#theargument

Finally! The movie that’s looking to be one of the most controversial movies of the summer, if not the year, comes to the United States. Of course, I’m talking about Christopher Nolan’s TENET (Warner Bros.), his tribute to James Bond movies with John David Washington (BlacKkKlansman) playing a super-spy (of sorts) who teams with Robert Pattinson to perform intricate heists on a mission to find out who has discovered bullets that travel backwards through time and brought them back into our time. Also starring Elizabeth Debicki and Kenneth Branagh, the movie has received mixed to positive reviews with about 76% on Rotten Tomatoes. You can read my full review right here and a second technical review here.

Right now, it looks like Tenet is going to be playing in roughly 3,000 theaters over Labor Day weekend with only a few states fully closed including my own (New York), as well as North Carolina and New Mexico. A few other states like New Jersey and Maryland are reopening but it may be too late to get Tenet in there. California has a few areas open but not Los Angeles or San Francisco.

Although I’m hesitant at making any predictions right now or doing a full-blown analysis – there so many unknowns in a pandemic -- I think a four-day opening of somewhere between $25 and 28 million should be possible even with limited seating in most theaters that have reopened. I think people are ready to go back to theaters despite the negative narrative created by certain irresponsible film critics who seem to care more about their own personal health than that of the industry that has allowed them to pay rent and live large for years.

Another movie that I’ve been looking forward to and actually my most anticipated movie of the year is Disney’s live action remake of their animated classic, MULAN, this one directed by one of my favorite filmmakers, Niki Caro of Whale Rider fame. I cannot tell you how excited I was to finally see this movie after being invited to a press screen back in March, and then have it systematically cancelled as everything else started shutting down. Fortunately, I got a screener and while not my favorite way to watch a movie, I absolutely LOVED IT!

It stars Yifei Liu as the title character, made famous in the 1998 Disney animated movie, and it follows a similar story of a teen girl who steals her father’s sword and armor and pretends to be a man to join the Imperial Army under secrecy. There are definitely major changes in Caro’s version, most notably the lack of songs and no sign of Mushu, the adorable dragon voiced by Eddie Murphy. This is also not meant for small children, because it’s PG-13 not because it has anything terrible like someone waving genitals or swearing but because some of the action does get intense without much blood or anything terrible. I mean, this is definitely a SOFT PG-13, if that’s even a thing.

The movie is gorgeous and in the vein of movies I love like Zhang Yimou’s Hero and Ang Lee’s Crouching Tiger, Hidden Dragon, and it’s even exec. produced by Bill Kong, who produced many of those films. The point is that I love these kinds of movies, plus I’ve long been a fan of Caro’s, and everything just comes together beautifully from the performance by Yifei Liu to the fantastic characters around her, including ones played by Jet Li and Donnie Yen (reuniting from Hero!), as well as an amazing witch played by the indelible Ms. Gong Li, who is also terrific. Sure, there’s a few issues with the dialogue, but this is not a kiddie movie, as much as it’s something on par with the first Pirates of the Caribbean movie, and I just love all of the decision Caro and her all-Asian cast make in telling this story in a new way. I particularly liked how the film followed Chinese traditions and dealt with things like “chi,” but as with the animated film, the stuff in the army 

On top of the amazing martial arts fights, there are also some terrific battle scene that would do Braveheart proud, and it’s all pulled together by Harry Gregson-Williams’ score, which may be one of my favorite pieces of music this year. Definitely a score I’ll be buying since it brings so much excitement and emotion to every scene, but that’s just as much a credit to Ms. Caro and her fantastic cast, who in a couple scenes, particularly between Liu and Li, had me tearing up almost as much as every single time I’ve watched Caro’s debut, Whale Rider.

I’m sure that fans of the animated movie (which I only saw for the first time earlier this year) will have different expectations, but you can’t fault Disney for being a little bit concerned and undeservedly dumping it to the Disney+ streaming service (which you can watch it at a premium of $29.95) rather than giving it the theatrical release it truly deserved. Honestly, if for some strange reason, Disney decides to play it in a bunch of theaters once they’re fully open, I would not hesitate to watch this again in what I consider a much-better environment for a movie which is likely to end up in my top 10 for year. It’s probably my favorite straight-up Disney movie (not including Pixar or Marvel) since maybe Kenneth Branagh’s Cinderella, although I kind of enjoyed Mary Poppins Returns, too.

