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It's kinda funny that I have two stories about hot sad hypermurderdeath women, but they're kinda going in very different directions with that.
One is about grappling with the limitations of punitive justice in the face of a complex nuanced world, and the misery of being an immortal weapon whose primary way of relating to humanity is by doling out swift and ruthless death. And ironically it's not the one featuring a combat android.
No, her brand of angst is completely different, and her attitude toward being a death machine is pretty relaxed all things considered, and while it'll certainly be addressed in some detail at an appropriate point, it's not really a focus of being challenged by the narrative the same way, because that's not the point of her story.
Still just kinda ironic, the juxtaposition.
3 Letters/Digits for Organization ID
1 Digit for Organization Subgroup Number
1 Underscore
2 Digits for Role ID
4 Digits for Activation Year
3 Digits for Intra-Subgroup Number
1 Letter for Chassis Version
Picturing this going with a particular flashback sequence in This Machine, where KT's just walking down the middle of the street in the early evening instead of bothering with her usual stealth, and by this point has a reputation that people are parting away from her and whispering in fear, but she's ignoring them all; on her way to a safehouse, to kill someone important and burn down the place with extreme spite
One of those simultaneously "fuck yeah, Incoming Badass" and "aw fuck, Bad Decisions imminent" sorta moments
One of the more fun themes I want to explore in This Machine, is like, in the future we have figured out True AI, which is awesome in a lot of ways, but also ironically is kind of a "back to square one, what even was the point" sorta thing in other ways.
Sapient robots have a lot of the advantages of machinery over organics, but also some of our same issues. Emotions prevailing over logic, in both good and bad ways. Mental health problems, for which KT especially is practically the poster child. Can't draw a circle perfectly anymore.
So where the lines lies between where androids are fundamentally alien to our perspective, and where they're a little too close to us for comfort, and the benefits and drawbacks of each side of that dichotomy, is gonna be something kinda fun to play around with.

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Already have some potshots at GenAI in This Machine, but I wonder if it would be too gauche to also throw some potshots at Tron Ares
This is a few hundred years in the future so it probably wouldn't make too much sense for anyone (at least anyone plot-relevant) to remember it was a thing in the first place.
KT-40A (Katie Fortier) also known as Glintsinger
A special forces combat android (albeit, made from a heavily modified sexbot chassis, much to her consternation) designed as part of a special scientific-engineering program, KT contains a secret, powerful piece of experimental hardware that none have been able to replicate to this day. She was thought destroyed in a final battle against [REDACTED], yet her actions and struggles beforehand had a greater impact on the world than she ever realized.
Sixty years later, she awakens to find herself rebuilt, in circumstances and a culture drastically different from what she knew. Yet her role remains clear as ever: Accompany those under her protection safely out of danger... and eliminate anything that stands in her way. With her level of skill and power, the second part is easy; though as her long-buried past threatens to catch up to her, the first may prove more difficult...