Send āā·ā to view a memory from my museās past life. / For Vi!!
@thefaeriescafe | March 18th, 1942. (The day following the announcements of the third military draft lottery).
Some mild inspiration from this picture!
There were always quieter days at work, but the mood today was somber. A year ago, everyone had known that America would enter the war and that it was, at that point, mostly a matter of time. But that wasn't true anymore.
The latest lottery had been announced last night, and Vivian had never found herself seeking out Clarence's hand more than to see if his number had been on the list. It hadn't. But that hadn't been true for everyone. They'd walked past people crying on the subway, and those who simply stared ahead with vacant eyes.
"They're going to ask questions about us soon," Vivian calls through the propped-open door between the washroom and the living room. She leans towards the mirror, pinning a hair roller in place. It's the usual shape of their nights. She prepares for bed, and then Clarence does.
"They already do," he says, voice growing closer. She catches his eyes in the mirror as he comes to lean against the doorway. And it's true, they do: about the fact that she works and has no plans to stop even once the war is over, that they don't have children, or own a house, or any of the other great number of things that make them just so subtly unlike the other couples.
"About children" she elaborates.
He grimaces. "You don't want children,"
She sticks another roller into her hair. "No," she agrees. "And you don't want them with me," but they both know that what they really want isn't an option. It was why they ever got married in the first place. She thinks the only reason they've managed to avoid more pressure thus far is because they had still been newly married enough, but it would be their fifth anniversary soon.
Clarence tries to laugh, bitter as it might be, and nods in acknowledgement of the truth of it all.
"They'll probably listen for a while yet about worries of ending up like our parents." Like her own father, she doesn't add, who came back in nothing but flesh. Now is hardly the time to have children, so soon to when everyone thinks they'll need to ration. But after the war... she'll be older then, but not so old as for it to still be unreasonable and they'll need a better excuse.
And there is, perhaps, a comfort in discussing the future like this. She doesn't want him to die in the war, as much a farce as the marriage might be. And the last day... they've come closer to the risk than has felt real since the day he had to register.
He seems to catch onto the concern before she needs to say it. "We need something they won't question,"
"Only so long as the war lasts."
"Notoriety?" This time, Vivian turns to look at him directly, and the sigh says it all. "The assistant and a daytime television star? We're hardly the most notable couple in New York," whatever dreams they both might have to the contrary.
They both fall into silence for a long minute while Vivian finishes preparing her hair for tomorrow.
"Infertility," she says a moment later, and Clarence's eyes light up.
"We play it off as a tragedy," he says.
"A mutual desire that just isn't to be," she adds.
"No one asks anything past it," he says, and a split second later. "But now that you're done, it's my turn with the washroom now."
An hour later, when there's nothing left illuminating their apartment but a lamp, she touches his shoulder gently. "For what it's worth, I am sorry I can't give it to you."
He catches her wrist before she can move away, leaning his head against it. "Don't be. How could I ever play the handsome heart-throb if I'm living the role of the exhausted father?"
"The same way you always have," Vivian answers. "You're a good actor,"
Clarence laughs, and it's just enough to lighten the mournful air. "Ah, Vi, if only you were the person running it all. Maybe then the world would see my true vision. You're the best wife I could have asked for."