I also have a crafts review of Mulan over at Below the Line, so check that out!

While I’ve generally been mixed on Charlie Kaufman’s movies that he directed himself, I couldn’t NOT watch I’M THINKING OF ENDING THINGS, his new movie on Netflix, starring Jessie Buckley and Jesse Plemons as a young couple going to visit his parents, played by Toni Collette and David Thewlis. At first, it looks like they’ll get stuck in a snowstorm, but then they get there and then they leave and once again get stuck in a snowtorm. No, this isn’t Centigrade 2, but actually something far FAR worse, to the point where I’m not even sure where to begin.

It starts with Buckley’s “Young woman” – yes, Kaufman doesn’t even bother giving her a name – being picked up by her boyfriend Jake (Plemons) before the long ride through the snow to his parent’s house. The whole time, we hear her inner thoughts about wanting to break up with Jake for one or reason or another, her thoughts always been interrupted by Jake making a statement that seems out of the blue. When they get to his parents’ farm in the middle of nowhere, things start to get weird, and I don’t want to go into too many details because if you read my review and decide to sit through it anyway, then it’s your own fault.

Apparently, this was loosely based on a book of the same name by Iain Reid, but it was adapted by the guy who wrote Adaptation, so Kaufman pretty much just went off and did his own thing based on Reid’s general premise. What I find particularly weird is that some of the early reviews talked about this movie as if it was a horror movie, but I just don’t see that at all. It’s just a really dry and weird comedy that doesn’t really take off. While parts of it remind me of the comics work of Daniel Clowes (Ghost World), who I genuinely love, other parts just get so weird, and at times, it reminded me of David Lynch’s Eraserhead or M. Night Shyamalan’s The Visit, but only because there are so many WTF moments that you wonder what the actors must have thought while they were doing what Kaufman told them to do. Again, I’m not going to ruin the experience of being thoroughly confounded by some of the weirder moments but after Buckley and Plemons leave the farmhouse, they’re back driving through the snow and having far more intelligent conversations about such mundane topics. At one point, I thought, “This movie must be over soon, right?” and I checked, and there were 43 more minutes to go. That’s when I went from angry to outright ballistic, because I knew that there were so many other things I could be doing than listening to all the talking, talking, talking… They eventually arrive at an abandoned school and go there for shelter, and I was like, “Oh, good, now we get to the horror stuff.” Nope.

I’m Thinking of Ending Things is the perfect movie for the scant few that raved about Darren Aronofsky’s mother!, or those who consider Holy Rollers a masterpiece of the highest order. Awful, aggravating and almost unwatchable at times, I’d only recommend Kaufman’s movie to people as a practical joke. Nah, I’m not that mean. It’ll be on Netflix tomorrow. Good luck with it.

Filmmaker and Rooney* frontman Robert Schwartzman directs his third feature, the comedy THE “ARGUMENT” (Gravitas Ventures), which takes the simple idea of a cocktail party and turns it into a riotous and sometimes strange comedy of errors, of sorts.

Dan Fogler and Emma Bell play couple Jack and Lisa, he a writer, her an actress, who have been together for some time, and Jack is ready to pop the question. After the final of a stageplay Lisa is co-starring in, Jack throws a cocktail party at which he’s gonna propose. He invites over his agent Danny Pudi from Community) and his wife Sarah (Maggie Q) but Lisa has invited her amorous co-star Paul (Tyler James Williams from Everybody Hates Chris all grown up!), who brought his own bubbly girlfriend Trina (Cleopatra Coleman).  As Trina starts drinking, thing just get worse and worse, and it inevitably turns into a full- on fight between Jack and Lisa aka the “argument” of the title. Jack is convinced that if they have a do-over on the night, they can prove who is right.

Oh, yeah. That couldn’t possibly work, right? Well, I’m not going to spoil it, but the one do-over turns into several, which turns into Jack trying to script the perfect cocktail party with the six of them … or rather five after Maggie Q’s character quits in a hilarious huff where she does impressions of the other five. (I’ve always found Maggie to be hilarious from talking to her years ago, and it’s great that her comic skills are finally being used, along with her beauty.) Eventually, Jack brings in actors to play each of them and perform the script he’s written so they can all sit back and figure out where things went wrong. Honestly, The “Argument” is more like the Charlie Kaufman movies I liked (such as Adaptation), and the movie has a vibe a lot like the play God of Carnage, which Roman Polanski adapted into a movie that nobody saw and few gave a fair shake. Also reminded me of Ike Barinholtz’s The Oath, which I quite enjoyed. The main leads are great, but I gotta give additional kudos to Maggie and Cleopatra Coleman, who gives a surprisingly layered performance as possibly the first ditzy African-American not-blonde “blonde” in movie history?

