I
we share the same teacher, she and I.
he, who considers each poem
a breathing, pulsing thing
brain, muscle, skeleton, breath
all essential for it to thrive
on its own, without its creator
and how these boundaries overlap
breath floods brain
rhythm drives intention home
meeting in the space where silence
lives  in the body    on the page â
the in-between.
II
next week, when deadlines haranguing
her head have passed, she will go in search
of the in-between
and write those poems
waiting within her
a selfless, selfish act
of reaching within
to reach without
---
This was written yesterday (16.12.15) in response to my ramble on BYP, silence and the need for me to take a break, write and reflect, as part of Here to Listen  by the phenomenal @tonistuart.Â
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Toni has a visitor now. A woman speaking her âsâs as though they were born in a softer country. A slower country. One that took the time to pronounce itself. The woman is concrete, her eyes give this away (unwavering gaze). She appears aware of it. She wears softness in her clothes.
The voice of the man speaking to her is a product of deterioration, the wearing of years. It gravels. Its coarseness, I recall from a recent lecture, caused by failing muscle, untensed now. Occasionally his voice skips over a cough, and he is caught slightly. The hurdle interrupts his rhythm, but he gathers himself in the following stride and continues to voice his story. He will not be stopped. There is no time limit. No competition. But his endpoint is set, his intentions clear, he will say everything he needs to say.
My hips are aching. I glance up at Toniâs face, reading poetry from a book the man has brought and she is not there. She is inbetween the words on the page, feeling around. He asks her opinion and she says âso-soâ. Or gestures it. He is explaining to her what he sees in the poetry. They are both looking at the page but do not see the same thing. I look up and outside everything is drenched in a muted navy blue. The sun has set in the last 5 minutes.
He says, âIts powerfulâ. She nods, either out of agreement of its power, or acknowledgement of his opinion. He tries to convince her. I am learning less about the poem, and more about how he protects his values. He invites her to coffee after this. A coffee shop he visits routinely with friends, ârelatively busy, but quiet enoughâ. A costa coffee. He promises to buy her a cappucino. He jokes no larger than a regular. He readies himself to leave and mentions in passing that the spine is the most important part of the book. He thanks her, hopes his visit has been âsuccessfulâ. Toni writes a message down for him before he leaves. I cannot see it and neither can he without putting on his glasses.
âIs it? Howâs that?â
She writes again.
âOkay, I understandâ.
He mentions something about a poem he wrote on the train that he forgot to bring. He states that he likes what Toni is doing, and lingers in the silence that follows. âWe canât always do the same thing, otherwise life would be repetition.â
He thanks her. Once clearly, and a couple more times under his breath. He stands and turns towards me. I see for the first time how smartly dressed he is underneath his unzipped coat.
Burn After Reading Presents... TONI STUART
Toni Stuart is featured as part of Badalisha Poetry Exchange, a poetry archive dedicated to spotlighting Pan-African poets. You can follow the link above to her page in the archive, which showcases some of her beautiful work. We canât wait to have Toni feature on April 7th at Burn After Reading Presents, Seven Dials Club, Covent Garden. We also recommend that you take a stroll through all the other poetry hosted on Badilisha, itâs mind opening.
A roster of BARPo will be performing alongside Toni and other feature poet, Siddhartha Bose. Stay close by for line up announcements.
Our Facebook event is available here: https://www.facebook.com/events/1645289995698753/
Our Facebook page is here: https://www.facebook.com/BARPoetry
Youtube: https://www.youtube.com/user/BARPoets
Tweetings: @BARpoetry
Hosted by Harriet Creelman and Lewis Buxton
âBurn After Reading Presentsâ,
Seven Dials Club, 42 Earlham Street, Covent Garden (http://www.sevendialsclub.com/contact/)
Tuesday 3rd March
Doors 7.45pm
ÂŁ5 on the door
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
â Live Streamingâ Interactive Chatâ Private Showsâ HD Qualityâ Free Actions
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Burn After Reading Presents... Toni Stuart and Siddhartha Bose, April 7th
Hi there! Weâre back! Again!
