Ex-Libris Joseph Cook, Thomas Bewick, 18th-19th century, Harvard Art Museums: Prints
Harvard Art Museums/Fogg Museum, Gift of Charles Bain Hoyt
https://www.harvardartmuseums.org/collections/object/250956
seen from China
seen from China
seen from China
seen from China

seen from Malaysia
seen from United States
seen from United States
seen from China

seen from Vietnam
seen from Netherlands
seen from United States
seen from Germany
seen from China

seen from Germany

seen from China

seen from Ecuador
seen from China

seen from China
seen from China

seen from China
Ex-Libris Joseph Cook, Thomas Bewick, 18th-19th century, Harvard Art Museums: Prints
Harvard Art Museums/Fogg Museum, Gift of Charles Bain Hoyt
https://www.harvardartmuseums.org/collections/object/250956

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Headpiece (page 259) from The Fables of Aesop, Thomas Bewick, 1818, MoMA: Drawings and Prints
The Louis E. Stern Collection Size: composition: 2 1/4 × 3 1/4" (5.7 × 8.2 cm); page (irreg.): 8 1/4 × 5 5/16" (21 × 13.5 cm) Medium: Wood engraving from an illustrated book with 323 wood engravings and one etching and engraving
http://www.moma.org/collection/works/21079
‘The powers of its wing were wonderful....’ 🦉By no means an expert at identifying different species of birds, I get confused trying to identify artists’ depictions: it’s like looking through a filter. It’s even more confusing when birds are known by different names, although in this case I can go back to the original source for the illustration: Gilbert White’s Natural History of Selborne. This is a Nightjar (Caprimulgus)- apparently also known as a Fern Owl, Goatsucker and Goat Milker. The drawing is by John Nash and was first published in 1951 as a black and white line engraving, then in 1972 with lithographed colour added. Nash told a friend that he was ‘hatched off’ with all the detailed cross-hatching. The open-beaked pose catching a fly 🪰 appears over 100 years earlier in a drawing by John Thompson (after Thomas Bewick) for a Victorian edition of Gilbert White’s book. It illustrates a letter written in 1771: “DEAR SIR,—On the twelfth of July I had a fair opportunity of contemplating the motions of the caprimulgus, or fern-owl, as it was playing round a large oak that swarmed with Scarabai solstitiale or fern-chafers. The powers of its wing were wonderful, exceeding, if possible, the various evolutions and quick turns of the swallow genus. But the circumstance that pleased me most was, that I saw it dis- tinctly, more than once, put out its short leg while on the wing, and, by a bend of the head, deliver somewhat into its mouth. If it takes any part of its prey with its foot, as I have now the greatest reason to suppose it does these chafers, I no longer wonder at the use of its middle toe, which is curiously furnished with a serrated claw.” Looking forward to the John Nash exhibition at @townergallery later this spring. #johnnash #gilbertwhite #naturalhistory #fernowl #nightjar #selborne #johnthompson #thomasbewick @gilbertwhiteoc (at Brighton and Hove) https://www.instagram.com/p/CNW8Aiol6TT/?igshid=ul7cg6fgbfre
From: Bewick, Thomas, 1753-1828. A general history of quadrupeds. Newcastle upon Tyne : Printed by and for S. Hodgson, R. Beilby, & T. Bewick, 1800
QL706 .B5 1800
A heart-warming Valentine from my @woodengraversnetwork friends. You really know how to scratch my inner engraving nerd itch 😍 Happy Valentines Day! #valentine #woodengraving #thomasBewick #burins #quadrupeds @tonydrehfal @mcgarvem @mirkahokkanen https://www.instagram.com/p/B8jcLxmgNhP/?igshid=89sp30i53big

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
THOMAS BEWICK ∙ The Lion / detail ∙ 1790 __________________ #illustration #art #penandink #woodcut #engraving #pen #pencil #artist #illustrator #drawing #wildlife #nature #naturalhistory #lion #thomasbewick
Tailpiece (page 126) from The Fables of Aesop, Thomas Bewick, 1818, MoMA: Drawings and Prints
The Louis E. Stern Collection Size: composition (irreg.): 11/16 × 1 3/4" (1.8 × 4.5 cm); page (irreg.): 8 1/4 × 5 5/16" (21 × 13.5 cm) Medium: Wood engraving from an illustrated book with 323 wood engravings and one etching and engraving
http://www.moma.org/collection/works/20956
Headpiece (page 117) from The Fables of Aesop, Thomas Bewick, 1818, MoMA: Drawings and Prints
The Louis E. Stern Collection Size: composition: 2 5/16 × 3 1/8" (5.8 × 8 cm); page (irreg.): 8 1/4 × 5 5/16" (21 × 13.5 cm) Medium: Wood engraving from an illustrated book with 323 wood engravings and one etching and engraving
http://www.moma.org/collection/works/20947