Although Schwartzman didn’t write this movie – it’s written by Zac Sanford who made The Chumscrubber -- he does a great job using his talented cast to throw many surprises at the viewer, and I was laughing quite hardily as the movie went on, because I really enjoyed the characters portrayed not just by the main six but also the actors playing the actors. Yeah, I know it might get confusing but at least this doesn’t have time travel, so if you want a fun and unexpectedly clever dark comedy, do check out The “Argument” which will be in theaters and On Demand, and apparently, you can even order it bundled with WINE?!?!? (*And you can also check out Rooney on Spotify!)

Another really nice surprise this week was Jeff Barnaby’s apocalyptic horror film BLOOD QUANTUM (Shudder/RLJEFilms), which was released on VOD, Digital HD, DVD and Blu-Ray earlier this week but is also on the awesome horror streamer, Shudder, I guess right now? It involves a community of indigenous people in the reserve Red Crow who face the undead when an infection hits the village through a bunch of animals who come back to life and then infect the humans. The movie starts on the first night of this plague and then cuts forward six months when the people of Red Crow have shut themselves off from the rest of the world with the hopes of keeping those still alive uninfected from the hordes of “Zeds” outside their gates.

I’m a little bummed I didn’t have press notes for this movie because there are so many great characters and performances, but it was hard to keep track of them without a scorecard. It does star Michael Greyeyes from Fear the Walking Dead, as well as Forrest Godluck (The Revenant), Kiowa Gordon and Elle-Máijá Tailfeatures, but other than Greeneyes, who plays the sherriff trying to keep his family safe, I could barely keep track of the characters or figure out who played them, and that’s a shame.

I generally liked the recent Train to Busan: Peninsula but Blood Quantum works just as little bit better, mainly from the interaction of the characters in a world full of sex and drugs and gore galore where you never who is gonna get killed but for the most part, they’re likely to go in a way that involves blood that pours like a waterfall. You add to the quick pace of Barnaby’s direction the amazing score that almost sounds like Trent Reznor and Atticus Ross, and you have a movie that makes you realize that Barnaby has made a film that perfectly captures the spirit and feel of John Carpenter’s best work. 

I actually watched John Leguizamo’s feature film directorial debut CRITICAL THINKING (Vertical Entertainment), way back in March, literally my very last press screening before movie theaters shut down, little realizing that it would be the last press screening for six months! It’s written by Dito Montiel, who I’ve generally been mixed on, and it’s based on a true story from 1998 where a Miami teacher, played by Leguizamo, tries to save a group of Latino and Black teenagers from the inevitable drugs and crime that kids from the underserved ghetto usually get into by teaching them chess and getting them all the way to the National Chess Championship. I didn’t get to rewatch it to write any sort of intelligent review, but as you can imagine, it has a Mr. Holland’s Opus or Dead Poet’s Society feel, but mixed with the little-seen Disney movie, Queen of Katwe, which I generally enjoyed much more. I do think Leguizamo did a pretty decent job with his first feature as a director and maybe if the crazy early days of COVID weren’t distracting me so much, maybe I would have enjoyed it more. This is a movie that I need to rewatch with a better head on my shoulders.

Tyler Norwood’s doc ROBIN’S WISH (Vertical) takes a look at the last years of comedian and actor Robin Williams, who died from suicide in August 2014 at the age of 63. To everyone who knew him, from close acquaintances to fans, it was a mystery why Williams would take his own life with things going so well in his marriage to Susan Schneider. After his death, the autopsy showed that he was afflicted by undiagnosed diffuse Lewy body dementia, and apparently, that was enough to do his head in to the point where suicide seemed like the only solution.

This is a very different than the equally good Robin Williams: Come Inside My Mind, because it does focus so much on Williams’ last years and his relationship with Schneider, who plays a much bigger role in this movie with in-depth and intimate moments. It also does a good job talking to Williams’ neighbors in Marin County, who laud the comedian’s commitment to entertaining those in the community. It also interviews Shawn Levy from the Night at the Museum movies, who talks about how Williams wouldn’t let anyone around him know what was going on, maybe because he didn’t really know himself.

