Jackie and I were invited to one of the Maria Doyle Kennedy house concerts in Seattle, and it was such a different experience than IAC or Hughâs Room. Most of the night transcends words, but it feels strange not to write at least a little note, for posterity, so here are the highlights.Â
Barefoot Hello. We went downstairs to scope out seats, and opted for a comfy couch near Mariaâs bells. Just after we sat down, we recognised the purple and white floral frock from SDCC down the hall, and, of course, the woman wearing it. We waved, and Maria, barefoot, navigated through the other people downstairs, and greeted us with a warm âHi, ladies!â and hugs. The heat was promptly complained about because itâs hella hot in Seattle this summer and no one here is prepared for it - âI'm roasting! Jeepers!â As we talked, Maria made eye contact with my mam who had been talking to another guest. "Hi, I'm Maria." "Oh, this is my mam." "Oohh, heeelloooo!! Lovely to meetya! Aww!" To âget some work out of [us]â, Maria asked us to help CDs during the break, so we went upstairs to sort that out.Â
Bead of sweat. While we were snacking on the delicious treats everyone brought, we ran into Kieran and talked about their road trip up. My mam, the beautiful social butterfly she is, proceeded to talk about the bead of sweat dripping all the way done her back to, well, lower⌠What a gem. (Please donât kill me, mam! - blame the heat - we were all going a bit bonkers)
Stuck. I definitely peeped at the set list before the gig began, so I was confused when I didnât recognise the first few notes of Hola Luna which was supposed to be the second song, and even more confused when Kieran glanced in our direction and gave us a wink. And then⌠*chorus on angels* STUCK. It is absurd to think about how this is probably her most well known song after it was performed on OB (and I stg I donât mean to be a stuck-up hipster about it) because itâs always been my default favourite (only when forced to choose), and itâs kind of the reason I first got in contact with them. Iâve been dying to hear it live, and I⌠UGH. WORDS?! To me, the song has an oceanic quality - waves continuously ebbing and flowing, the struggle to âget upâ or swim to shore, but constantly being tossed back by the currents and âtorn asunder.â  Maria did a different tempo/inflection on âWe are knuckled down, buckled under, fucked around, and passed overâ that echoed that pushing against water and coming up for air. It was stunning. After the song Maria said, âThat one was especially for Shawna and Jackie - I know they love it.â *pinch me*Â
Pride. As Maria introduced one of the songs from the next album, Pride, she talked about Irelandâs marriage referendum and how the entire country voted yes except for this tiny county in the center âwhere [her] mammyâs from.â *cue audience laugh and sympathetic âAwwâ*
Please Donât Leave the Bar. Maria mentioned that the titles of the songs for the new album are hilarious and singled out, Please Donât Leave the Bar, and sang a few lines from it. Kieran piped in with his two favourite funny titles for songs: âPottymouthâ and âKissing Cousins.â Maria: âI donât have a song called âPottymouthâ and neither do you âŚand we never will have.âÂ
Swankypants Seattle. MDK and KK played gigs in Queen Anne: âSwankypants,â Carkeek Park: âAlso pretty swankypants.â and Bellevue: âAlso really swankypants.â âExcept how the fucking hell do you get around?! Itâs the worst traffic EVVAHHH. Itâs horrible! âItâs HORRible!â Thatâs my best Seattle accent. âItâs horrible.ââ Someone in the audience innocently asked, âHow do we say it?â ââHORRible.â We say, HARRible.â
Under the stars. The house concert moved to the backyard for Act II. Most people brought their chairs out, and Jackie and I ended up on a blanket just in front of Maria and Kieran. They always sound incredible, but it was such a treat to hear just the two of them with Kieranâs guitar under the stars. âGoing Homeâ and âSinners Like You and Meâ were gorgeous.Â
Twelve White Horses. Mariaâs favourite song Kieranâs ever written. She pointed out that thereâs the line in the middle of the song: âWhere does the northern wind come from?â When they were recording it again recently, Kieran was like âWhat a fucking stupid line⌠Like, from the North, obviously!â However, Maria thought it was brilliant line about creation and the big bang, âLike where does the northern wind come form? where does anything come from?!â And sheâs had luck with persuading him of her existential interpretation. âBoom. Results.â
At Last. One of the last songs they played inside was a cover of Etta Jamesâs At Last. They learned it for the wedding of a friend who was getting married for the first time at over 50. She had heard this song on the radio one day and thought it might be too corny. Maria disagreed. âAre you fucking kidding me?! Itâs like the most beautiful song EVER written. And itâs called At Last. And itâs like âAt last my love has come.â And I was like, chicken. Youâre over fifty. Youâre getting married. Itâs the most perfect song. In the World. Of All. At a wedding.â And MDK and KKâs rendition is so simple and sweet and stunning - buhhhhh!Â
Post-gig glow. After the gig, we were able to just hang out and talk. I think this is where the difference between a gig and a house concert is most prevalent. When the musicâs playing, it doesnât really matter where you are- youâre all plugged in and transported to the same plane. Itâs the energy and space book-ending the music thatâs different. Gigs are teeming with loud and exciting energy, while this house concert felt so much more home-y (go figure). It was still incredibly exciting, but everything was in bathed in an ease and calmness. To be honest, it felt (and still feels) like a dream.