more than a mere relocation; it was a meeting of minds across epochs and styles.

As the Austrian Travel Agency set foot in Barcelona, it encountered the sleek lines and minimalist elegance of Mies's Pavilion. Here, in the heart of modernism, Hollein's postmodern creation found itself in a dialogue with its architectural predecessor. The contrast was striking yet harmonious, like a dance between past and present, tradition and innovation.

The journey from Vienna to Barcelona was not just a physical relocation but a spiritual convergence of architectural ideologies. Hollein's whimsical interpretation of space and form met Mies's rigorous rationalism, creating a dynamic tension that captivated the imagination.

In this meeting of postmodernism and modernism, perspectives shifted, boundaries blurred, and new possibilities emerged. The Austrian Travel Agency and Mies's Pavilion became intertwined in a narrative of architectural evolution, each enriching the other with its distinct vision and voice.

As visitors wandered through the labyrinthine corridors of the Austrian Travel Agency, they were transported not only to distant destinations but also through the corridors of architectural history. Here, postmodern whimsy mingled with modernist restraint, creating an immersive experience that transcended time and place.