Williams’ death was tragic but even moreso when you realize what he must have been going through, and the only thing else I will say is that the notably teary documentary Dear Zachary may finally have some competition as the most tear-inducing real-life film you ever watch. Even so, it’s wonderful and does as great job shining a light on how hard something like dementia hits people when they least expect it. (Also, the score and cinematography for the film are fabulous at provoking those sorrowful emotions even more.)

Arthur Jones’ doc FEELS GOOD MAN is available right now On Demand via the Fantasia Film Festival and will be available via other film festivals, like Oxford Film Festival, starting Friday. (It will also be in theaters, including Oxford’s drive-in!) The movie follows the journey of comics artist Matt Furie, who drew a comic called “Boys Club” that featured a strange frog character named Pepe, who I never heard of, but apparently, the odd underground comic character went from being a popular meme to becoming a symbol of the alt-right. It sounds pretty crazy, but it is an absolutely crazy story as Furie sees his lovable and peaceful slacker character get out from under his control as right wing kooks like Alex Jones from InfoWars gloms onto him.

At first, I wasn’t sure if I’d find this as interesting as the HBO doc, Beware the Slenderman (which I also happened to see at Fantasia a few years ago), but the way that Jones tells Furie and Pepe’s story is really quite compelling, especially as he (and we) watch the craziness surrounding his character unfold, and Pepe becomes less and less like something he wanted to be associated with. (Furie and his wife spent thousands of their own money-making Pepe T-shirts and merch only to have to destroy it all once Furie gets pegged as the creator of a hate image. I mean, holy shit, this thing gets ugly!)

Apparently, Feels Good Man won an “Emerging Filmmaker” Jury Award at Sundance, and it’s well-deserved. I’d recommend the movie to anyone who likes comics or politics and doesn’t mind when the two things collide.

There are a few other movies that I want to write about that I didn’t have time to watch despite having screeners and who knows, maybe I can watch them over this longer weekend if things aren’t too crazy screener-wise. (I lost quite a bit of time with my trip to Connecticut to see Tenet, unfortunately.)

First, there’s Julius Berg’s THE OWNERS (RLJEFilms), which stars Maisie Williams from Game of Thrones and Sylvester McCoy aka Doctor Who #6 (I think?). It’s about a group of friends who want to break into an empty house in which there’s a safe full of money, but when the elderly couple (including McCoy) return home early, they turn the tables in a deadly game of cat and mouse. Yeah, it does sound like it could be fun, and it’ll be in select theaters, On Demand and digital this Friday.

Also out on Digital, as well as DVD, Blu-Ray this week is the anime CHILDREN OF THE SEA (Shout! Factory/GKids) from director Ayumu Watanabe and STUDIO4ºC who made Mind Game and Tekkonkinkreet. It’s about a young girl named Ruka whose father works at an aquarium where she comes across two mysterious boys who were raised by dugongs (a type of sea cow) so they’re very familiar and acclimated to water, to the point where they have to be in or near it at all times, kind of like Aquaman. I did watch a little bit of this, and I do have to say that it looks gorgeous, definitely more photo-realistic than the work of Miyazaki and Studio Ghibli. I’m sure I’ll get around to watch the rest of it because I do enjoy well-made anime -- Weathering With You and Ride Your Wave are likely to be in my year-end Top 25, for instance – so hopefully, fans of anime and fantsy will check it out.

On Amazon Prime this Friday is Eric Merola’s doc THE ANDORRA HUSTLE, which look at the country of Andorra, located between France and Spain in the Pyrenees mountains, holding a population of 80,000 people who find themselves at the center of one of the most convoluted robberies in history in 2015 when a the private bank Banca Privada d’Andorra was shut down by the government to destroy the Catalonian Independence Movement, leaving dozens of innocent civilians facing jail time for laundering money after losing their life savings.

A couple prominent science fiction series premiere this weekend, including the Ridley Scott-produced Raised by Wolves on HBO Max and Away, starring Hillary Swank on Netflix. Someday, I hope to have

There’s a lot of other stuff that I didn’t have to watch or even think about it, so yeah, this is a little bit of a “lite edition” of the Weekend Warrior, so I apologize. Hopefully, I’ll be able to do better next week.