Evening Set
Traina-Norell, 1959
The Museum at FIT

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Evening Set
Traina-Norell, 1959
The Museum at FIT

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US Vogue March 1, 1960
A classic suit with houndstooth checks and an asymmetrical hem, featuring an orange lining in the jacket, a matching blouse, and a black and white check pattern. Baroque pearls in a mix of beige and gray; chamois-colored gloves; a dark chocolate handbag. A wool tweed suit by Traina-Norell, with a silk blouse and jacket lining. David Webb pearls. Makeup: Stendhal's new G-Sen Color shade, Sardane.
Tailleur classique, avec ses carreaux pied-de-poule et son ourlet asymétrique. avec une doublure orange sur la veste, un chemisier assorti, un motif à carreaux noirs et blancs. Perles baroques dans un mélange de beige et de gris ; gants couleur chamois ; sac à main couleur chocolat noir. Tailleur en tweed de laine, signé Traina-Norell, avec chemisier et doublure de veste en soie. Perles David Webb. Maquillage : la nouvelle teinte G-Sen Color de Stendhal, Sardane.
Photo Karen Radkai
Marilyn Ambrose as medieval bride in hooded ivory cape, over an ivory sheath dress, both by Traina-Norell.
Vogue, October 1943
Photographer: Horst P. Horst
Linda Darnell wearing a corselet dress by Traina-Norell, photographed by John Rawlings for American Vogue, 1944.
• Woman's Cocktail Dress.
Designer/Maker: Norman Norell (United States, 1900-1972); Traina-Norell (United States, 1940-1960)
Date: ca. 1958
Medium: Synthetic jersey bodice; silk faille skirt

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Socialite Esme O'Brien Sarnoff contemplating an unidentified sculpture in the sculpture garden of the Museum of Modern Art, modeling a dress and a parasol designed by Traina-Norrell, July 25, 1944. She was then married to Robert Sarnoff, David's son.
Photo: Frank Bauman for Look magazine via MCNY
Dovima wearing a dress with cape by Norman Norell for Traina-Norell, Harper's Bazaar, February 1958 (photo by Richard Avedon) VS Dimitrios Harissiadis, Kalymnos, 1950