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I really really need the whole article! Who has it??
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A tökĂ©letes basszusgitĂĄros / The perfect bass player đž
HabĂĄr Freddie magĂĄnĂ©letĂ©be beköszöntött a boldogsĂĄg, a Queen tovĂĄbbra is problĂ©mĂĄkkal kĂŒzdött, hiszen mĂ©g mindig nem sikerĂŒlt megfelelĆ basszusgitĂĄrost talĂĄlniuk. IsmĂ©t hirdetĂ©st adtak fel, melyre egy 17 Ă©ves, Doug Bogie nevƱ srĂĄc jelentkezett. âAmatĆr zenĂ©sz voltam, de mindig vĂ©gigböngĂ©sztem a lehetĆsĂ©geket a heti zenei lapban, a Melody Makerben. 1970 januĂĄrjĂĄban az egyikben csak annyi ĂĄllt, hogy âegy mesĂ©s Ășj banda basszerost keresâ. Az Imperial Collegeban hallgattak meg.â â emlĂ©kezett vissza Doug. KövetkezĆ fellĂ©pĂ©sĂŒkre, februĂĄr 19-Ă©n mĂĄr az Ășj basszusgitĂĄrosukkal Ă©rkeztek meg a Hornsey Town Hallba. Teljesen elment a kedvĂŒk, amikor megĂ©rkeztek Ă©s Ă©szrevettĂ©k, hogy közönsĂ©gĂŒk mindössze 6 fĆbĆl ĂĄll.
FebruĂĄr 20-ĂĄn Ășjabb fellĂ©pĂ©s következett, ahol a Yes Ă©s a Wishbone Ash elĆ zenekarakĂ©nt jĂĄtszottak a Kingston Polytechnicben. Tony Blackman a közönsĂ©g soraibĂłl, Ăgy emlĂ©kezett vissza az estĂ©re: âAkkoriban senki nem ismerte a Queent, mĂ©g, döbbenetes mĂłdon Ășgy Ă©reztem, hogy nem rosszabbak a YesnĂ©l vagy a Wishbone AshnĂ©l. RĂĄadĂĄsul kilĂłgtak a sorbĂłl. Mindenkin tapadĂłs, vĂ©kony, fekete ruha volt. SzĂĄndĂ©kosan nĆiesre vettĂ©k a figurĂĄt, fĆleg az Ă©nekes. Akkoriban ez nem volt szokĂĄs, mĂ©gis alaposan rĂĄjĂĄtszottak.â.
A kĂ©t koncert utĂĄn Freddie, Brian Ă©s Roger Ășgy Ă©reztĂ©k, hogy nem Doug a megfelelĆ ember a szĂĄmukra, Ăgy hĂĄt 1971. februĂĄr 21-Ă©n a fiĂș karrierje vĂ©get Ă©rt a Queenben. Nem sokkal kĂ©sĆbb Brian Ă©s Roger egy londoni diszkĂłban, talĂĄlkoztak egy John Deacon nevƱ basszusgitĂĄrossal Ă©s nem sokkal kĂ©sĆbb meg is hallgattĂĄk Ćt. EljĂĄtszottak egyĂŒtt pĂĄr szĂĄmot, majd Brian megtanĂtotta neki a âSon and Daughterâ dallamĂĄt. EgyĂ©rtelmƱvĂ© vĂĄlt, hogy a Queen megtalĂĄlta utolsĂł, hiĂĄnyzĂł darabkĂĄjĂĄt.
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Even though Freddie was blessed with privacy, the Queen still struggled with finding the right bass guitarist. Another ad was posted, with a 17-year-old guy named Doug Bogie applying. âI was an amateur musician, but I always searched through the possibilities in the weekly music magazine, Melody Maker. In January 1970, one said, "a fabulous new band is looking for a bassist." They auditioned at Imperial College.â - Doug recalled. On their next appearance on February 19th, they arrived at Hornsey Town Hall with their new bassist. They were completely overwhelmed when they arrived and noticed that their audience was only 6 people.
On February 20th, there was another show, with Yes and Wishbone Ash playing as bands at Kingston Polytechnic. Tony Blackman from the audience recalled the evening: âAt that time, nobody knew Queens, yet, shockingly, I felt they weren't worse than Yes or Wishbone Ash. Plus, they were out of line. Everyone was wearing a slim, black dress. The character was deliberately feminine, especially the singer. It was not a custom at the time, but they played well.â.
After the two concerts, Freddie, Brian and Roger felt that Doug wasn't the right person for them, so on February 21, 1971, his career ended with the Queen. Shortly afterwards, Brian and Roger met a bassist named John Deacon in a London disco and were heard shortly afterwards. They played a few songs together, and Brian taught him the melody of "Son and Daughter." It was clear that the Queen had found their last missing piece.
[Irodalmak / References:  đ - Matt Richards, Mark Langthorne (2019): BohĂ©m RapszĂłdia.]
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