idk guys but i think will byers would cry if he found out that so many people make beautiful drawings of him and the love of his life as their dnd characters
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idk guys but i think will byers would cry if he found out that so many people make beautiful drawings of him and the love of his life as their dnd characters

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”it doesn’t matter if you’re anti military, veterans still deserve respect” you tortured people. you tortured people and killed hundreds of innocent civilians. you used methods of warfare so severe the countries still haven’t recovered and probably won’t for a while. you’re responsible for so much tragedy. i don’t think i’m gonna respect that.
Maybe it's because I'm still single, but I don't understand the mentality of people who ditch or lower their personal importance of every other relationship they have in favor of a romantic partnership. It's like suddenly, everyone else they know becomes obsolete and their world revolves around the romantic interest.
Like, yeah, I know that this person is important in your life now, but I was too at some point in time.
Just a thought
The cool thing with "Into the Woods" when translated in French is that of course people jumped on THE reference. "Into the Woods" got translated as "Promenons-nous dans les bois". "Let us walk in the woods / Let us promenade in the woods / A promenade in the woods". Which is not just a French nursery rhyme, it is THE French nursery rhyme by default, the most famous one.
Probably because it got tied to an actual famous child-game, that one rhyming game of not having the wolf catch you... Because the other name of "Promenons-nous dans les bois" is "Loup y es-tu?" "Wolf are you there?". As the whole point of the song/game is to sing that you are walking in the woods while the wolf is not here, else he would devour you - and you regularly call out for the wolf, who lists the pieces of clothing he puts on until he finally is ready to come out and hunt you down to eat you.
It is very frequently used in France not just for kids' media but also for crime thrillers and French horror (obviously), and it is the perfect cultural bridge to translate "Into the Woods" in French.

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if supernatural was a good and well written show where everybody had a clear concise vision for each character then all of jacks latent suicidal tendencies wouldn’t just be dramatic plot-forwarding moments with no resolve or acknowledgment. and also jack would actually be a well rounded character with more purpose than being the pretty-boy MacGuffin but here we are. and what’s funny about it is that some of the writers (shoutout yockey and berens) were aware of this problem, tried giving jack some solid inner workings, but I’d imagine being in the writers room for spn is like a cooking contest to see who can throw as much spaghetti on a wall and make it stick, because nobody else committed to the vision (which is pretty strange because most of the time there’s at least some consistency between them)
like it is genuinely an interesting thing to take the overpowered plot device character and give him a complex about where his value comes from, whether it’s his power and usefulness or because he’s genuinely loved as a person (and since he thinks he’s fundamentally evil somewhere deep down it can’t possibly be door number two) so who even is he if he doesn’t have something to offer all the time? so now he has another layer -> trying to be the overly responsible hero, learning as many skills as he can to still come in handy without those fancy powers (ie, lock-picking on the internet and boxing w bobby) -> circle it all back to his constant identity issues because of the trope he embodies: which parent is he most like? will nature or nurture win, and who’s to say what his nature really is anyway? who does he Want to be and how does it clash with the different outward perceptions of him? Etc etc.
even the things that clearly aren’t shooting for a deep new angle help lend to something more existing, like jack having personal wants for various things; a bucket list of normal, mundane experiences showcases how he feels about his own status and hunting, to a degree (I don’t think he’d ever give up hunting frankly). following the episode where he decapitates a mythological creature, exorcises and then hotboxes the second-only-to-god archangel Michael up with an episode where he does groceries and tries to socialize with other kids establishes both the domestic routine of the team and more of what jack wants/prioritizes for himself. the overpowered plot device character who’s secretly insecure about his own value and genuinely feels isolated by his own nature just wants to be normal and figure out his place in the world.
that’s genuinely interesting stuff, but it’s never given any time for exploration because jack isn’t meant to be a fully fleshed out character until the plot can be given some seasoning with a new implication or establishment about him. nothing else ever comes from him stabbing stacey or revealing his powers to normal kids. none of his insecurities are addressed by anyone other than the personified voice in his head and none of them get any real closure, because it’s quite simply not about him until he’s convenient. and even the perfectly fitting meta/existential horror of that — of your own existence being denied and ignored unless it can serve another purpose because you aren’t quite a real person — is a mark-missing shot in the foot because the writers aren’t aiming for anything substantial