After a mind watering evening in March, we return on 7th APRIL with more BAR Poetry, alongside special feature poet TONI STUART, all the way from Cape Town (via Goldsmiths...).
TONI STUART is a Cape Town poet, performer and poetry developer. She has appeared in a variety of international poetry festivals, from the Paris Autumn Festival to the Scottish Poetry Libraryâs Commonwealth exchange, and her work has been published widely in journals and anthologised in âHeat of Shadows, South African Poetry 1996-2013â (Deep South, 2014). She is currently a 2014/2015 Chevening Scholar on the MA Writer/Teacher at Goldsmiths College, University of London.
Find out more here:
http://www.tonistuart.com/about/
@nomadpoet
SIDDHARTHA BOSE is a poet, playwright and performer based in London. His poetry books are Kalagora and Digital Monsoon (Penned in the Margins 2010/ 2013) and his poetry has appeared internationally in Fulcrum (USA), Voice Recognition: 21 Poets for the 21st Century (Bloodaxe, 2009), and The HarperCollins Book of English Poetry (HarperCollins, 2013, India).
Siddhartha has been featured on BBC 4, BBC Radio 3 and was dubbed one of the âten rising stars of British poetryâ by The Times. He has performed at Latitude, the British Council Showcase 2012, Oxford University, Royal Festival Hall and Ronnie Scott's and in New York City, Berlin, Finland, Estonia, and India.
Find out more here: www.kalagora.com
A roster of BARPo will be performing alongside him, stay close by for line up announcements.Our Facebook event is available here: https://www.facebook.com/events/1645289995698753/
Our Facebook page is here: https://www.facebook.com/BARPoetry
Youtube: https://www.youtube.com/user/BARPoets
Tweetings: @BARpoetry
Hosted by Harriet Creelman and Lewis Buxton
âBurn After Reading Presentsâ,
Seven Dials Club, 42 Earlham Street, Covent Garden (http://www.sevendialsclub.com/contact/)
Tuesday 3rd March
Doors 7.45pm
ÂŁ5 on the door
Toni is one of the organisers of the 3rd Annual Word N Sound International Youth Poetry + Live Music Festival which for the first year will be taking place in Cape Town. She is also one of the featured artists at the festival and will be sitting on the panel of Live Mag SA's  Creative Hustle: Digital Tools for the New Age Artist, where she will be talking about using the digitals space in her work as an artist.
 I STARTED WRITING WHEN I WAS 15.  After school I studied and worked as a journalist. I continued writing poetry on the side and started performing in 2003. I was part of the And the Word was Woman ensemble with Malika Ndlovu, Khadija Heeger, Tania Van Schalkwyk and a number of other women.  After journalism, I moved into the NGO sector, using poetry as a tool to work with youth. Throughout this time I was always writing and performing as well. In May 2012, I started working as a poet full-time, and have been doing so ever since. This often takes various forms - writing and performing of course, but also running workshops, developing and managing creative projects that use poetry in different ways, and often to explore social issues. One of the key things for me along the way is that I had great mentors - often informal ones - who I was able to learn from and a strong community of friends who supported me and fuelled my belief in myself to do the work.
THE FIRST POEM I remember writing was for an exercise in English class in Grade 9. We had to write about the creation myth and I wrote about it as a tapestry with all the different elements being sewn into it.
THE DIGITAL SPACE HAS BEEN A KEY ELEMENT TO MY WORK. I work mainly on Twitter, Tumblr, Facebook and Soundcloud. I use instagram as well, but less frequently. My tumblr blog is serving as my website at the moment, while my website is being designed and built. I use this to share work I am involved in, as well as to reflect on work I have done. I also write short pieces on my own journey, as a poet, as an individual and how the two influence each other. My blog is where people, who are interested, can get to know a little more about me and maybe see what informs my work too.
I USE TWITTER TOÂ CONNECTÂ WITH OTHER CREATIVES IN SIMILAR FIELDS. Â Seeing what they are doing and also getting people to become aware of my work. Twitter's brevity is what makes it so great for connecting with other people.
SOUNDCLOUD IS WHERE PEOPLE CAN HEAR MY WORK. It's an extremely important resource, because it serves as an online portfolio for me. I use it when I'm introducing myself to people that I'd like to work with, to give them a sense of my style, sound and content.
FACEBOOK IS SLOWLY BECOMING A "DASHBOARD" OF SORTS. For me it's the place where the different social media elements meet, and where people can access all of the other mediums. My Twitter, Tumblr, Instagram and Soundcloud posts all update directly to Facebook.
I'M ORGANISING THE CAPE TOWN LEG OF THE WORD N SOUND FESTIVAL THIS YEAR. I'm very excited about it because it's the first time the festival is coming to Cape Town. Wednesday night's performance will see Afrikaans, Xhosa and English Cape Town poets take to the stage alongside poets from Jozi and London. I'm also performing at the Joburg festival on Friday night. I'm really enjoying being part of bringing such a vibrant, dynamic and diverse poetry festival to the city. And hopefully this year is only the start.
 IDEAS AND INSPIRATIONS COME FROM EVERYWHERE.  As a creative person it's hard not to be inspired by life. If you're open and paying attention to the world around you, there is always something to inspire you. A  poem, song, painting, dance or photograph. At the moment, I'm particularly interested in physical space and environments, and how they influence us and the people we become.
MY WORK WITH YOUNG PEOPLE HAS LARGELY BEEN AROUND USING POETRY. Both written and performed to create spaces for them to express and explore their voice and to share who they are. More recently I've used it with groups of young people to talk about reconciliation and issues around women's sexuality. I don't differentiate between spoken word and poetry. I'm a firm believer that poetry is written and crafted well and can also be performed well.
 I'VE WORKED WITH RAYMOND ANTROBUS WHO IS A RESIDENT POET AT A SCHOOL IN EAST LONDON. I spent a day visiting his classes and doing poetry with them. This was a truly inspiring experience. I learnt a lot about the Spoken Word Educators programme and loved the idea of having a resident poet in a school, and learning about the programme. I've also worked with Dean Atta and Deanna Rodger, performing at their monthly event Come Rhyme With Me, and at the event performed alongside Malika Booker and Errol McGlashan. Working with all of them was really special. Dean and Deanna host a wonderful night, and are extremely warm and welcoming. Malika is a stalwart in the London poetry scene so meeting her and hearing her work was great, and giving her a brief social media tutorial was fun too!
I THINK WE HAVE A LONG WAY TO GO IN BRIDGING THE DIVIDE BETWEEN SO-CALLED âPAGE POETRYâ AND SO-CALLED SPOKEN WORD. "These two styles of poetry still largely draw very different audiences, and there is still the perception that one is better than the other, or that one is less relevant than the other. These perceptions come from both sides of the spectrum. I think that as poets, it is our responsibility to read widely, to listen widely and to engage with styles of poetry that are not what we would usually read or listen to. We need to think beyond our own work, and look at the history of poetry that we come from, as well as the context in which we are writing. We deny ourselves a wealth of information and creative growth, when we do not engage beyond our own poetry spheres.
I AM CURRENTLY WORKING ON A PROJECT WITH FILMMAKER SHELLY BARRY CALLED - FROM MY VIEW. We're using poetry and film to interrogate the lack of access for people living with disability in Cape Town. The exhibition launches at Artscape on December 3 - International Day for People Living with Disabilities. This is the pilot and next year we're going to continue working on it and put together a more comprehensive exhibtion for Artscape's Humanity Festival in August. Then, Jacob Sam-La Rose and I are working on a bigger collaborative project which started at Open Book Festival this year, called LDN-CPT. We're exploring our respective cities through poetry and writing in response to each other's work. I'm very excited about this as there are many layers and elements to the project including a digital platform.
You can find out more about Toni's work on tonistuart.tumblr.com.Â
Listen to Toni's work via soundcloud.com/nomadpoet.